جستجوی مقالات مرتبط با کلیدواژه "pulpit" در نشریات گروه "علوم انسانی"

One of the central components of the communication system in religious propagation, like all communication and media systems, is the "audience." Despite the gradual emergence of mass and social media and the diverse forms of modern communication, traditional propagation continues to maintain its place, credibility, and functionality in our religious society, influencing a significant portion of the general and specific audience. This historical communication system, with its unique sanctity and status, extensive penetration into Islamic and Shia communities, compatibility with the cultural and social requirements of traditional and religious societies, effectiveness in endurance of the religious and spiritual life of the community, and the endurance of religious culture, has not been adequately evaluated and validated in comparison to emerging methods of propagation communication. This paper aims to theoretically (not empirically) examine the traditional propagation system (pulpit and sermon) with a focus on the component of the "audience" and their constant and variable needs and expectations, inspired by existing studies, empirical evidence, and intuition. The research methodology in data collection was through documents and in analysis was interpretive and inferential. The primary question addressed in this paper pertains to the position and status of the "audience" in the communication cycle of religious propagation in contemporary Iranian religious society.

In the social atmosphere of the constitutional period (the end of the Qajar era), the minbars of the clergymen had an important and prestigious position as a factor of social cohesion. In this research, by using “Bourdieu Theory”, the position of the preaching and speech has been analyzed and it has been studied by explaining concepts such as “field”, “capital”, “habits” and “action”. Using Bourdieu's field theory, we considered that “religious pulpit” had what characteristics, achievements and feedbacks in the constitutional period. Based on Bourdieu's theory, it is assumed that the pulpit has a wide field, with special habits of the religious beliefs of the people, in mobilizing the masses, demanding constitutionalism and the establishment of the parliament. The findings of this historical research show that during this period, the “minbar field” relatively enjoyed the triple levers of the field (independence, power and conflict over capital) and had an effective presence in most of the constitutional events, of course, it has also been damaged by the confrontation of some fields.

Social networks and modern media challenge the traditional media by constantly generating identity policies and distributing a form of active autonomy, and force its level of influence and believers to reconsider. Meanwhile, the pulpit, as one of the most traditional and political communication networks in Iran, has also challenged by the growing dominance of social media. Due to the importance of this issue, the present study has conducted a comparative survey of young people and officials about the structures of unconvincing pulpits in Iran. Accordingly, by compiling a researcher-made questionnaire, the opinions of 420 young people in Tehran and 30 active pulpits in the mosques of this city about the impact of the five structural issues of market economy, politics, ethics, religious autonomy and society. Modernity has studied on the unconvincingness of the pulpits. The results show that the most important structure in the formation of the pulpit's dissatisfaction from point of view is the inappropriate performance of officials and from the pulpit's point of view, the most important structure for the formation of the pulpit's satiety is the problems of the modern world. Hence, it seems that the phenomenon of pulpit persuasion in Iran is one of the examples that has disrupted the dynamic and two-way relationship between public culture and official culture.

Wood has been a suitable raw material for the expression of taste, talent, art and creativity of craftsmen and artists in different periods. Iranian artists in the Islamic period, like other industries, have created the most exquisite artworks made of wood. During the Islamic period, in the construction of the architectural elements of religious buildings, such as wood turning, fret work, Gereh Chini, and Khatam’s artworks were made of wood, which studying on them in terms of the evolution and transformation of wood-related industries as material and cultural remains of the Islamic period, as well as analyzing the themes of their religious motifs and inscriptions, has been of special importance. Considering the importance of this subject, not many studies have been conducted in this field of research. During the archaeological survey that was carried out in 2014 in order to identify the cultural historical monuments of Bavanat city, many wooden artworks were identified and observed, and the upcoming research is in line with the introduction and analysis of these findings. In this regard, the questions of this research are: What wooden artworks have been left from the Islamic period of Bavanat, and what are the decorative elements and themes of their inscriptions? From Jame Mosque of Bavanat and holy shrine of Hamzeh of Bazm, various hand-made wooden structures have remained, including doors, windows, pulpits, and wooden latticework, the delicacy and proficiency in their construction are remarkable. Since the two studied buildings, the mosque and holy shrine, have religious uses the general inscriptions also included Quranic verses, Shahadatein, Shahadat-e Salaseh, Salavat and the names of the Imams, which shows the influence of Shia religion on the industry and art of this period.

In line with the increasing developments in the field of media and especially with the dominance of social networks, attitudes and social life have also changed. The collection of these developments has challenged traditional tools and media and highlighted the need to adopt transformational approaches and approaches appropriate to the current social situation. For example, the pulpit, as a traditional media network that has social, cultural and especially political functions, faces challenges with the epidemic of virtual networks and structural and behavioral changes in Iranian society. Is. Considering the institutional and functional importance of the pulpit in the political and social field of Iran today, the present study has explained and approached the pulpit media approach in contemporary times. For this purpose, using the research process method, to analyze the discourses produced by two contemporary pulpits, including Mohsen Gharaati and Naser Rafiei, and to examine the approach of persuasion applications, methods of generating motivation and their audience has done. The results showed that political discourses, social ethics as well as narrative applications are the most important persuasive and motivational applications and the youth spectrum considered as the most prominent examples of rhetoric. From an epistemological point of view, given the generational changes in the youth spectrum and the dominance of social networks, it seems that the persuasive and motivational uses of the pulpits need serious consideration.

The twentieth century revolutions usually tended towards two main theoretical currents. Namely liberalism and socialism, and benefited from their principles. Islamic revolution both theoretically and practically not only didn’t belong to these two intellectual dispositions, but rather it was formed as an independent pathway which was based on Islamic thought and school and after establishment made its main slogan (( Neither East nor West)). The difference between this revolution and other revolutions, in addition to leadership, slogans, theoretical school and supports must be sought in selection and utilization of the type of media in messaging. Based on various reasons imam Khomeini chose ((pulpit media)) with the focus on mosques and tekyehs as the main media of the revolution. This article tries to show that why the pulpit media was chosen as the main media of the revolution? The results of the article show that influencing factors in choice of pulpit media for Islamic revolution in its massaging process include: the nature of revolution’s leadership, the goals of the revolutionary forces, the nature of pulpits, prohibition of the use of various media by revolutionaries , the nature of Iranian society during revolution and functions of the pulpit(adaptation, achieving the goal, integration, consistency, stability). The research method of this article is a descriptive_analytical one with structural functional approach and uses communicative pattern. The Islamic Revolution, Media, Pulpit, Preachers, People, Communication Model, Structural Functional

The political function of the pulpit is one of the multiple functions of the Shiite pulpits, which has been the source of action and reaction during the constitutional period to inform and stage the people, to stage a public uprising and to demand social justice.Hence, the authors try to answer the question, "What were the causes and factors of the political function of the pulpit of the proponents and opponents of the constitution?" Test the hypothesis that the pulpit media in the constitutional period (both proponents and opponents) of elements such as the sanctity of the pulpit as a behavioral symbol of the Holy Prophet (PBUH), the social influence of the clergy and preachers, the spread of Shiite rites and rituals, expressing the needs of society and Other factors have been exploited and the political efficiency of the revolutionary pulpits, as the main factor of the popular movement and uprising until the establishment of the National Assembly, has been significant and undeniable. Proponents and opponents of the constitution from the beginning of the constitutional movement to the end of the Qajar period through the pulpit attracted a wide range of society and took different positions, the causes, factors and some of its effects will be discussed in detail in this article. This article has been written in an analytical-descriptive manner based on various historical sources and available documents.

Designs have always had a particular position in respect to handicrafts including the inscribed works on the potteries of the ancient civilizations to the modern artifacts. In this regard, the comparative study of the designs of pulpits and the relations between them not only will cause identification of the value of these works but also will pave the way for conducting more research. This study intends to explicate the relation between the designs and patterns of Nain and Sorian Great Mosque’s pulpits made in the 8th century AH. The study has been conducted by a descriptive-comparative method and the data have been collected through library and survey methods. The findings of the study show that the general structure of the design and inscription of both pulpits follow the same pattern and in respect to arabesque, angelica (Khataie) and geometric designs, they have a common format. However they are different in terms of details of designs that could be ascribed to the style of the artists.