فهرست مطالب ashraf chegini

Jalis al-Mushtaq is a romantic poetry written in 870 AH by an unknown poet called "Ali" during the reign of Amir Shirvan Shah Farrokh Yasar (869-907 AH). This work is a translation of the poems of Basatin ol-Ons by Akhsatan Dehlavi (726 AH), secretary and writer during the period of Sultan Ghiyath al-Din Tughluq and Muhammad Shah Tughluq. Based on the manuscript of Riyahin al-Qulub, which is a translation of Golestan, a poet named Amir Sayyed Ali Hosseini (living in 860 AH) presented it to Sultan Khalil Shirvanshah (820-868 AH) and from the evidence in this work, it seems that the composer of Jalis al-Mushtaq is Sayed Ali Hosseini. This poem tells the love story of Kishvargosha, the son of Shah Batihan (Indian) with Malekara (daughter of the king of China) and at the same time, connected stories are also narrated in it. Considering the common background of these two works, differences and commonalities can be seen in their storytelling, combinations, characters and scenes, that the poet of Jalis al-Mushtaq has used the terms of music, astronomy and natural elements in his description and with simple language against the complex language of Basatin al-Ons has followed Shahnameh’s meter. The research on these two works indicates the influence of Persian and Iranian culture in the subcontinent and also the influence of these two cultures on each other. In this essay, the differences and commonalities of these two works have been examined.

Suvshun novel written by Simin Daneshvar is the first Persian novel written by a prominent Iranian woman writer, which was published in July 1969. Her style and method is known for its constructive constructionism.

This investigation aims to elucidate how these theoretical frameworks contribute to a comprehensive understanding of the characters and social dynamics depicted in the novel.

In this article, Sushon's novel was reviewed according to Lucien Goldman's point of view, who believed that there is a connection between the world of the author's novel and a social group. In the pursuit of a comprehensive analysis of Lucien Goldman's sociological approach and Alfred Adler's personality psychology in Simin Daneshvar's novel "Sushun," a meticulous research methodology is imperative.

The results of the research show that the author deals with the most important concerns of the society and about some social issues based on Goldman's evolutionary sociology theory. He has expressed his opinion that the examination of the material related to sociology in the novel shows that he has expressed a point of view emanating from his social class in a broad perspective.

Two axes can be seen in Suvshon's novel: one axis is the structure of the novel and its constituent elements, and the other is the socio-cultural and political structure of Iran's society at the time of the author. Besides dealing with artistic issues, the scholar has also addressed literary works to historical, political, socio-cultural issues and references. And he made it the basis of his artistic expression.

Jalis-ul-Mushtaq is a poem by an unknown poet with the name or surname "Ali" who was one of the poets during the reign of Amir Shiranshah in Sharvan, Azerbaijan (Haq: 869-907 AH) and he composed it in the field of poetry in 870 AH. This work is a translation of the poems of Basatin-ul uns Akhtasan Dehlavi, the secretary and writer of the period of King Ghiyath al-Din Tughlaq (720-725 AH) and Muhammad King Tughlaq (725-752 AH).In this verse, the love story of King Keshvargir, the son of King Batihan (a large city in southern India) and Mulk Ara (daughter of the King of China) is narrated, and interrelated stories are also narrated in it. In Jalis-ul Mushtaq, unlike Dehlavi's abbreviated version, Ali has narrated the story without any linguistic and expressive difficulties.

Understanding the events and content of each story is closely related to the time of its narration. Genette, as the most influential theorist regarding text time in narratological criticism, facilitates the discovery of the details of narrative time. The purpose of this essay is to compare narrative time with an emphasis on Genette's comprehensive theory and his structuring mechanisms in the two narratives of Peléas and Mélisande and Zal and Rudabe from three perspectives: temporal order, delay and frequency, in order to analyze the general rules of narrative time and its regularities. This research, with a descriptive-analytical approach based on library studies and with an emphasis on the commonalities and differences of the application of the narrative technique of the time of narration, deals with the comparative analysis of two stories. The narrative structure of these two works, from Genette's point of view, have a different chronological order. The narrative work of Peles and Melisande has a regular linear temporality that gives strength to the dramatic aspect of the work, but in Zal and Rodabe we see the disruption of the chronological sequence of events and numerous past and future predictions. Therefore, Pelleas and Melisande, unlike Zal and Rudabe, does not have a time lapse, and its delay in the narration time in the two stories is based on staging, and the dramatic form has turned these two works into dialogue-filled texts. In addition, the frequency of single quotation in two narrations is the dominant aspect.

Jill Deleuze is one of the greatest contemporary philosophers, including thinkers in the field of minority literature studies has had significant. "Minority" is the breaking of the shackles that bind us to certain ways of thinking in order to eliminate and achieve conventional realms through demilitarization. Becoming or becoming means the transitions through which a concept is transformed.The minority becomes a resistance to the ideology of the majority and represents an escape from the norms of the majority. All forms are to go to the literature of the minority and to become a minority. Becoming plays a central role in Deleuze's view. He uses the rhizome to explain his philosophy of becoming. In this research, in a descriptive-analytical method, while providing a definition of minority literature, an attempt is made to analyze and recognize this theory in the novel Verman Jai Khali Salouch. Thrill comes from its influence.By reading two novels, according to the approach of minority literature, we found that the features of this thinking are among the most important It is characterized by deterritorialization to achieve becoming, and the application of this approach is possible in both novels.

Postcolonial critique is one of the important approaches in the field of cultural and literary studies. Spivak, the founder of the post-colonial inferiority theory, by studying the methods of neo-colonialism and internal exploitation and its impact on the societies of the third world, introduced its methods and consequences. Spivak believes that preserving and spreading hidden and open ethnic and gender traditions and prejudices in the long-standing system of patriarchy is one of the most important and common methods of domestic rulers in order to keep oppressed societies backward. Spivak is one of the few thinkers who emphasizes the importance of the presence of intellectuals in the lives of the poor. In this research, using a descriptive-analytical method, the story of Urs al-Zein, written by Tayyab Saleh, a native writer of Sudan, is examined as a post-colonial text, based on some of Spivak's ideas about inferiorities. Saleh has created and narrated the story in question on the threshold of the first years of independence and relative prosperity of the country of Sudan. For this reason, in this article, an attempt is made to prove that Saleh, in addition to reflecting the needs and problems of the rural society, is positively influenced by this historical and political situation, and describes the process of the gradual growth of the individual and social identity of the indigenous and intellectual characters of the story, and Saleh tries to depict the effective role of their voice and agency in the awakening and formation of liberation movements among the special group of Farudostan. According to Spivak's theories that the formation of a collective thinking that has the ability to transform the views of the subjugated and lead to the establishment of a moral relationship in oppressed societies is a difficult matter and requires a lot of time, Saleh ends the story with a vision, optimistic and reflective and by presenting a symbolic allegory, it makes possible the establishment of this moral relationship in the hypothetical community of his village.

Climate has a significant impact on human destiny and this prominence is clearly reflected in the words of poets. . Mehdi Akhavan Sales is one of the poets who is no exception to this, has nature as a suitable tool to express his lofty thoughts and benefits from them appropriately. Ahmad Abdolmati Hejazi spends his childhood in a green village, the honest purity of the village fills his existence and is clearly visible in his words. In this article, a comparative study of the effect of climate on the works of these two poets is given and reliable examples for adaptation + poems of the two poets will be presented. In this article, a comparative study of the effect of climate on the works of these two poets is given and reliable examples for matching the poems of the two poets will be presented. poems of the two poets will be presented. In this article, a comparative study of the effect of climate on the works of these two poets is given and reliable examples for matching the poems of the two poets will be presented.

Foundations of nations’ literature are best indicator for acquainting with every nation’s attitude and belief. Literature of resistance and persistence is of literary works divisions that is exciting and sensational in service of humanity, influential in literature in terms of content. Qaisar Aminpour and Kamal Nasser are among stylish and hard-working poets in Iran and Palestine who have expressed Islamic resistance and persistence and people’s problems and pains in their poems in their own way, considering political, social, cultural, etc. situations based on religious principles and foundations, and have instilled in audience concepts such as: patriotism, sacrifice, love of man and homeland, resistance, and persistence as most important features of resistance literature. Islamic Revolution, Imposed War, and Occupation of Palestine have been discussed internationally last decades that explaining struggle culture in two countries by introducing main elements of resistance and persistence, besides enlightening and reviving thinking of oppression fighting and justice, are effective steps toward advancing relations between two countries.This research, meanwhile studying works and style of two great contemporary poets in an analytical-descriptive method, has evaluated some characteristics of resistance and persistence. Features such as: sincere emotion, modern language, variety of subjects, dealing with valuable concepts, and new ideas ripple through Aminpour's poetry. Kamal's poetry contains his feelings, personal sufferings, social and political issues of his life, and events he has witnessed. In his poetry, he defends suffering and displaced people who have fallen victim to coercion and policies of occupiers and submission of the Arab rulers.

The contemporary world is the world of domination and the importance of short stories over other literary genres. Contemporary man rarely has the taste and leisure to read long multi-volume novels, and that is why research in this field is of importance. In the short story, the character has already evolved and is in front of the waiting reader, engaged in something that has reached its critical moment or is in the process of something that has already happened but has not come to a result. In the short story, the author chooses a slice of the protagonist's life and a point from it that must reach a critical stage. It is a window that briefly acquaints the reader with the life of the protagonist or the other characters and allows looking at what is happening through this window. There are different types of short stories. One of them is lyrical short story, which is distinguished by the dominance of the element of "feeling and emotion" over other elements. In 1969, a critic named Eileen Baldshuiler explained and analyzed the lyrical short story in an article entitled "A History of Lyrical Short Story". In this article, he suggests that the narrative is of two forms, epic or lyrical. Epic means the prominence of actions and the importance of external narratives. According to Baldshuiler, in lyrical stories, the goal is the thoughts and feelings of the character (Mastoor, 1379, 34). In this regard, all characters are analyzed in terms of the structure of the elements of the story and take the structure of the story based on their performance. In Bald Schuiler's lyrical story, the reader marks the story to discover the end. Also, the narrator refers to certain signs in addition to the definitions he gives of his life path. Baldshuiller points out that the lyrical short story has all the elements that should be present in all stories, but, in his view, the traditional plot style is the least important element of the lyrical story, which can basically be in one paragraph or a few sentences.

In his view, the conventional plot is a believable plot formed on the basis of a very clear cause-and-effect relationship. However, the unconventional plot expresses the complex and contradictory feelings of the characters in the process of storytelling in a symbolic way and sometimes without precedence and latency. This creates a lot of interest in the story and the reader can follow it from somewhere in the text and sometimes play the role of the author for the characters of the story and sometimes end the story according to their mental structure. Another feature of the lyrical story that Baldshuiler mentions is the "emotional curve" that the character creates throughout the story. This refers to the changes that the character makes as a result of the course of events and what is left of that character in the end. A lyrical short story such as Ghasan Kanfani's Fi Janazati tries to examine the invisible dimension of reality. Therefore, in the short story, as in the poem, what is more important is not explicitly mentioned.The present study uses the descriptive-analytical method to analyzes the short story Fi Janazati by Ghassan Kanfani based on the components of the short story from the point of view of Eileen Baldshuiler. It examines the elements of the short story and   the author’s writing skills.  An analysis is also performed based on new literary studies such as Eileen Baldchuiller's theory.

The components of Eileen Bald-Schuyler's theory for lyrical short story are aphasia, subjectivism, emotion and imagination, open end, symbol. The timing of the apocalypse in the story of "Fi Janazi" is well illustrated in this story, the present is not dynamic and has no external movement and action. This indicates the anonymity of the present. Anonymity manifests itself in being mental and lacking dynamism and action. Perhaps, that is why the title of the story is "Fi Janazati" (at my funeral) which refers to the time of the narrator's death, and it is natural that, after death, man is not bound by time. The story of Fi Janazi has been narrated at two levels of time. The first level is the past tense, which is dynamic and objective, and the second level is the present tense, which is mental and immobile.
The second component of the lyrical short story is subjectivism, which means that the story takes place and progresses in the mental space of the characters, and the role of the external world is small. This can be clearly seen in Fi Janazaii by Ghassan Kanfani. In this story, the narrator returns to the past, but external events are not described much. The text begins with the narrator's fear and hope, and the narrator's childhood feelings are expressed, all of which are mental. Noting that the child's family surrendered to working to pay for the house, the space becomes a bit objective, but, in the following sentences, there are items that express the narrator's view of responsibility and life. Therefore, where external events are narrated, they still have a presence in the mental space. The story flows in a mixture of reality and mind. The third component of the lyrical short story, according to Bald Schuyler, is emotion and imagination; In the examined story, all the words, sentences, similes and metaphors give a completely hopeless and dark atmosphere to the text. In this respect, the text is very effective and emotional. The open end is another component that the author did not use in this story.And the last component is the symbol. The main symbol of this story is the spiritual and psychological interactions in the life of two couples, which takes place in the form of the title Fi Janazati.

Baldeshwiler’s quintuple principles in the story Fi Janazati by Ghassan Kanfani have been analyzed. The results show that, among those principles, the elements of anachronism, imagination and subjectivism are salient and can be considered as the source of real experiences of individual and social life and a reflection of reader’s self. Therefore, the story Fi Janazati can be considered as one of the perfect lyrical short stories.

 Minority literature in the contemporary world has attracted much attention. Jill Deleuze, the theorist of this idea in the last century, has attracted many characters in sciences such as philosophy, literature, psychology and linguistics with his minority literature. After an in-depth study of Marx and Freud"s views along with Nietzsche"s views, he turned to writing works and proposing theories that influenced the views of critics and writers on literature and sociology. The design of minority literature by him and his friend Guitar created a revolution in the views and attitudes of the people of art and literature. Deleuze is one of the greatest contemporary philosophers and one of the thinkers who has studied significant minority literature. "Minority" is, in fact, the overcoming of the constraints that have gripped literature and invites us to think in new and different ways in order to eliminate and transform conventional realms through demilitarization. The meaning of becoming or becoming is the passages in which a concept, even a language, is transformed. "Becoming" plays a central role in Deleuze"s view. The purpose of this research is to investigate and recognize this theory in the novel "Vacancy of Salouch".

 This research has been done by descriptive-analytical method. The study area and society is Mahmoud Dolatabadi"s novel The Void of Salouch.

 Characters, actions and reactions and their reactions, especially in "Morgan", which has a polar character in the novel, were examined from the beginning to the end of the story with tools such as desire, becoming, negation and reactivation, and it became clear how both he and the story Leads to minority literature. All these actions are described in this article.

 Salouch"s vacancy is one of the stories that can be studied in minority literature and this work can be introduced to the audience in the position of a great work with minority components.

Ulrich Beck is a social theorist of modernity and one of Germany's leading contemporary sociologists.Thinkers and sociologists have expressed various views in defining social class from different perspectives.The novel Beirut 75 by Ghada Al-Saman is one of the most prominent Arab women writers, published in 1975. The theoretical framework of the study of the novel Beirut 75 Ghada Al-Saman is based on the sociological approach of Ulrich Beck. As one of the social theorists of modernity, Ulrich Beck declares the death of class, collective identity, and traditional structures, and emphasizes the element of individualism. The main finding of the research is that the symbolic characters of the novel, based on Ulrich's sociological theories, have forgotten their social and historical identity and class base and are influenced by the principle of individualism in search of their title in Beirut, their city of aspirations and aspirations.Beirut 75, Ghada Al-Saman, Ulrich Beck, Class, Individualism

Due to the dynamism of literature, the effect of adaptation, composition and reproduction can always be sought among the literary works of the world. Comparative literature, meanwhile, is a tool for achieving influence and adaptation among world literature. Ferdowsi's influence on the world is obvious to everyone, and in the meantime, Morice Maeterlinck's adaptation of the story of Zal and Rudabeh Ferdowsi in the symbolic play of Pelleas and Melisande is an example of this influence on world literature. The purpose of this study is a comparative study of story elements such as: plot, theme, perspective, characters, time and place and its role in influencing the common chain of storytelling and moral results of two valuable works of Zal and Rudabeh Ferdowsi and Pelleas and Melisande of Maeterlinck. In this article, a comparative analysis of elements with a descriptive-analytical approach based on library studies examined and with emphasis on commonalities and differences, the two epic-lyrical works and the symbolist play are analyzed and compared. We also explore human unwanted thoughts about love, fear of death, and the supernatural. The research findings show that both works have a continuous narrative structure that has used the elements of the story well in advancing the story. Also, the general plan of these two stories is such that they took place in a specific location and time frame and have a closed plot and plot and the elements of the story are completely coherent, but they are different in space and atmosphere.

The aim of this study was to investigate the role of contemporary Iranian and Palestinian poetesses in the persistence and resistance literature. The research universe included all the works of contemporary Iranian and Palestinian poetesses. The research sample subsumed the persistence and resistance literature of poetesses. The research design was descriptive-analytical. The data was obtained through library method and taking notes on index cards and based on pieces of poems by poetesses of Iran and Palestine. The issue of resistance and persistence was investigated and analyzed with themes such as struggle, patriotism, resistance and persistence, hostility toward enemy, martyr and martyrdom, etc. Findings showed that: the poetesses, by being influenced by the society circumstances and the consequences of political, social, cultural, etc. themes in their poems, had been able to obtain new experiences and achievements. And the result was the influential presence of contemporary poetesses, alongside with men combatants in the stronghold of poem and poetry in the field of resistance and persistence. Some elements of resistance and persistence in the poetry of Iranian and Palestinian women showed that they were able to play a wide and important role in their society through literature and poetry, and through it, to address the important issues of their country. The poems of Iranian and Palestinian female poets were considered as emotional and roaring themes of resistance and stability. The poets of both countries have considered their homeland dear and have also expressed their religious manifestations in their love for their homeland.

Discovering the common elements and rules of narratives in order to achieve their general structures is always considered by narratologists. The analysis of Maeterlinck's play is important because it is influenced by the Shahnameh in its inner layers by using the characters of Zal and Rudabeh, Sindokht and the beginning of Siavash's story, etc. Meanwhile, the comprehensive theory of " Genett " in the field of narrative, with a kind of reverse engineering, is the most efficient way to study the structure of these two narratives from different angles. He examines the narratives from three perspectives: "narrator", "time" and "centralization". By analyzing the "voice of the narrative" component, Genett reveals who, when, and where the narrator is. The present study tries to describe the possibility of explaining the trick of narration by assuming that the lyrical story of Zal and Rudabeh and the play of Peleas and Melizand are narratives based on Genett's theory. This article uses a descriptive-analytical approach based on library studies to make a comparative analysis of the two stories and analyzes and compares the two stories by emphasizing the commonalities and differences between the narrative voice application technique. The research findings indicate that the two stories are told by the narrator of the event. The predominant aspect of narration in Zal and Rudabeh is post-event narration, and in Peleas and Melizand, the narration is simultaneous with the event, and the level of narration in both stories is of the extra-fiction narrator type.

The vast field of fictional literature covers points and themes, each of which, due to its eloquence relations, has a wide range of various elements and themes. In the meantime, the study of these stories according to ideas of theorists, is a firm step in the way of criticizing and analyzing texts in terms of discovering the internal elements of the text. Eileen Baldeshwiler is one of the theorists who has been able to present various relationships in the stories by emphasis on five principles of revelation of lyric stories. Therefore, in the present study, we decided to explain Bijan Najdi's story of Wet Tuesday according to the ideas of this theorist. The result of research in this field was that the Wet Tuesday that benefits of appropriate elements and themes, paves a good way for critique and analysis of lyrical principles. Hence, in the process of explaining this story according to the ideas of Eileen Baldeshwiler we can observe deep subjectivism on the basis of widespread anachronism and intersection of the emotional curve with the symbols and the intellectual challenges of the characters in the dreamy and mental images, The story is open ended and the author does not inform the reader of the fate and final of the hero.

"Color" is one of the main natural elements that man has an unconscious connection with. Because in all non-verbal communication, color is one of the fastest means of transmitting messages and meanings, artists base their relationship with the audience on this element; therefore, one of the best ways to analyze and recognize a literary work is the use of color. This research is a descriptive-analytical method to study this element in contemporary poetry. According to the results of this study, the colors of black, green, red, blue, white and yellow are the most commonly used colors in the poems of all four poets, which are generally used with the characteristics of psychoanalytic science. Black is the most used and popular color in the social - political poetry, and the black narrative of the society with the prevailing potential of frustration and grief. Green, most used and popular color in Sohrab's mystical poetry is linked with light and holiness; and the most used color in Mushref's social poetry is related to the potential of hope. In Forough's Romantic poetry, although black is the most used color, but red is an exciting and most popular color, and is generally associated with her feminine emotions and aspirations .all colors are consciously or unconsciously had been used to the poetic or Intellectual style of the poets.

The purpose of the present research was to study the role of color and its symbols in expressing feminine sentiments and emotions of Forough by using the new views of color psychology. The use of colors and feminine symbols were the means for Forough to communicate with her audience, expressing her feminine thoughts, speaking of a woman’s concerns and aspirations, and ultimately, defending her virtue as a woman. Regarding this element in her sentimental and feminine poetry contributed to a better understanding of her and, to a large degree, a decent connection of the audience with her feminine thoughts and feelings. This research was based on descriptive – analytical study, and according to the results obtained from the current study, red was at the highest frequency as the most vibrant color with a perfectly positive effect; after that black was considered as the heaviest color, which is the expression of the most feminine feelings in Forough’s poetry. Pink with the lowest frequency was used as an utterly feminine color; and other colors including white, green, silver, blue and gold, were roughly the same, reflecting the spirits, regrets, wishes, and chastity of this female poet.

One of the most famous literary forms is "Encyclopedia of Literature." In Persian and Arabic literature, this type of poem has become more widespread. The story of "Varghe and Golshah", based on the story of "Orve and Afra," is the first story of Arabic exorcism, and Ayooghi, a Persian poet, made it to the Farsi order in the fifth century, with the name Varghe and Golshah, and also epic and heroic themes. Added to it. On the other hand, the story of "Leyli and Majnoon" is similar to the Lilac and Golshah of Ayooghi derived from "Orve and Afra", which are of Arabic origin.
The comparative study of Persian love poems as an example, its measurements, and its position with other other systems, including Arabic and Russian, have been the main goals and issues of research in this field. In this research, we want to find out whether the poems of romance Farsi, have the ability to investigate with folkloric analytic theories, including the Arabic and Russian love poems. Therefore, the present research attempts to explore the romantic themes of these three fascinating stories with the model of the function of Vladimir Prop's personality and create a distinct relationship between these romantic poems. Since the poems of "Varghe and Golshah" and "Leyli and Majnoon" and "Orve and Afra" all represent love of excuse and purity, the quest for the adventures is that the adventures that occur for lover and beloved and the reactions of each Check it out and compare it. And the presence of rational thought and rational thinking and love, which is rooted in Iran's ancient civilization and culture, will be clearer in this study.
In addition to analyzing and interpreting the results of these stories, it will reveal some of the theoretical issues and the application of folklore structuralism and the importance of this method in Persian and Arabic, Russian and European fiction scripts, and the generalization and inclusion of folklore And whether these designs are global and general, or limited to certain areas or specific cultures, are the objectives of this research.
2-Research This is a descriptive-analytical method and content analysis. The theoretical foundations of the research are based on the love of excitement and sources of Persian and Arabic literary riches and the work of the Vladimir Prop's Russian character. Since the story of Lilly and Majnon Military and Varghe and Golshah Ayooghi derived from Orve and Afra, which are of the original Arabic, this study, based on Arabic sources such as the book of Orve and Afra, narrate Asbat-e-bne eesa Alozri in the book of Aboul Faraj Isfahani and Varghe and Golshah Ayooghi and Lily and Majnon are military and in the function of the character of the story, relying on the book of Morphology of Vladimir Prop. Excitement love: love excellence is a love that lover and beloved, in addition to deep affection towards each other, must adhere to principles. Because among the Arabs, this kind of love is attributed to the tribe of Bani-Alozre of the tribes of Yemen's Qahtan, it is known for the love of exorcism. The love of pure exaltation or love was attributed to the tribal "Bani al-Zarra", which loves love with desires Material did not infect. The three couples belong to the most famous Arabic devotees: Orve and Afra, Qays and Lobni, Jamil and Bethinah (Karachofsky, 1368: 139).
Comparative study of romantic themes:The careful examination of the role of the motifs and the acts of fiction of all three roman themes reveals that all three poems end up with a series of the motifs, events, and reactions of the characters of the story, all of which seeks to reveal the features and The themes of love are pure and amphibious, such as:1. The beginning of love 2. On the mystery of love's love 3. Involve joiner 4. External deterrent factor:in the story of Varghe and Golshaq → Poverty - In the Arabic narrative → Mahri Sangin - In the military narrative of turmoil → (Qase) Insane of Lilly's love 5. War for the lover 6. Traveling in love 7. Seeing lover and lover 8. The way to return and the reaction of the lover 9. Death of the lovers 10. The end of the story By comparing the course of events and adventures that occur for two lovers and beloved in the stories of "Lily and Majnoon" and "Lilac, Golshah," and "Orve and Afra", we have reached the main themes of love for excitement and tribal and tribal brigades Arabs and Ajam, and related to the ideals, manners and worldviews of this people, and depicted the character and the role of the three systems according to the Propp model.
As part of the story of the three stories, the narrators of the military story in Lilly and Majnoon, Ayooghi in Varghe and Golshah and Arabic and Arabic, tried to create a common logical course for their stories, with the themes. The three stories in essence represent the formation and the beginning of a pure and simple love in a tribal life with a picture of the rituals and traditions of the patriotic Arabs. However, military and intelligence bring the cornerstones of Iranian culture and thought into the story in order to make their story more attractive and sweet. On the other hand, primitive Arabic thought plays a significant role in the process of the adventures of three stories in the failure of love for exorcism.
With regard to the features and themes of love excuse, in all three stories, love starts from childhood (in school and in tribal space) gradually rising. The beginning of love and the revealing of the mystery of love comes from this era. After its disclosure, the process of events and adventures in each of the three stories brings the reader to himself, seeing the intervention of the excitement and inner hardships that are on the way to love, ultimately make this tragic love Slowly In all three stories, Arab zeal and fanaticism and coercion on the fate of Arab women are a deterrent. Lily, Golshah, and Afra are going to the dignity of a married couple under the influence of this factor. On the other hand, qais is open to joining his beloved, for the sake of being insane, lilly, and Varghe, and Orve for the crime of not having wealth and property (economic factor); factors outside the control of the lovers and the factors that are considered in the context of the neglected Arab culture.
After marriage, lover and beloved in all three stories are also deprived of their visit for a while, and this adds to the passion of the lovers of paralysis and the theme of loyalty to the lover and the continuity of his memory at all moments of love, which is one of the most important features Love is excitement, the better it is. Although the end of love in this world ends in the death of a lover and beloved, but in three stories, it is interesting to note that at the end of each of three stories, the victory of Azari and Afif love we are witness. Considering this end for all three stories reflects the attitude of the narrative unit to the love of excitement.   :
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