Hints and its types in Bidel Dehlavi's lyric poems

 Hint is one of the most widely used literary techniques. Many literary industries may be vacant in the collection of poems of early or late poets, but the industry commonly found in poetry is allusive. Due to the fact that allusion has undergone a special change and expansion in the Indian style, Bidel Dehlavi, like other poets of the Indian style, used this industry in his lyric poems; At the same time, his view of allusion was not like that of his earlier and contemporary poets. Although Bidel is less efficient in using the industry than his contemporaries, he has tried to innovate more. In this article, by describing some of the verses in which the allusion is used, an attempt has been made to solve the semantic problems of these verses as much as possible and for those who are interested to have a better understanding of the themes of this famous poet.

 The method of work in this research, like most researches in the field of humanities, is descriptive-analytical and the use of library resources.

 Bidel is one of the least useful poets of Indian style in the use of Iranian allusions. But in his lyric poems, the names of lovers such as Majnoon and Farhad, along with Shirin and Lily, have a high frequency. Instead, Islamic teachings have a considerable frequency in his poems. Unlike the poems and Masnavi, which have made significant themes from the allusion to the Prophet Muhammad (pbuh), Bidel has alluded to prophets such as Moses, Jesus, Jacob, and Joseph in his sonnets.

 Most of Bidel"s use of the allusion industry has been done by his capture of the narrative, story, and story in question, and more importantly, he has almost always had his own interpretation of the subject. In fact, in almost all cases, the use of allusion in his sonnets is associated with conveying a moral-religious message, even if we are dealing with a romantic story. He has also occasionally combined allusion with industries such as simile, equation, irony, paradox, and metaphor.