جستجوی مقالات مرتبط با کلیدواژه "pulpit" در نشریات گروه "تاریخ"

In the social atmosphere of the constitutional period (the end of the Qajar era), the minbars of the clergymen had an important and prestigious position as a factor of social cohesion. In this research, by using “Bourdieu Theory”, the position of the preaching and speech has been analyzed and it has been studied by explaining concepts such as “field”, “capital”, “habits” and “action”. Using Bourdieu's field theory, we considered that “religious pulpit” had what characteristics, achievements and feedbacks in the constitutional period. Based on Bourdieu's theory, it is assumed that the pulpit has a wide field, with special habits of the religious beliefs of the people, in mobilizing the masses, demanding constitutionalism and the establishment of the parliament. The findings of this historical research show that during this period, the “minbar field” relatively enjoyed the triple levers of the field (independence, power and conflict over capital) and had an effective presence in most of the constitutional events, of course, it has also been damaged by the confrontation of some fields.

Wood has been a suitable raw material for the expression of taste, talent, art and creativity of craftsmen and artists in different periods. Iranian artists in the Islamic period, like other industries, have created the most exquisite artworks made of wood. During the Islamic period, in the construction of the architectural elements of religious buildings, such as wood turning, fret work, Gereh Chini, and Khatam’s artworks were made of wood, which studying on them in terms of the evolution and transformation of wood-related industries as material and cultural remains of the Islamic period, as well as analyzing the themes of their religious motifs and inscriptions, has been of special importance. Considering the importance of this subject, not many studies have been conducted in this field of research. During the archaeological survey that was carried out in 2014 in order to identify the cultural historical monuments of Bavanat city, many wooden artworks were identified and observed, and the upcoming research is in line with the introduction and analysis of these findings. In this regard, the questions of this research are: What wooden artworks have been left from the Islamic period of Bavanat, and what are the decorative elements and themes of their inscriptions? From Jame Mosque of Bavanat and holy shrine of Hamzeh of Bazm, various hand-made wooden structures have remained, including doors, windows, pulpits, and wooden latticework, the delicacy and proficiency in their construction are remarkable. Since the two studied buildings, the mosque and holy shrine, have religious uses the general inscriptions also included Quranic verses, Shahadatein, Shahadat-e Salaseh, Salavat and the names of the Imams, which shows the influence of Shia religion on the industry and art of this period.

The twentieth century revolutions usually tended towards two main theoretical currents. Namely liberalism and socialism, and benefited from their principles. Islamic revolution both theoretically and practically not only didn’t belong to these two intellectual dispositions, but rather it was formed as an independent pathway which was based on Islamic thought and school and after establishment made its main slogan (( Neither East nor West)). The difference between this revolution and other revolutions, in addition to leadership, slogans, theoretical school and supports must be sought in selection and utilization of the type of media in messaging. Based on various reasons imam Khomeini chose ((pulpit media)) with the focus on mosques and tekyehs as the main media of the revolution. This article tries to show that why the pulpit media was chosen as the main media of the revolution? The results of the article show that influencing factors in choice of pulpit media for Islamic revolution in its massaging process include: the nature of revolution’s leadership, the goals of the revolutionary forces, the nature of pulpits, prohibition of the use of various media by revolutionaries , the nature of Iranian society during revolution and functions of the pulpit(adaptation, achieving the goal, integration, consistency, stability). The research method of this article is a descriptive_analytical one with structural functional approach and uses communicative pattern. The Islamic Revolution, Media, Pulpit, Preachers, People, Communication Model, Structural Functional

The political function of the pulpit is one of the multiple functions of the Shiite pulpits, which has been the source of action and reaction during the constitutional period to inform and stage the people, to stage a public uprising and to demand social justice.Hence, the authors try to answer the question, "What were the causes and factors of the political function of the pulpit of the proponents and opponents of the constitution?" Test the hypothesis that the pulpit media in the constitutional period (both proponents and opponents) of elements such as the sanctity of the pulpit as a behavioral symbol of the Holy Prophet (PBUH), the social influence of the clergy and preachers, the spread of Shiite rites and rituals, expressing the needs of society and Other factors have been exploited and the political efficiency of the revolutionary pulpits, as the main factor of the popular movement and uprising until the establishment of the National Assembly, has been significant and undeniable. Proponents and opponents of the constitution from the beginning of the constitutional movement to the end of the Qajar period through the pulpit attracted a wide range of society and took different positions, the causes, factors and some of its effects will be discussed in detail in this article. This article has been written in an analytical-descriptive manner based on various historical sources and available documents.

Designs have always had a particular position in respect to handicrafts including the inscribed works on the potteries of the ancient civilizations to the modern artifacts. In this regard, the comparative study of the designs of pulpits and the relations between them not only will cause identification of the value of these works but also will pave the way for conducting more research. This study intends to explicate the relation between the designs and patterns of Nain and Sorian Great Mosque’s pulpits made in the 8th century AH. The study has been conducted by a descriptive-comparative method and the data have been collected through library and survey methods. The findings of the study show that the general structure of the design and inscription of both pulpits follow the same pattern and in respect to arabesque, angelica (Khataie) and geometric designs, they have a common format. However they are different in terms of details of designs that could be ascribed to the style of the artists.