جستجوی مقالات مرتبط با کلیدواژه "نوستالژی" در نشریات گروه "ادبیات و زبان ها"

-This paper is concerned with the study of the Afghanistan's young poetry poets regarding to the war. It is observed that has greatly influenced to their poetry. Most Afghan poets have been described the unfavorable and frustrating situation in their poems which indicate that this is caused by the war effect. In their writings, they have reflected the destruction, death and despair, and sometimes they have offered solutions to struggle with frustration. However in general, their writings demonstrate frustration. Herein, we also want to investigate the most important factors, such as, process, war results, nostalgia (the historical past of ancient Afghanistan) as well as the solutions of the young poets including both men and womenMoreover, the elements that are mentioned as factors, process and result of the war by young poets have been recognized and what do they know about the solution way for this vicious phenomenon is explored.

The poetry of the Kohgiluyeh and Boyer-Ahmad Province has historically manifested in forms such as Yaryar, Di-Ballal, Serv, and Sharveh. The themes of these poems primarily revolve around love for the homeland and women, praise of nature, divine blessings, and the narration of local epics and battles. One of the prominent themes in the poetry of this region is nostalgia. Alongside the development of the area, the number of nomadic tribes has diminished to a minimum, and the rural landscapes have undergone fundamental changes, with an increasing tendency toward urbanization. Amidst this transition, poetry has become a means for contemporary individuals to express their longings and yearnings to return to the past, to revisit the experiences of nomadic and rural life, and to remind themselves of traditions and subcultures.Today, Lori poetry reflects the realm of recalling the sweet memories of life near mountains, plains, springs, and waterfalls. This inclination to remember the past and the desire to repeat ancient experiences - termed nostalgia - is divided into two types: social and individual. In the present study, conducted through field and library research, the various factors and aspects of social nostalgia in Lori poetry are examined. This is analyzed through examples from poets of the region, including Hassan Bahrami, Rasool Sanaei, Shahrokh Mousavian, and Fereydoun Dâvari. Recollections of sounds and scents, folk customs and traditions, longing for gatherings at night, taking up arms, setting up nomadic tents, and complaints about urban living and the changes in rural life are among these factors.

Memoir writing is one of the types of contemporary prose that has reached its perfection with the novel Memoirs of Holy Defense. One of the characteristics of these works is the use of poems in the text. The current research seeks to investigate the type, function and quality of the poems of these texts with the help of library tools and descriptive-analytical method. Based on this, five works that are more popular and are among the best examples of sustainable literature were selected for analysis. The poems of these texts are more than those of classical Persian poets, which have four main content areas: 1. Valor of warriors and excitement of the audience 2. Captivity, homesickness and sense of nostalgia 3. Celebration of martyrs and warriors 4. Consequences of war and destruction. Poetry in these works, unlike the past, has more of an emotional-motivational function. The works depicting the early days of the war have epic poems and show the bravery of the warriors based on national-religious themes. The spiritual atmosphere of the war made the most of the poems used in these works to be the mystical poems of Rumi. The poems of the novel-memoirs of the prisoners of war show the sense of nostalgia of the captured warriors towards their homeland, family and comrades of martyrs. The words "Karbala", "martyr", "blood" and "ashes" are frequent in these poems, which show the religious elements of defense and the destruction of war.

Nostalgia is translated as homesickness in Persian language, and in Hassan's term, it is human longing for the past and those things that have been lost. In general, everyone is not satisfied with their current situation, but the regret of the past days and the lost opportunities has somehow affected them. Social nostalgia in the field of literature has attracted the opinion of many poets, writers and critics. Nostalgic poetry of Ansari Fahliani - as a prominent native poet for the drunken south of masti, it is full of sorrows, especially the nostalgia of the tribe and the sacredness of apli and myths. Achieving a correct understanding and image of the concerns of Lori's contemporary poetry, especially the analysis of nostalgic components, as he mentioned rural life, regret for the lost virtues, talking about Ili's necessities in the past, nostalgia for Ili's family system.
 Ghamyad of the wild nature, mentioned that the state of poverty is the most important achievement of this research.

Nostalgia is considered a new phenomenon in linguistics and for this reason, many of its semantics are still unknown and unclear to linguists. Nostalgia is formed based on the emotional meaning load of a person towards the past, and because of this emotional meaning load, it can be searched in Persian literature in the form of mysticism and Sufism. The place of nostalgia is in the heart and soul of human. The equivalents of nostalgia in both Persian (hasrat/deltangi) and Russian (тоска) cannot fully convey the meaning of nostalgia. Therefore, more supplementary tools are used through linguistic and text dependents to convey this concept. It seems that linguistic equivalents in Persian have a wide lexical diversity. In the Russian verbal culture, the word тоска has a broader meaning of nostalgia than "longing" in the Iranian verbal culture. The concept of "longing for the homeland" in Persian language is expressed with the help of the combinations "homelessness" or "the sadness of being away from the homeland". In this particular case in the Russian language sub-expansions чужая страна (foreign country) or устраница (foreignness) are used to convey this concept. Nostalgia can be equated with "sadness" and "regret".In the current research, library research and comparative descriptive linguistics methods have been used. The result and innovation of the present research, on the one hand, is related to identifying the semantic components of nostalgia, and on the other hand, it considers the classification of linguistic formulas of nostalgia in the two languages ​​being compared.

The change and transformation of political, social and emotional conditions and also modernism and industrial progress are effective in evoking the strange sense of alienation. Nostalgia includes things such as being away from the land, being away from the lover, memories of childhood and youth, loss of values, migration, and the mythological past. Many poets and writers have displayed different forms of this strange feeling; Among these Persian and Arabic poets, Golchin Gilani and Gibran Khalil Gibran can be mentioned. The hypothesis of this research is that although these two poets have a common point of view and opinion, they have not been influenced by each other, and this research is based on the American school. In this research, relying on the analytical-descriptive and library method, we are going to examine the way of expressing the feelings and emotions of Golchin Gilani's nostalgia and Gibran Khalil Gibran.The change and transformation of political, social and emotional conditions and also modernism and industrial progress are effective in evoking the strange sense of alienation. Nostalgia includes things such as being away from the land, being away from the lover, memories of childhood and youth, loss of values, migration, and the mythological past. Many poets and writers have displayed different forms of this strange feeling; Among these Persian and Arabic poets, Golchin Gilani and Gibran Khalil Gibran can be mentioned. The hypothesis of this research is that although these two poets have a common point of view a.

One of the most important manifestations of migration literature is the component of nostalgia. The basic issue of this research is to answer the question of how such a component is reflected in women's fiction. The number of female Iranian immigrant writers, as well as the fact that some of them have a style in immigration fiction, shows the importance and necessity of such a study. The purpose of this research is to investigate the place of the nostalgia component in the selected and prominent stories of immigrant women storytellers after the Islamic Revolution, using a descriptive-analytical method. The hypothesis of the research is that nostalgia is one of the most important and significant components of form and content in the investigated works. The results of the research show that nostalgia in the works of AkramPedramnia takes the audience to the atmosphere of the past with a detailed description of the past and this nostalgia reminds of a special person. Another technique that Pedramnia uses to create a sense of nostalgia is image. Nostalgia in Nasim Wahhabi's works is narrated from the aspect of a space - like the space of war. Nostalgia appears in FahimaFarsai's works in a disturbing way for the characters in the story. In the works of FaribaSediqim, nostalgia refers to situations that a person has experienced with his friends and relatives. Nostalgia for objects and places is not seen in Siddiquim's works. The important feature of the reflection of nostalgia in Siddiquim's works is that the nostalgic events are shown in a fluid form of the mind and the narrator talks about the past as if it is happening right now.

"Nostalgia" is a Greek word that in Persian is equivalent to the feeling of longing for the past. Although this title has recently entered the Persian language and literature, this concept has appeared in Persian literature for a long time.
. Nostalgia can be seen in the works of most contemporary poets. By studying the works of Jale Esfahani, clear examples of the expression of this feeling and regret can be seen, and the goal of this study is to restore the nostalgic effect in her poems. The statistical community of the research is the generalities of Jaleh Esfahani's poems. The research design is qualitative discourse analysis and descriptive analytical research method. In order to obtain research data, the nostalgic components of romanticism were recovered in the poems of Jale Esfahani. In the next step, after presenting the library descriptions, the data were analyzed with the analytical method. The examples of nostalgia in Jale Esfahani's poetry were analyzed in three subcategories of individual memory nostalgia, collective memory nostalgia, and political nostalgia. in the nostalgia of individual memory; Returning to the past, distance from family and friends, dissatisfaction with the passage of life, in the nostalgia of collective memory; Homeland, longing for the loss of values, returning to the myth and returning to nature and in political nostalgia; Freedom, dissatisfaction with the country and immigration, longing for the golden era of Iran's history, protest against the destruction of the homeland, dissatisfaction with people's neglect and protest against oppression reflect throughout history. The results of the study showed that the numerous manifestations of nostalgia are manifested in the poems of Jale Esfahani.

Content analysis of textbooks, with the semantic semantics model approach of discourse, is a suitable way to understand how to select and use stories and narratives in each level of education to acquaint children with discourse systems in life.The purpose of this study is to use Paul Ricoeur model in analyzing the narrative identity of book stories in the fourth and fifth grades of elementary school in Iran in 1998-99 and to explain the types of discourse systems so that among the stories in the fourth and fifth grade textbooks, 2 stories Both samples were selected by purposive sampling method.The research method in the present study is descriptive-analytical. The main questions of the present study are: 1- The emotional process in stories is a function of which functions and features of the semantic sign of discourse? 2- How is the emotional and moral impact as well as the belief in another formed?In these stories, it is the individual identity that, according to the preservation of national identity, values and patriotism, based on the author's discourse systems, directs the character of the stories towards Shush altruism, patriotism and individual identity. In order to preserve the national identity, one culture remains in itself and does not become another cultural. The process of nostalgia in this story changes during two stages from the crisis of tension to the aesthetic system.

Nostalgia is one of the most widely used words in literature, which is used in Persian to mean loneliness,return to the past. Due to the similar conditions of the twentieth century in Iran and Iraq, there are commonalities between their literary themes. Mohammad Reza Shabibi and Mirzadeh Eshghi; There are two prominent poets of Iran and Iraq in twentieth century who have many similar foundations in the thems of nostalgic literature. In the present article, based on the descriptive-analytical method and the American school of comparative literature,First, themes of nostalgic literature were extracted, then some results were obtained: Both poets, when they find it impossible to Realization of the positive values of society, they experience failure and death thinking and fell sense of nostalgia. In their view, a return to the historical past and an ideal society is the key to restoring the country's identity. Unlike Shabibi, Eshghi hopes for tomorrow in which peace and friendship will covers all the jars and oppression and hypocrisy will be dismantled.

Although romanticism is a literary school, it can also be considered as a literary discourse, since it creates a special way of looking and a special world in the circle of human thought .Nima Yoshij is one of the first proponents of such a discourse in contemporary Persian poetry .He has shown his commitment to such a view in some of his poems and has created images in them that are in line with the dominant thinking in the intellectual space of the poem .The results of this study show that Nima, with his accurate knowledge of Western literary schools, has consciously composed poems in which the characteristics of Romanticism can be easily found .Also, the images of these poems are images with naturalistic, nostalgic, individualistic-oriented characteristics, focused on the mental space, anti-rationalism, etc., which declare their harmony and harmony with the dominant discourse of the poem.

"Nostalgia" is one of the issues discussed in the criticism of literary works in terms of psychology. This term is about a feeling of nostalgia and regret over the past and the memories of joy that have now been lost. This category has been reflected in literary works for a number of reasons, including changing political and social conditions. Among the writers in his book Nostalgic Concerns, Nasavi is the author of Nafthat al-Masdour whose audience can feel his regrets merely by reading some lines of his work. The history of Jahangosha has also been influenced more or less by this feeling. It seems that the author, Joviny, while describing his historical accounts, expresses his hatred and the community’s regrets. In this study, a descriptive-analytical method is used to highlight the most important grounds for the emergence of nostalgia in these two works. Nostalgia seems to emerge in literary works through linguistic components. This research suggests that nostalgia is more pronounced in Nafthat al-Masdour, because linguistic features play an important role in strengthening its nostalgic approach. It can be said that the author's purpose is not merely the recording of historical events, but actually what is important to him is the opportunity provided for the emergence of a succession of emotions.

The sadness caused by the desire for a particular land that man longs to reach is a manifestation of nostalgia, by this description, sadness is a general experience in which the Palestinians lived and touched its suffering. Mohammed Qaisi, too, as a Palestinian modern poet, was deeply interested in his homeland and wished to return to his land. His poetic style is full of love and passion for the home. This study examines the nostalgia in Al-Qaysi’s poetry and examines the elements of nostalgia and sadness on his poetry. This descriptive-analytical study concludes that the occupation of Palestine and the displacement of Palestinians, remoteness from childhood and its remembrance, etc. are among the factors that caused sadness in Al-Qassi’s personal life. On the other hand, the main axioms of nostalgia in his poems are: sadness of homage and excessive tendency to return home, death in exile, seeking refuge in the city, and mythmaking.

Nostalgia is referred to sorrow along with regret whenever one is thinking about an era or an event in the past; in other words, nostalgia is regret and ennui regarding good old days and ardor to go back to those times. This term has been borrowed form psychology and has rooted in human subconscious. Nostalgia is one of the most noticeable subjects in contemporary Persian poems. Forough Farrokhzad is one of the poets whose poems have reflected past regrets and reminiscence. This study aims to investigate the motives of regret and sorrow for the past in her poems through a descriptive-analytical approach. The results show that nostalgic contents such as loneliness sorrow, childhood, beloved, death, and utopia have significant presence in Forough’s poems.

From the view point of typology, Bakhtiary poetry is enriched with a wide variety of poems. Several genres and categories of Bakhtiary poetry are "Saru","Dowalali","Sayyadi" (hunting),"Shouxi", "Balal", and "Barzegari" (scything). Barzegari which is known by terms such as Boveru, Baveru, Bidad, and Barzeyri, narrates gloominess, nostalgia, love, grief, expectations, and concerns of croppers who were busy scything and harvesting their crops far from their family and tribe, in a hot weather region called Garmesir in spring. They expressed their feelings and emotions through poems or songs. One of the main themes of these poets was the sowerchr('39')s sense of nostalgia away from family. This study aims to investigate the factors and several aspects of nostalgia in Barzegari genre of Bakhtiary poetry. This nostalgia is divided into manchr('39')s and womanchr('39')s categories. From the prominent aspects of manchr('39')s nostalgia of Barzegary poetry, homesickness for the hometown, reminiscence of reaching the beloved, feeling nostalgia for the tents and the coolness of springs in Sardsir, the grief for the nature in general, and Sardsir plants in particular, and finally the grief of homelessness and loneliness could be identified.  The womenchr('39')s nostalgia depicts their mental states such as separation and waiting for the lover.

The literary works of poets and writers have always been discussed in various respects. The psychological approach also studies and analyzes the mental state of the poet and the psychological effects of the environment on the poet. In this respect, the concept of nostalgia, which is psychologically rooted, deals with a deep view of such issues that are directly related to the poet's memories and his utopian views. These poetic features are almost equally reflected in the poems of the two Andalusian poets Ibn Zaydun and Mu'tamid bin Abad. The situation and conditions of life and society, strong thinking and emotions have led to a strong sense of nostalgia. This article seeks to study and explain nostalgic approaches in the poetry of these two poets by examining the nostalgic manifestations in the poems of these two poets. The conclusions of the American School of Matching study suggest that Ibn Zaydun and Mu'tamid bin Abad experienced a similar feeling of nostalgia after experiencing a bitter period of captivity and estrangement from the city. The implications of this search, which have been applied in the American school of thought, suggest that Ibn Zaydun and Mu'tamid bin Abad experienced a similar feeling of nostalgia after experiencing a bitter period of captivity and distancing themselves from the city and the land. This same and similar feeling is manifested in themes such as returning to childhood and adolescence, regret over the loss of ideal society, estrangement from home and family, and failure in personal.

An important part of the views, feelings and emotion of the tribes in Iran, including Bakhtiari, has been transmitted through the oral culture to the present generation. Meanwhile, Bakhtiari’s epic poems and songs are echoed the nostalgia of the glory of Bakhtiari tribe, which has been completed with promise of the warriors.  The names of these fighters who are immortalized in poetry and folk tales are linked to oral history. Often the epic is the result of wars between tribes, conflicts with the central government and sometimes confrontation with foreigners.Among the machines and weapons of war, the name of the gun Berno is mostly often seen as the supreme valuable asset of the hero. Because most of the tribe heroes are dying in front of the enemy in war, the epic poems of this people like most epics have tragic aspect. In addition to expressing the regret of the past in bakhtiari’s epic poetry, it can be studied by reviewing various information from various aspects such as anthropology, psychology, and climatology, etc.

Nostalgia is a psychological term that means a homesick for the past and in various forms, its signs are manifested in literary works. The study of these signs leads us to a deep understanding of the poet's emotions and thoughts, and reveals the causes of his suffering and his desire for mediocrity. Nostalgia is a subconscious mental process that manifests itself in different individuals and various times. The present paper seeks to explain and analyze the nature of nostalgia in Heydar Baba Shahriyar through a descriptive-analytical method based on library studies. In this research, the sadness of the past in two parts mentions past personalities and memories, village and civilization, escape, refuge in childhood, and excessive tendency to return to homeland, mythology, archaism and refuge in utopia, to the title of the components of nostalgia has been studied. The result of this analysis suggests that in most of the episodes of this affair, nostalgic sense of humor and regret over the past; and this feeling can be caused by an inner loneliness, escape from contemporary civilization. It should be noted that all poems have been translated into Persian.

One of the distinctive aspects of Iranian local cultures is the local poems that are composed and sung in the local dialect. Even though they are different from formal literature, these poems are well known among tribes. Long and nostalgic poems are a new phenomenon in local poetry which emerged in the second half of the 19th century in different Iranian tribes. These poems, which mostly reflect the pre-modern age of Pahlavi, are indicators of nostalgia and sad loneliness among local poets and Iranian tribes. In this article, the nostalgic aspects of 40 recognized poems are analyzed. This analysis shows that the return to infancy or nature is the major feature of nostalgia in such poems, and the local poets try to revive the collective memories of the tribe and their local identity by pinpointing the environment, cultures, games, tools, people, and places. Other aspects of nostalgia such as mythology or complaints of life are reflected relatively less in these poems. The representation of the aspects of Iranian local culture in this research demonstrates that these components, regardless of being different, have numerous similarities as well.