فهرست مطالب vida norouz borazjani

Throughout history, in order to honor and record valuable events such as themes, conquests, events and personalities, monuments were formed that have a meaning in their heart. These buildings have been influenced by various factors. Paying attention to the body and also the physical form to engage the senses of the visitors has been a main pillar in the design of such buildings. One of the ways to create brevity in such buildings is the use of geometry and the use of proportional systems to create pleasure and a pleasant feeling in the audience. This research, using causal-comparison method and using the tool of collecting questionnaires, seeks to see how much proportional systems have been used in the design of the overall form and its components from each of the mentioned and selected monuments. have used, the range of measurement is selected with the preference system and with the opinions of thinkers, and the people to be measured include space users and users who are selected by random sampling with a number of 384 people according to Morgan's table. JMPSAS16 software is used for ease of numerical and graphical analysis. The results show that the largest factor contribution in the application of geometric proportions in the components and overall design is related to radical ratios with the value of (1.000) for the components and (0.905) for the overall design, and the lowest is related to Ken and Shako with the value (0.167) for components and (0.195) for the overall plan. The important point is that the platonic rectangle with the value of (0.915) for the components and (0.914) for the general plan has a high factor share, but due to the lack of significance for both parts, the results of attention to it are not reliable.

The mosque is one of the most important and special buildings of Muslims in Islamic countries and the introduction of new theoretical fields into architecture, such as the subject of the atmosphere, opens new windows for designers, which may be able to cover what has been lacking in recent years in the design and construction of mosques. This study is formed by asking the question what are the effective components on creating the spiritual atmosphere of mosques from the perspective of the audience and its purpose is to read the atmosphere of contemporary mosques in Tehran based on the lived experience of audiences. The research method is based on the Grounded theory and the analyzes is based on the systematic coding method of Strauss and Corbin with the help of Max QD software.In order to measure the extracted components, six mosques in the contemporary geography of Tehran were selected and paired analysis and comparison on the parameters of the studied samples was done by an expert questionnaire by Expert Choice software.The most important findings and conclusions of the research show that the spiritual atmosphere of mosques, based on the lived experience of the audience, is influenced by 9 main components. Each has its own weight value. Among the found components, proportions are in the first rank and the components of light, sound, color, materials, decorations, access and position are in the next ranks, respectively.

Nowadays, due to the important role of the transportation system in sustainable urban development, it is important to adopt appropriate policies in the urban transportation sector and develop sustainable transportation as one of the main areas of urban growth.. Green transportation means sustainable transportation with the least negative effects on the environment, which according to the current conditions of the world, we should seek to achieve this and use modern technologies to reduce the environmental effects caused by transportation. The main goal of this research is to investigate the effect of using green transportation in improving the living conditions of Iranian cities.

This research is applied in terms of purpose and descriptive in terms of nature. The method of collecting information was document-library and content analysis.

The research results show; Today, special attention has been paid to the approach of green urban transportation in many regions of the world. In Iran, in many cities under the influence of global developments and the implementation of various urban plans, the economic factor has become the main determining factor and the developments of the current century and the oil-based economy have resulted in excessive population density, the concentration of activities and the frequency of constructions, the growth and physical expansion of urban centers and the destruction of the natural ecosystem of the country's cities; However, in some cities of the country, measures have been taken to achieve urban green transportation but the necessity of creating and planning to use this model is felt more and more every day, considering the problems that have arisen for the cities of the country;  And in the following, suggestions and solutions are provided for the implementation of this approach.

The dynamism of space is always an opportunity to create a stronger relationship between place and society to develop urban life. Since the creation and development of intra-city areas, such as neighborhoods, can be significantly effective in the formation of dynamic social life, neighborhood centers can be revitalized as in-between spaces to provide services, create a sense of belonging to the place in the residents, and enhance the vitality of the neighborhood. The present study aims to investigate the physical, social, economic, and environmental roles of intracity in-between space systems in the dynamism of space using the TND approach. So, it seeks to answer the following question: what role do the characteristics of the in-between space play in the dynamics of neighborhoods and urban spaces? and with what approach can this be achieved? The present study is mixed method research where, first, the texture of neighborhood centers in Hamedan city is analyzed using logical reasoning and content-qualitative analysis, to extract the effective indicators in the dynamism of the neighborhood space. Next, the importance of coefficients and indicators is determined and analyzed using entropy and TOPSIS techniques. The results indicate that, based on the drivers of urban regeneration development, several components such as in-between space size, space syntax, the diversity of economic function, and the microstructures of socio-cultural life in the intra-city texture of Chaman play an increasing role in enhancing the vitality of neighborhoods and creating urban dynamism.

The design process includes the steps that the designer walks through to reach a solution for the design problem. In addition to finding ideas and concepts in the design process, designers take other steps encompassing choosing the approach, the strategy, the method and the technique. The objective of this study was to examine the position of approach, strategy, method and technique in the design process. As a case study, Kari Jormakka’s classifications were chosen for analysis. The reason why these classifications were selected was that the terms were not employed properly by Jormakka. The nature of this study was qualitative. The comparative research method was used for comparing experts’ ideas regarding the technical terms and logical reasoning method was applied for data analysis. The main research question was: What is the correct position of the terms approach, strategy, method, and technique in design process? The findings highlighted that the steps of design process can be categorized from macro to micro from approach to technique. On this basis, approach could be defined as people’s belief on an issue while strategy was recognized as part of approach. Method was defined as the way of achieving the goal that can be implemented through different techniques. It seems that, in Jormakka’s classifications, the term method was used instead of strategy and approach on multiple occasions, and none of the seven main sets presented by Jormakka fell under the term method; rather, they were more distinct on the basis of strategies and approaches.

The environment is one of the most important factors in education. Considering the characteristics and criteria of environmental design can construct new understandings and knowledge for learners. This study aims to present a theoretical strategy for creating an event-based architecture education environment using constructivist theory. The research question is what are the characteristics of appropriate architectural education spaces with event-based and constructivist education? This research is qualitative with practical consequences. The descriptive survey goal is cross-sectional in terms of time and inferential regarding logic. The indicators of constructive and event-based educational environments are identified from theoretical studies. Global experiences of constructive-learning environments have been explored. Then, Shiraz universities' graduate students, educated in the third and fourth semesters, have been selected as a sample. And the criteria of constructivism in their educational environments have were assessed with the tools of observation and questionnaire. After identifying and prioritizing the challenges, solutions were provided to create event-based learning environments. The results indicate that the lack of relationship between the educational environment and the work environment is the most important factor in the inefficiency of the university environment. Cooperation with libraries, museums, construction workshops, and urban spaces and equipping spaces for simultaneous use of city's universities, holding exhibitions, and group judging between different universities can be influential by applying constructivist theory to increase the efficiency of academic environments.

The actor-network theory offers a new approach to solving a variety of problems such as social participation. This new approach sets a good platform to track the trajectory of human (people and the element of power) and inhuman (space) actors. In this model, to create social participation, it is necessary to establish a kind of power relations in which space also acts alongside the people and the institution of power.

The current study aims to analyze the process of interactions among the three elements of people, the institution of power and space, and explains its effect on social participation in the historic bazaar of Tabriz.

This research draws upon actor-network theory to examine human and nonhuman actors in the network using the qualitative method. The present study is applied in terms of purpose and descriptive-analytical in terms of nature. To this end, the grounded theory method was used and semi-structured in-depth interviews were conducted (Data-driven methods). The data were gathered through in-depth interviews with 45 marketeers in the grand bazaar of Tabriz, experts, and authorities (city managers) as knowledgeable in this field.

Many problems associated with urban systems, including the structure of historic markets in Iran, arise from non-democratic actors such as lack of participation, violation of civil rights, lack of awareness, inflexibility in government decisions, and the decline in pluralism. The results of the research based on the evidence and interviews indicate that the improvement of the spatial component of Tabriz historic bazaar depends on raising the awareness of marketeers and creating a positive role for them in various decisions. This process needs to create equal opportunities to raise the awareness of the citizens and respect the position of the people, not as a problem but as a solution. However, in parallel with this, strengthening both economic structures and the sense of belonging play a double role.

The strong relationship between place and society is evidence of the formation of sustainable social life in the urban space. The valuable houses, as part of modern heritage; and factories as part of the industrial heritage; are separated from their context. The main purpose of this research is to formulate a place-based development approach. According to the research hypothesis, there is a significant relationship between economic, structural, public and environmental factors.

In order to achieve the objectives of the research, the process of analysis has been organized with the method of logical reasoning and content-qualitative analysis of the texture of neighborhood centers. This study intends to study the effect of interface space on inner-city dynamism by qualitative studies of the indicators derived from the location-based development approach, using the opinions of participants to evaluate the effectiveness of effective metrics. Three neighborhoods have been studied, selected from among the historical and valuable neighborhoods of Hamedan.

Analysis of the interaction of elements left over from the past heritage of Hamedan, with emphasis on the theory of place-based development, showed that the reconnection of urban elements with each other is of special importance and is one of the most obvious effective features in intermediate spaces.

According to the place-based development approach, in the dimensions of the middle space, spatial arrangement and diversity of economic performance and socio-cultural infrastructure in the urban context of neighborhoods, have an increasing role in the vitality of neighborhoods and creating sustainable dynamism.

In the course of the last century, Iran, whose traditional architecture was based on its ancient philosophies and values combined with metaphysical concepts, found itself faced with different Western ideologies. Given that the number of valuable projects in the contemporary architecture of Iran has decreased, this study was an attempt to answer the following question: To what extent do the competitions held in Iran take into account the cognition and recreation of Iranian architectural elements, especially in residential buildings? In this study, Iranian architecture features and modern architecture features were classified in the categories of plan, ornament, material, volume and facade, and climatic features. In the next step, the award-winning residential projects over 10 years (from 2008 to 2017) were evaluated to determine their features. The research method was qualitative-quantitative. In the qualitative part, historical-analytical method and descriptive-analytical method were used to review award-winning projects and extract traditional and modern architecture elements. Logical reasoning method was used for data analysis, and SPSS was employed in the quantitative part. The sample of the study included 35 projects which had won "Memar-Award". The results show that in award-winning projects, the volume and façade, ornaments and materials were designed more based on the cognition of modern elements, while the plans were more based on the cognition of Iranian architecture. In general, modern elements were more frequently used in award-winning projects in comparison to traditional elements. Therefore, it can be claimed that "Memar-Award", in the residential sector, lead the contemporary architecture toward modern architecture.

Form is among the most widely used and primary concepts in architecture that has gone through a revolution through time. It is used in every architecture design method and every style, yet its characteristics are not well understood. Despite many studies in architecture design method of generating form, it fails to consider the concept and meaning of form that raises questions in the meaning of the architecture itself. Therefore, this paper aims to gain the meaning of form in morphogenetic architecture design within the framework of its theory to answer the question of the meaning of form and its origins are. By using the qualitative research method, the attention was focused on the concept of form in morphogenetic architecture and what was said to be its origins (natural sciences). What this method shared was that in digital morphogenesis architecture the concept of form gets its meaning from natural sciences specially biology despite the fact that the concept of form in biology has its roots in Aristotle’s philosophy. Taken together, these findings suggest that the origin of Form in morphogenetic architecture is of Aristotle’s notion hylomorphism origins and there is a direct relation between these two that surprisingly is ignored in architecture studies.

The key to the survival of a historical building is in its active mode and the spirit of dynamism in it. The dynamism of space is always an opportunity to create a stronger relationship between architecture and society, to organize sustainable urban development. Hence, in-between urban networks are highly important in reviving urban dynamism. The purpose of this article is to recognize and analyze the areas affecting urban dynamism interacting with the concept of in-between space, with the solution of changing the land-use of sumptuous historical buildings based on neighborhood-based contemporization model and seeks to answer the question how intracity dynamism  is  defined as in-between space. In order to achieve the objectives of the research, the process of analysis proceeds by selecting valuable historical buildings and how to change their land-use. This study aims to study the impact of changes in the land-use of selected buildings as an in-between space in urban dynamism by qualitative research of the indicators derived from the contemporization theory and has evaluated the effectiveness of metrics using the opinions of four groups of participants. Several rehabilitated historical houses in Tehran were analyzed with TND approach and an emphasis on the neighborhood-based contemporization theory, then areas and strategies affecting urban dynamism resulting from land-use change were extracted, and finally, the most obvious effective characteristics in selected in-between buildings were introduced as urban communication network.

Problem statement: 

Despite the many definitions of the mosque that have been offered in academic places so far, Undoubtedly, the definition of a mosque would not be complete without considering its audiences. Because one of the main functions of mosques is to create a platform for spiritual communication between man and God. This connection from the most primitive type of mosque to modern mosques has been an integral part of the function of mosques. Therefore, the audience and his perception are very important in this sacred space. The original experiences that take place in man-made spaces are experiences that have been influenced by a number of factors. Experiences that architects and phenomenologists call “the atmosphere”. This research seeks to identify the factors affecting the audience’s perception of the atmosphere of mosques.

The purpose of this study is to “identify the factors affecting the audience’s perception of the atmosphere of mosques” And it tries to answer the question of what factors can be effective in conveying the spatial atmosphere of a mosque.

This research has been done qualitatively. In terms of the nature of the data, is Textual, semantic and unstructured. It is inductive thinking in terms of logic and interpretive in terms of the level of analysis. Strategy of this research is grounded theory and analyzes has been done by systematic coding of Strauss and Corbin with the help of MaxQDA software.

Findings of the research show that in the audience’s perception of the atmosphere of the mosque space Architect can plan such as minimizing the conflict of the audience or the correct use of symbols and signs and benefiting from religious texts he or she can be involved to some extent (and not definitively) in shaping the spatial atmosphere of the mosque. Factors such as the audience’s emotional experiences when confronted with space, Ruling currents of thought, Historical events and geographical conditions, there are issues beyond the control of the designer in shaping the atmosphere of the mosques. Therefore, the factors affecting the transmission of the atmosphere of a mosque are in controllable parts and in uncontrollable parts. As a result, it can never be claimed that architecture alone can be an influential factor in conveying the atmosphere of a mosque.

The question of the essence of beauty and how the ancient architectural spaces of this land are revealed to their audiences as beautiful works is an important question that has always been of interest to scholars and thinkers in this field. This study is intended to rethink this issue from a different perspective, yet more fundamental. By formulating and applying Heidegger's phenomenological method of thinking, we strive to take the path of greater revelation and a deeper reflection on the essence of beauty in one of the beautiful architectural spaces of the past. In this regard, the illumination of the aesthetic essence is achieved not by conceptual thinking but by reference to the architectural work itself. We read the naghshe jahan square as one of the most beautiful works of Isfahan in the Safavid era to answer the question that how does naghshe jahan square manifest itself in the emotions and aesthetic experience of its audience? Finally, the interpretation of the audience's aesthetic experiences revealed for the audiences some elements, including freewill, consolatory, sanctity, honesty, spirituality, life, illumination, novelty, and logic, which represents that the naghshe jahan square is being revealed to the audiences as an artistic, humane, naturalistic, functional, ethical and memorable work and creates a beautiful and enjoyable experience for them.

The social, economic and cultural functioning of markets has led to the formation of deep links between people and marketers and their broad participation in order to continue the market life cycle. Due to the importance and necessity of studying the areas of attracting market participants, the present study was conducted with the main purpose of investigating the factors affecting market participation in the survival of the historical market of Tabriz. This research is applied in terms of purpose and in terms of research method is descriptive-analytical and survey type as well as correlational and causal research. The statistical population of these active marketers is a total of 5500 people. Using Cochran's formula and simple random method, 359 people were selected as the sample size. The reliability of the questionnaire was 0.869.The results of factor analysis model led to a reduction of 25 variables to 10 variables in the form of 4 main factors, namely awareness, satisfaction, trust and sense of belonging (spatial identity), which explained a total of 88.73% of variance changes related to market participation. .Also, the results of regression test showed that the variables of knowledge with the value of 0.598, satisfaction with 0.470, trust with 0.456 and finally the sense of spatial belonging with 0.389 were able to explain 63.5% of the total variance changes related to market participation. Finally, the results showed that the rate of participation in rows, mosques and inns is higher than other market spaces, respectively, so in order to continue the life of the historic market of Tabriz, suggestions have been made to strengthen awareness and recognize and strengthen the feelings of belonging. For example, by introducing the cultural values of this building and also the role and function of this complex in the development of the city of Tabriz, the ground for wide participation of citizens and especially bazaars in its management can be provided. The capacity of line spaces can also be used to guide the participation of other sectors.

This paper comparatively examines the indicators of constructivist education in master’s architecture curriculum of selected universities in terms of environment, program, teaching methods and evaluation. The purpose of this study is to identify ways to promote architecture education in Iran. The research sample was purposefully selected. The research method was comparative with qualitative approach and based on Stages in Bereday’s Comparative Method in Education: 1) Description, 2) Interpretation, 3) Juxtaposition and 4) Comparison. The data were collected from library, web-based information and students and professors interviews that analyzed in tables and charts format. A comparison of the strategies of Harvard, AA, Bilkent and Shiraz universities showed that Harvard offers the most flexible curriculum among the universities. AA is stronger in hosting educational aid events as well as evaluating the program execution. By making the most of its potential to employ and exchange international teachers and students, Bilkent University seeks to improve teaching practices to the world first level. The rigid program and long-term revision is the most important problem of Shiraz University curriculum.

The beauty of Iranian ancient architecture is still an essential question, which has invited numerous investigations. This requires even further contemplation in the milieu of present esthetic crisis in contemporary architecture and the associated vacancy of theory, particularly when our contemporary architecture is lacking any relevance to categorical beauty from the viewpoint of Iranian thought and architecture. Many studies inherent in the religious literature and the textual works by Islamic thinkers have attempted to deal with and explain this question. However, the only authentic sources to elicit and reveal the hidden layers of beauty are undoubtedly the remaining artistic works.

This study of Khaju Bridge, an authentic work remaining from the Safavid era, attempts to elicit the ontological foundations of beauty in this artwork and reveal how beauty has found its embodiment and form in the architecture of this building.

The phenomenological approach was adopted to disclose the nature of beauty and the lived experiences of four groups attending the bridge were studied under the influence of Max van Manen.

The findings suggest that contemporary architecture is no longer able to create beautiful and exhilarating spaces due to its lateralization towards form, function, or meaning. Indeed, architecture is beautiful when it can properly respond to the triad of form, function, and meaning. Moreover, seven components, i.e. vividness, selflessness, originality-authenticity, artistic richness, logicality, poetry, and thought-wonder, were identified as the ontological constructs of beauty in Khaju Bridge, to be used to create beautiful spaces in the process of their transformations into various structures.

Space creation is the product of architecture. After life, the space is recreated and redefined by users every day. Therefore, studying their social backgrounds, such as age, gender, and cultural sectors in space are of significant importance. One of these factors is gender, which is a social category and is affected by the culture governing the society. Gender is a social category that has always been influenced by the culture of the community and changes over time and thus differs from the term sex, which refers to this from the point of view of biological and physical differences. Considering the sociality of gender, this paper seeks to study the relationship between gender and space along with the quality surveys of shopping malls as a public urban space so that it is possible to introduce a space with specific components, and also these components can be used in architectural design and as well as the needs of all gender groups in this space can be met. Since studies show that women’s needs are more important because of their responsibilities and limitations and because of their sensitivities, the space they deserve is suitable for both sexes. Therefore; this study focuses on the needs and perceptions of both group to achieve their needs. This study was done using the qualitative grounded theory method. In order to do this study, 5 shopping centers in Tehran city were selected and assessed. In this study, observation and interviewing tools were used to measure the theoretical foundations of the observer and the users of shopping malls and to obtain the required categories of responses.observation and interview questions are formulated on the basis of theoretical framework components to assess the components from the perspective of space users and to provide concepts and categories that are needed by both gender groups to assess the needs of both groups in space. To achieve a model of the ideal space. The results obtained from the analysis of shopping centers in Tehran city present some indicators, which are considered as factors affecting the measurement of desirability and undesirability of space, and measured the efficiency of space design. According to the results, if the concepts resulting in the presented categories of perfectionism, spatial acceptance, persuading the continuity of the presence in space, recreation of comfort in space, and gender proportion in space are considered in design, the obtained design has reached gender balance and gender has been considered as a social factor in design issue, and each person can meet his/her need in space, and finally, by gender proportion of space, This level of space efficiency is one of the qualitative criteria for measuring space because each person seeks to meet their needs in the environment and when the environment provides the right conditions and the individual can do less effort to achieve his goals, it is a satisfaction and desirability for him/her, and the achievement of this feeling in the environment is the expectation that each person expects the space s/he desires.

One of the crucial concepts in modern and postmodern views to phenomena is the dichotomy of “I” and “the other”. When talking about the other, in social sciences, the issue is about how the majority and minority are formed in a society. Thus, in sociological thought, minorities usully form the other because the “majority” rises to power which entails the concept of “the other” in a framework of “representation”. In Iranian cities, periphery-dwelling or spontaneous centers constitute an indispensable part of urban life. Now, the question is how the periphery can develop as the other, take root and turn into a generative force? The present article intends to provide a ground for the exponents of the endogenous development doctrine through examining the encounter and interaction of “self” and “the other”. In terms of the “nature” of research, the present research is “qualitative” and regarding the “purpose” it is “analytical” and is concerned with understanding the way self and the other encounter and face each other in the life of the city. The logic of the research is “deductive”. Finally, the results illustrate that modifying distribution of services to the periphery in order to activate industry and agriculture and consequently minimize consumption, reinforcing local institutions to empower the periphery, reconsidering ownership territory, strengthening domestic economic foundations via people’s contribution without any external provision of supplies, are all significant factors that can potentially help to making the periphery become generative.

There are several reasons why the maintenance of spatial relationships is important in residential homes. Research in this area is being performed on more than 100 homes from the Qajar era in Kashan City to determine the presence of open, half open, and closed spaces, and based on these relationships shape grammar is being used to create a variety of designs. Shape grammar is a manufacturing system within which a set of rules leads from the desired form to the design.
In this study, three spatial types are considered: a courtyard space (open space), an eyvan (partial closed space), and a closed space. Based on these three spatial elements, design plans consist of three types: single court, double court, and complex. Spatial relationships within the homes are defined using the manufacturer’s specified rules and this algorithm. As it turns out, with the use of these specified rules and allowable spatial types an infinite number of design solutions can be provided. The use of shape grammar to interpret tradition home design in Kashan City lead to the creation of many new designs that are displayed through the use of a decision tree. The goal of this research is to allow for novel home designs while maintaining the essence of traditional Qajar home architectural style.

The critique of architecture has always followed architects and those involved in this field and is in fact quite indispensable from it. Therefore before going around asking why it is so, it seems appropriate to ask ourselves the how. Conceding to the fact that the ultimate goal in the critique of architecture is to discover a specific style with which to think about architecture, the main question leading this research is where exactly does the modern Persian critique of architecture fit into the international arena of criticism? This article is a study into the historic-analytic critique in the west and their equivalent attempts in Iran and the subsequent conclusion that the critique of architecture in Iran unfortunately does not have a strong past and is suffering from a weak philosophical point of view as a result, also the traditional point of views has pushed this critique to hover between positivist critique and an descriptive one. This research is based on the qualitative researches and in order to explore the question it poses, the data came from library documents and comparative method is used in analyzing the facts found. For proving assertion of this paper, we had a look over all of the studies which have ever been done in Iran around critique of architecture. We accumulated important notions in this area and rearrange them. In next step, we would dive deep into what, literally, critique of architecture is; we used leading researcher's theories to represent tangible description of critique in architecture. Critique had a vital role in growth of modernism in west, also in architecture. It also is a controversial implication which has brought together many different notions and ideas. So for getting to know what happened, we decided to scrutinize the topography of critique in the architecture in its homeland, Western Europe. By contrast in Iran, we found critique as an imported notion in literature of architecture, like many other modern ones. It was obvious that the triangle of our framework would fulfill by position of critique in contemporary architecture of Iran. In fact, we followed critique in wider context of modernism, then in narrower one, architecture. Then we tried to mention every defect and lack of knowledge in this area in Iran. Finally, our comparative analysis would show us how the architecture of Iran has faced with critique. In a nutshell, we found critique of contemporary architecture of Iran as a vague. Architecture's critique of Iran, without any philosophical basis, is hovering between positivist critique and descriptive one; it is actually suffering from what we called philosophical schizophrenia. An illusion which has penetrated to all aspect of critique in contemporary architecture of Iran; critics in Iran think they are professional in critique while they are sank to all of possible disorders in architecture. Our studies show that researches in Iran use the ideas of descriptive critique, but they apply the principles of positivists. Maybe, this challenge lays on critical identity between social layers of Iran. We, perhaps, need to rearrange pyramid from to top, not vice versa.

Till now many researches have been done in order to find and clarify the different kinds of relations between two well known arts: Music and Architecture، during the years of their existence. The majority of these researches have only focused on the comparison of superficial and structural aspects and no deep research has been done to specify conceptual and spiritual relations between these two. Here it is intended to explain the conceptual relations between Music & Architecture space by exploring the relation of concept of space in Music & Architecture within two periods of pre-modern (14-18 centuries) & post-modern (18-21 centuries) in western countries. Because of the main revolutions that occurred in Renaissance، which resulted in changing viewpoints of artists، their needs and insights towards world & life، this era has been chosen for the beginning time of the research & furthermore the 18th century، because of its serious changes in work patterns، life styles and also its industrial & economical revolutions، has been chosen as the dividing time، from the Renaissance till now into two parts of pre-modern and post-modern. The purpose of this investigation was to find the answer to the following questions: How was the relation between music and architecture space in these two periods? What kinds of changes have happened in the structure of this relation and what are some of the reasons? To find the answer، this study has been done in three parts: First section: Survey on concept of “Architecture space” within pre-modern and Post-modern era. Second section: Survey on concept of “Music space” within pre-modern and Post-modern era. Third section: Survey on relation between Music and Architecture space from pre-modern till Post-modern. At the first part، with the facts that are founded & mentioned in the chart 1، it is shown that in the history of architecture in different eras like Renaissance، Baroque، Rococo، Classic & Romantic، as the pre-modern periods، there has been a special concept behind each architectural space design. At the modern & post modern also there are found some specific concepts in the relation with the designed spaces also. In the second part there is shown that in music it has been the same and in different eras like Renaissance، Baroque، etc. there has been founded specific concepts behind the spaces that was created through the musicians and this pattern had continued in modern & post modern eras as well. Finally it is interestingly discovered that at each of the eras mentioned (like Renaissance، Baroque، etc.) there has been the unique conceptual meaning behind both architecture & music spaces at the same time، and they has expressed the same meaning. For example at the Renaissance، in both music & architecture spaces it has been mainly focused on «human and its perception of space»، at baroque on «the movements & motion of space»، at Rococo on «the use of trapping in space،» at Classic on «the use of old patterns in the creation of space» and finally at Romantic «the emotions & artists revelations» had been the main point. But After 18th century in modern era، this relation changed so that there was no unique conceptual relation between the architect''s & musician''s works and multiple conceptual spaces started to appear and it continued into the post modern till now. Some of the reasons for this change could be the industrial & economical revolutions، technology progresses، changes in the meaning and usage of space، etc. some of the results of these changes from unique conceptual relation to multiple conceptual relation is that less communication between the arts is seen، if at past one specific concept was expressed by both the music & architecture spaces at the same time and one helped the other to expresses its meaning، today is not so and the relation is so disturbed and obscurant that none of them reminds you the other. And also they are less influenced by each other. So this article clarified the fact that: 1th،from pre-modern till present time، always conceptual relation between music and architecture space has been existed and these two arts in all periods expressed unique meaning. 2nd، Because of the revolutions that have happened within modern period، some serious changes have occurred in the structure of this conceptual relation. By further researches more details of these changes and also its impact on the relations of other arts could be figured out and its advantages & disadvantages could be investigated as well. Each of the eras which mentioned here could be studied in Eastern world (countries) and compared with what is done in this research as the Western world.