جستجوی مقالات مرتبط با کلیدواژه « التعددیه » در نشریات گروه « ادبیات و زبان ها »

During the period of modernity, Arabic poetry acquired a kind of objectivity that saved it from pure lyricism, drawing inspiration for its techniques from the core of dramatic and narrative art, in which the degree of intensity increases as a result of the dialogic characteristics and the predominance of tension and the various linguistic levels and conflicts. With it, the dialogical theory of Bakhtin was divided, which constituted a decisive turning point for the creation of a new vision of the world that shook the foundations of the monist and hegemonic vision of self-direction. The polyphony phenomenon, as a main branch of it, reinforced the plurality of perspectives and visions and heralded the conflicting opinions and positions and ideological dialogue in a vast democratic space, so that every voice and consciousness could freely express itself in light of bilateral dialogues and acceptance of the other. In this research, we focus on the technical components of the phenomenons such as the multiplicity of ideologies represented in the multiplicity of personalities, the heteroglosia and plural language patterns, parodies, interfering genders, and intertextuality. We conclude that the multiplicity of voices is taking place in modernist literature in full swing. Whether it is poetry or prose, the point is the plurality of discourse as the writer strives sincerely to use the dialogue spaces to provide a visionary democracy that is honest and not false, and that the dominant ego is broken into conflicting subjects in free and heated dialogues that save poetry from subjectivity.

Pluralism is rooted in the long history of Arab thought, as in the Abbasid era, to the extent that its consequences were manifested in the emergence of contradictory ideas, parties and personalities engaging with one another in order to attain power by exploiting religion and ethnicity. Contractions that often did not have any rational logic beyond them but only to achieve power. In this way, we sometimes see the emergence of intellectual and sometimes reactionary thoughts. The dialectic was conducted in a narrow worldview focused on "self" and the commemoration of "me" and the "other" rejection in a closed loop. A discourse that was fueled by power struggles, religious and ethnic affiliations, the rise of tribal strife and, ultimately, civil wars. But in the contemporary era, the link between thought and civilization and science provided the basis for using the intellectual achievements of the world for Arab thought to establish a rational link between tradition and modernity in the Arab world. Just as the atmosphere of an open contemporary discourse, in line with the new needs, provided the ground for emancipation from the absurd thoughts and long-suffering ideas that had long been shadowed by the collective thought of the Arabs.  Though today, this idea is facing obstacles and challenges, it is in line with modernity and its positive and negative consequences. So its manifestations can be seen in the thoughts of the intellectuals of the Arab world in many countries and undoubtedly its implications in the social sphere of the Arab world will be reflected and found, so that the Arab Spring can be considered part of the intellectual outcomes in the Arab world. The present article seeks to use the descriptive-analytical method of contemporary Arab thought and how the emancipation of such scholars as Aedounis, Mostafa Hejazi, Hassan Hanafi and others from the fatalistic self-centeredness of their era, which had destroyed all the modernist effects of the past.