جستجوی مقالات مرتبط با کلیدواژه « music » در نشریات گروه « علوم اجتماعی »

The present study is a result of a quantitative survey conducted in relation to consumption of music and lifestyle. The statistical population of the study were students of Mazandaran University. The sample size was 372 according to the Cochran formula, which increased to more than 385 people for certainty. According to the results of the research, pop music has the highest percentage among all types of music. The results of the test showed a significant difference between the residents of the city and the village regarding the amount of music consumption, but there is no significant difference between men and women. The results of Pearson correlation coefficient show that there is a significant relationship between music consumption and family income and their correlation coefficient is positive. There is also a significant relationship between music consumption and education, and their negative correlation coefficient shows that with increasing each variable, the other variable decreases and vice versa. Muscle consumption has a significant relationship with the variables of body pattern and body management which are components of lifestyle, but this relationship with leisure time variable is not significant.Finally, the results show that the increase in the level of education of parents increases the amount of music consumption among people, as well as the decrease in the level of education of parents, the amount of music consumption among people is also decreasing. The results also show that 36% of life style variance (dependent variable) is explained by the independent variables of this research.

This study is conducted with the aim of a deeper understanding of the socio-cultural aspects of rice cultivation and examining the rituals related to it in the two villages of Farah-Abad and Arteh in Mazandaran, and changes in the stages of rice cultivation due to the introduction of new agricultural technology and tools have been undertaken. Research data have been collected in the framework of ethnography and with the help of participatory observation methods, photography, and semi-structured interviews. The main question is how rice cultivation is done today and what are the strengths and weaknesses of the developments in rice cultivation and its industrialization from the perspective of farmers. The results show that the use of agricultural tools has advantages in some farmers opinion such as increasing crops, making cultivation easier, and saving time and money. Also, as a result of the industrialization of cultivation methods and the absence of people in some stages of rice cultivation, some of the rituals, such as singing during planting and weeding, and singing poetry by men during the weighing of rice in the two studied villages, have been greatly reduced or eliminated. Meanwhile, another part of oral culture, including proverbs related to rice cultivation, is still remaining among people even the young generation.

A song is a poetic-musical format that has been in line with people's requests and interests throughout history. These songs belong to the mass of people and as a result They have the most influence from popular culture. In the 1950s, coinciding with the end of Pahlavi rule, a kind of religious belief was formed among the intellectuals, which was defined exclusively in the face of tyranny; As a result, dealing with sacred images and religious myths became a kind of protest. Therefore, the main focus of this research is document analysis of the dominance of religious beliefs among modern songwriters and how these songwriters deal with sacred images and analysis of prominent songs with the theme of religious myths. The result of this research shows that the interest in depicting religious images in the songs of the second Pahlavi era has an apocalyptic aspect, and the singer seeks to find similarities between his era and the era of the saints with an allegorical view.

The ambiguous discourse after the Islamic revolution and the historical and culturalized laws regarding the topic of Fun created one of the important points of controversy on television. Considering the importance of investigating the historical context in understanding this issue in television, the question is what events television actually went through in the 1360s in interaction with the political system and social forces as well as the religion. Investigations indicate that television in the decade that was mixed with revolutionary fervor and the atmosphere of war, firstly through the absolute removal of some signifiers of fun, censorship, control over the import of TV programs, creating moral panic in the tribunes, and finally changing the regulatory institutions; And after that by depicting a new form of rites and celebrations and music, removing dance and joyful body movements, shifting the atmosphere of television competitions toward educational programs devoid of any kind of playfulness, as well as imposing numerous censorships of music and also minimizing any kind of mixing of men and women, controlled and redefined the conventional concept of happiness and fun. The short time of the television broadcast schedule basically controlled the type of programs. Despite the evidence of the growing gap between the ideas and the practical situation of programming, and despite the break of some parts of the society from this official perception of the issue of happiness, until the end of the decade, these issues did not cause major changes in the situation of television or any conflict with public opinion. Ayatollah Khomeini's border activism also played a significant role in removing blockages in some signifiers of happiness and fun discourse.

Problem Statement:

 Music has always been a significant aspect of Iranian culture throughout history and has maintained its official status among rulers in various eras of Iranian monarchy. However, with the advent of the Qajar dynasty and Iran's increasing proximity to the West, significant changes occurred in this tradition. Nevertheless, the impact of these changes on the activities of female musicians remains ambiguous. Therefore, the main question of this research is to explore the social status of Qajar-era female musicians based on an analysis of paintings, written sources, travelogues, and their attire as female musicians. Additionally, the research investigates the nature of the musical instruments and tools used by these women, addressing other related questions.

This research aims to understand the position of female musicians during the Qajar period and increase awareness of their status, shedding light on this aspect of Iranian culture.

This study follows a qualitative approach in terms of fundamental objectives. It relies on library-based data and visual content analysis, incorporating the knowledge of semiotics. The findings of this research reveal that, similar to the uncertainty faced by musicians in different periods of Iranian history, concerns persisted during the Qajar era. The level of difficulty and variations in the status of female musicians, whether they were instrumentalists, dancers, or singers, were influenced by various factors. Consequently, female musicians in the Qajar era did not typically enjoy a favorable position. However, some paintings from this period depict them on palace walls and interiors. In summary, the profession of female musicians, both in instrumental and dance roles, was not easily accessible for every Iranian woman. As mentioned earlier, musical training was primarily available to those born into musical families or serving as concubines in the court.

Implementing musical melodies in the Recitation of the Holy Qur’an and its impact on the semantic change of the verses is a significant issue though less attended by Qur’ani communities, despite its importance. The goal of this study is to investigate the role of melodies in the semantic change of the verses while reciting the Holy Qur’an. The main question of the research is “What is the relationship between the musical melodies and tones, and recitation of The Qur’an and the change of meaning? This is a study research and it has been conducted based on a researcher-made questionnaire. According to the data, the spider chart and statistical percentages achieved from the items (Likert scale), the relationship between the variables, the above-average percentage indicated and analysis of the outcome of the combination of the verses and the structure of the performed melodies derived, this is proven that each of the musical melodies has its own specific and independent nature, and implementing them in recitation will have influential role in the conceptual change and meaning comprehension of the verses. The gained findings prove that musical melodies have a direct impact on the change of the verses’ meaning and using the best of recitation techniques will have an increased effect in comprehending the meaning of the verses.

The semantic system formed in the "Semiosphere" of markets, in addition to the elements organized around economic relations, also includes cultural signs and elements. It seems that the accurate knowledge and understanding of the formation of cultural phenomena, as well as the order established in the markets, is facilitated by emphasizing the cultural coordinates of these urban spaces. Therefore, the study of the market by emphasizing the cultural elements and signs in it provides a possibility for human interactions and transactions to be considered not only on the basis of economic relations, but also from a cultural perspective. In this article, the sonic-musical phenomenon of the songs of the sellers in the context of the big market of Rasht city has been studied under the title of "Jār-Āvā". The purpose of this article, in addition to disambiguating the terms formed around this audio-musical phenomenon and presenting a concept appropriate to its nature, is to investigate the formation process of these songs in the big bazar of Rasht city. Therefore, the main question is focused on the issue of how the process of the formation of "Jār-Āvā"s was realized in the context of the big bazar of Rasht city, from what channel and under the influence of what factors. The theory of cultural semiotics has been used as a theoretical framework and the findings of the research have been analyzed with a descriptive-analytical method. The results of this article show that the presence of peddling businesses on the margins of the bazar in the main text has led to the formation of a mentality arising from peddling in the semiospher of the bazar. Therefore, the presence of the phonetic act of Street Cries, as a marginal phenomenon that spread through the mentality of peddling in the market text, has created a phenomenon called "Jār-Āvā" in the cultural text of the market.

The purpose of this study is to investigate the sociology of music consumption and its relationship with breaking law among citizens of Bandar Abbas. The research method is survey and the data collection tool is a researcher-made questionnaire. The research data were analyzed using SPSS and Amos Graphics software. The results show that the most tendency to use popular music style (traditional, folk and pop). Inferential findings indicate a positive relationship between cultural capital and peer group with music consumption. Findings showed that there is a statistically inverse relationship between religiosity and music consumption. Based on the results, the peer group could not have an effect on youth music consumption styles; but there is an inverse relationship between religiosity and elite music style. The results also show a relationship between cultural capital and popular and elite music styles. According to the research results, it can be said that the amount and style of music consumption has not shown an effect on the degree of breaking law.

Music is a part of human artistic activity and there are types that are used more than any art product today. The purpose of this research is the factors affecting the musical taste of cultural workers. Survey research method and statistical population were 700 middle school teachers in Meshkinshahr. Using Cochran's formula, 240 people were selected as the sample size in a simple random way. Data were collected through Bourdieu's standard cultural capital questionnaire (1401) and Gluck and Stark's religiosity questionnaire (1965). Data were analyzed using Spss software and Chi-square, Pearson, Tawkendall, gamma and multiple regression tests. The findings showed that the gender variable has no effect on the pattern of music consumption (the amount of use and the type of music). The economic base affects the amount of music use, but it does not affect the type of use. Religiosity also affects the amount of music use, but it does not affect the type of music used by teachers. Cultural capital also affects the pattern of music consumption (the amount of use and type of music). As a result, teachers who had a lot of cultural capital used music more than others, and the type of music they used was more elitist (classical and traditional).

Music journalism is a practice that evaluates and judges’ music and its developments. This dimension of journalism focuses on criticizing the nature, effects and methods of music as a facet of intellectual-cultural activities. Based on this, the role of music on the cultural changes of the society and of course the listening culture of the audience, public opinion and also its background can be clearly seen and analyzed due to the social changes in this type of journalism. Criticism is the key word in the field of journalism, so music journalism can also provide useful information and data for the study of cultural and perhaps social processes. Consequently, music is also a universal and universal media that has the ability to influence popular culture, and based on this, its field of study can be analyzed in the field of cultural studies. Therefore, in this research, the researcher investigates the role of music and its journalism position on the cultural and communicative changes of the audience with a descriptive-analytical method and a critical perspective. Examining the data obtained from this approach shows that music can be a way to understand the communication culture of countries, places and cultures and connect these social elements together, provided that the rights of the audience are respected. In addition, music changes the boundaries of art and popular culture, and at the same time, depending on the perspective of the journalism included in it, it can become a tool for the development of social subcultures.

Using the "descriptive and analytical" method, the current research obtains its sources and information from documentary and library sources, which, of course, with the approach of obtaining new and comprehensive sources and citing current cultural and media analyzes, is not only descriptive Rather, it finally comes to the position of analysis. Therefore, he explores the subject of the research with an explanatory view and reaches a conclusion in the framework of the discussion.

Examining the data obtained from this approach shows that music can be a way to understand the communication culture of countries, places and cultures and connect these social elements together, provided that the rights of the audience are respected. In addition, music changes the boundaries of art and popular culture, and at the same time, depending on the perspective of the journalism included in it, it can become a tool for the development of social subcultures. Unfortunately, there is no more formal and advanced journalism training in this field. In general, the development of music journalism in other national spaces and its role in the cultural changes of a society has rarely been considered.

Adolescence is associated with changes in one’s life including his/her behavior, emotions, and mood. One of the issues less studied about adolescents is how they deal with and receive music. Adolescents raised in the religious environment experience challenges in the process of consuming music, with girls finding themselves in a more complex situation. The main purpose of this study is to study adolescent girls' perceptions of music consumption considering their well-being in the religious cultural context. Questions such as: how do they look at the music they consume, what factors affect their perception of it, how they think about music from a religious point of view and how they approach music according to their religious background, are among the research questions.  To answer and finding the factors affecting the reception of music by adolescent girls with religious cultural backgrounds, unstructured interviews were conducted with 23 adolescent girls who have grown up in religious cultural backgrounds and studying in schools with a religious educational approach.  Based on the analysis, 4 comprehensive themes on central issue of this research were identified and it was found that adolescent girls' perception of music is influenced by family, society and how they look at religion, even some see music in the same light as they view religious eulogies.

The purpose of this research is to investigate the coverage of fake news in the fields of cinema and music in eight Iranian media. And with this main question of how much fake news in the field of cinema and music has been published in selected Iranian news sources, placed it’s theoretical framework on the theories of "Gatekeeping" and "Agendasetting". This research was conducted using quantitative content analysis and its statistical population is all the news published in the last three months (1st of January to 29th of March 2017) in selected news sources. In the field of news, this survey was in the form of a total count and sampling was not done, but in the field of news sources, non-random sampling was targeted. News sources include news agencies, news databases, newspapers & social networks, and two media were selected from each category. In 2016, the Alexa website introduced the most visited news sources whit the website, which were selected from among the news agencies, Fars, Young Journalists Club (YJC), and from among the news sites such as Tabnak & Asr_e Iran. Among the newspapers, Hamshahri and Jam_e_jam were selected due to their high print circulation numbers and their cultural and artistic approach, and the two Telegram channels @Khabar_Fouri and @akharinkhabar were selected due to the high number of followers. The reason for choosing this period of time, was also because most of the film and music events are held in the winter season due to the coincidence with the Fajr decade. The findings of the research show that the coverage of fake news in the field of cinema was with an average of 3.69 and music with an average of 1.91, thus the coverage of fake news in the field of cinema was more than music.

The purpose of this research is to study the music consumption of adolescent girls living in a religious culture. Semi-structured interviews were used to obtain the data of this study. These interviews were conducted with 23 adolescent girls living in a religious culture who also study in special religious schools. The data obtained from the interviews have been analyzed using thematic analysis method. To analyze the data, open coding was done first, and then basic and organizing themes were extracted. The results of this study show that the consumption of music by adolescent girls living in religious culture, can be classified into seven themes. These organizing themes express what kind of music consumption the adolescent girls studied in this study have, how they get music and listen to it, under what conditions and how they consume music, what are the reasons and factors that make them not listen to some music, for what reasons do relative of teenagers forbid them consuming some music, and in the end, what are the effects does music consumption have on them.

he outbreak of covid-19 has lasted more than 2 years and wide closures, quarantine, isolation and restriction in traveling, have made considerable transformation in different economic, social, cultural and artistic areas including music as an art which experienced dramatic changes. These changes while promising deep achievements in future, have made reviewing and rethinking on common rules in this music art- industry.The main issue of research is the consequences of covid-19 on Iranian music. The findings show that Iranian music have faced considerable developments in 4 fields during the pandemic including music education, production, distribution and consumption. These developments have made new prospects for Iranian music and paved the way to put Iranian music in new pathways.According to the cancelling music events during pandemic which were held non virtually before coronavirus outbreak, the current gradual virtualization of the music value chain including production, distribution and consumption will change dramatically in postcrowna era.As Iranian music artists do not use internet vastly for music practices and, it may gradually lead Iranian music listeners who are constant users of internet to nonIranian music. So more virtual practices of Iranian musicians are necessary.

The purpose of this research is to estimate the functions of music in the development of the social system through exploration in certain periods of the history of Iran from the end of the Qajar period to the year 1400. In this regard, by relying on Talcott Parsons's structural functionalist sociological approach, the multiple capacities of music to improve the status of Iran's social system in social development are identified. Historical analysis method is used in this research. By purposefully searching in authentic written, audio-visual and oral sources, real evidences have been extracted from the role-playing episodes of music in various aspects of Iran's social development. The results of the research showed that music has had positive functions through playing a role in many stages of Iran's history, such as the expansion of conservatories and music schools, etc. Also, in this research, the functions of music in the United States related to the seven generations of American music by Grazian are applied, which is largely in accordance with the period of this research. As a result, we realize that compared to the developed country, in some periods it corresponds to the country of America, and in some cases, it does not correspond to this country in the development path.

The project of purification of auditory culture in 60th of Iran and the field of music has always been a challenging section since the Islamic revolution in 1978–79. The first decade after the revolution, 1980-1990, music was under a revolutionary transformation which is the subject of this article to analyze.How Iranian music underwent a transformation, with the history inherited from the Pahlavi era in the scene of the revolution and the 60th? For answering this question, we met musicians of that decade in order to study new challenges of music production in the form of revolutionary anthems and songs. Also, the process of music distribution was important, so we  also studied two audio cassettes sellers’ lived experience of that decade. Consequently, by the transformation of Iranian society from western culture to the Islamic Ummah with jihadi and revolutionary culture, music could not be a song for party and dancing, but it was dedicated to song of war, revolution, and jihad. Therefore, the structure of production and consumption of music made an urgent necessity to purify the auditory culture from every blemish aspect.

Nowadays, "music" is an influential medium and a culturally consumable commodity. Music creates effective and lasting spiritual and psychological effects due to the auditory attractions and psychological stimulation of people. In recent years, rap music, as a sub-cultural media tool of "hip-hop", has attracted many fans, who move mainly in tension or in conflict with the dominant culture of societies, and in this sense it is also called underground music. This type of music tries to excite and attract the most ordinary people of the society with the most street words. This type of media finds different types in its texts and hypertexts and provides different functions for its listeners. The present article seeks to answer the question that; What are the functions of Persian underground rap music media in the 80s and 90s and with what themes does it promote itself? In order to reach the answer, the qualitative method of theme analysis was used and the lyrics of the famous 4G underground songs (UnderGround) in the last 20 years, which were close to 92 songs and 6574 words, were coded and analyzed. We conclude that the functional themes of these texts are more about awareness, information, unconscious and conscious transmission of culture, social belonging and social solidarity.

In recent decades, the creative industries have become an important component of the global economy. The creative industries, especially the music industry, can be considered as a commercial exploitation of artistic knowledge. The music industry, as a part of the creative industries, is a clear example of the current socio-economic transformation that is taking place from manufacturing industries to knowledge-based and creative enterprises. The main objective of this study is to analyze the components of creativity in the creative industries with a focus on the Kamkar Band. For this purpose, research data were collected using a combination of documentary study methods and thematic analysis. The results of the present study confirm ten main components in the activities of the Kamkars to promote creative economy, namely: establishing a mutual relationship between Kurdish and Iranian music, promoting local and Iranian instruments, using Kurdish and Persian languages in songs, selection method coverage in performances, membership of women in the band, cohesion of band membership and individual creativity, collaboration with other bands and singers, music teaching, organizing concerts in different areas, and promoting the social aspect of the band through charity work. The results of the present study confirm that there is a constant interaction between the general and the particular in the activities of the Kamkars. The general issue here is Iranian national music and the minor issue is Kurdish folk music. By combining these two musical styles, the Kamkars have succeeded in creating a new style that contains the components of both musical styles.

Nowadays, learning classical western instruments such as piano has become significantly popular in Iran. It can be said that teaching piano, in addition to the technical dimension, requires consideration of other aspects that the teacher should consider when teaching.This is an educational and interdisciplinary research. Therefore, to explain and analyze educational topics accurately, a researcher in this field needs to use social research methods and related theories. One of the approaches to research in the social sciences is the result of  Pierre Bourdieu's approach to the twentieth century sociologist, which has had a significant impact on social theory and sociology and has created methodological changes in various social fields, including education. Objective after presenting an introduction to music and the history of piano in Iran and explaining  Pierre Bourdieu's theory This research tries to show, beyond the subject of musical talent and intelligence,There are several things that make a student better than others playing the piano. In addition, how can solutions be achieved that, in addition to developing and enhancing students' playing skills; Prevent the reproduction of the consolidation and hegemony of the ruling class of society?  In this research, the research method of content analysis has been used.