The stylistic study of Divan Ghazliat of Moznab Badaivani, a poet of the return period (based on four manuscripts)

Moznab Badayouni is one of the unknown poets of Qajar era lyricists. This research tries to express the stylistic features, the theme of his poetry as well as its literary beauty. The goal of the researcher is not to determine the frequency and extent of imitation of Moznab from the ancient style, but to determine and examine the poet's style, at the linguistic, literary and intellectual levels, to answer these questions: 1- Which of the styles of Persian poetry is Moznab influenced by, and which poet or poets has had the greatest impact on him? 2- What are the manifestations of the school of occurrence and burning in Moznab Badayouni's sonnets?

Study

This research was done by content analysis and library method. The study method is in-text and with a critical view. The scope and community under study is Diwan Ghazliat Mozab.

Moznab has managed to bring his language and thought axis closer to the Iraqi style poets. In some of this poet's poems, the color of "School of Occurrence" and "Vasukht" can also be seen, which shows the change of his attitude during his life.

Moznab especially followed Saadi and Hafez in composing ghazals. On the linguistic level, his poetry is far from any complexity. He has used vernacular language as one of the main materials of artistic language and he tries to musicalize his words with the artistic use of vowels, an anthology of words and their arrangement together. At the literary level, expressive elements such as simile, metaphor, and original elements such as repetition, observance of analogy (more than 95 percent), contrast, and allusion have the highest frequency. At the intellectual level, the focus of his thoughts and the basis of his lyrical poetry is "love and its related topics". People's beliefs, customs, religious beliefs, proverbs, as well as many themes, including the political and social situation of the country (during the constitutional period), can be seen in his poetry.