جستجوی مقالات مرتبط با کلیدواژه « ادبیات زنانه » در نشریات گروه « ادبیات و زبان ها »

Attention to the status and literary characteristics of women's literature in contemporary literary criticism is closely linked to the growth and success of women's writing and related topics in this field. This includes women's identity, their style of speech, and language, each of which can be examined in more detail. In this context, one can explore the emotional elements of women and the aesthetics of their speech. Among contemporary female poets who have infused their words with affection and passion, elaborating on the traits of womanhood, is Ms. Susan Alivan, a Lebanese poetess. Through her thoughts and reflections, she aims to change her society's view of women and present woman as a model of sincere emotion and the essence of affection and vitality. She draws attention to women's latent capabilities and talents. This article takes a descriptive-analytical approach to introduce this poetess and analyze the aesthetics of her feminine language on four levels - phonetic, lexical, syntactic, and communicative - within her poems. It also delves into her personality traits, writing style, and the beautiful spirit that shines through her work. Examining the poetic beauty in this poet's work reveals a strong rhetorical power and artistic depiction. Her words present a miracle to the literary community, particularly women, through gentle poetry and heartwarming discourse. She portrays the status and role of women in society while reshaping societal attitudes towards women's capabilities as a means to strengthen social bonds.

In different periods of history, women always believed that they were in second position in terms of gender and were not considered as a main character. Moreover, the believes was true to some extent due to the behavior of men in front of them and caused women to become pessimistic towards the patriarchal society and its ideas. Considerably, in the 20th century, women entered into the economic and political areas to achieve the rights that they thought had been denied to them throughout history. In addition, women’s literature and writing were among the topics raised by some experts of the school of feminism. After that, the goal of experts in defining women’s writing was that women have their own writing style like men and show their inherent differences from men well in their texts. In fact, feminism can be defined as the study of gender in language, determined the phonetic, lexical and syntactic differences, identified what issues are related to women’s language.In the field of Arabic literature, the entered of the term women’s literature can be related to the Renaissance era, in which intellectuals realized the importance of the role of women in the awakening of the society and participating in social, cultural and literary fields. Moreover, new words such as women’s education and women’s association entered the language and culture of that society. (Momtahan & others, 2011: 137) believed that women’s literature in Algeria can be considered a late phenomenon and belongs to the last century. In addition, compared to the seventies more women published their works in the eighties. Considerably, Yasmin Saleh, Fazileh Farouq, Enam Bayoud, Sara Haider, Abir Shahrazad, and Ahlam Mostaghanami are among Algerian women writers, among whom Fazileh Farouq, Yasmin Saleh, and Ahlam Mostaghnami are more involved in their activities than others. The novel Al-Asud Yaliq Bek, written by Ahlam Mostaghnami, is one of the works in which the female language and its related components can be clearly observed. This research aims to provide a brief explanation of the phenomenon of women’s writing and examines women’s writing in the novel Al-Aswad Yaliq Bek written by Ahlam Mostaghanami.In addition, it answers the following questions:1. What were the factors influencing the emergence of women’s literature in Algeria?2. How are the female writing components of Al-Soud Yaliq Bek’s novel manifested?3. What are the most obvious characteristics of women’s writing in Al-Soud Yaliq Beyk’s novel and what could be the reason for it?

This research, in a descriptive-analytical way, has tried to define the components of this literary style after explaining the relationship between feminism and women’s writing in Arab countries, especially Algeria. And moreover, this research tries to define the author’s purpose of using this writing style by presenting evidence and statistics of each of the female linguistic components.

The author of Al-Aswad story, Yaliq Bek, tried to show her intellectual space to the audience by using skepticism, expressing memories and feelings, detailing, using different colors and feminine terms. For example, considered to the component of expressing memories and feelings, the author has made a lot of use of the components related to the expression of feelings. Moreover, there are 63 cases for Hala and 27 cases for Tala, which shows that the main character of the story, Hala, is dominated by emotions. For Hala, she has used the fear and worry component more, which may be considered a reflection of the existence of Algerian women; women who spend their whole lives in fear. On the other hand, for Tala, the characteristics of love and infatuation is more, which is due to the infatuation and love that he felt for Hala in his being. This could go back to the psychological security that men have and could easily love and care for each other, but women must always be in fear and worry.

The following results can be obtained from the conducted research:1. The presence of educated women writers and the publication of their works, even in a limited form, broke the taboo of silence imposed on them. Moreover, other Algerian women writers started writing stories to claim their rights and created the emergence of women’s literature in Algeria.2. In the novel Al-Asoud by Yaliq Bek, features such as the expression of memories and feelings, the use of ambiguous shots, detailing, different colors and feminine terms are used for the main character of male and female and the narrator.3. The most obvious characteristics of female writing in the novel of Al-Asoud Yaliq Bek is the author’s use of uncertainly terms, which has a frequency of about 143 and shows uncertainty of the author and the characters of the story, especially the main female character, Hale. Moreover, this issue can refer to the caution of women in their speech and lack of self-confidence of women in expressing their words. Considerably, speaking for women is always limited to certain conditions, and they want to go beyond that limit, they must observe the aspects of caution. The author uses the element of expressing emotions, especially fear and worry, which is repeated 60 times. This issue can point to the psychological characteristics of women and the lack of psychological security. In such society’s women are considered the second sex, and they should always use anxiety and stress to prove their existence.Keywords: Women’s Literature, Women’s Writing, Ahlam Mostaghnami, Alsoud Yaliq Bek

Women have had a prominent place in the works of writers during different periods of fiction literature, and before the entry of female writers into this type of literature, women's issues and emotions with a male point of view appeared in stories; But from the 1940s onwards, women found the courage to address women's issues by entering the field of fiction writing, and introducing women's social position became one of the main concepts of women's fiction. Shehrnoush Parsipour, Moniro Ravanipour, Ghazaleh Alizadeh, and Goli Taraghi are among the writers of women's fiction literature, each of whom has addressed women and their social position in society from a specific perspective. In the works of the mentioned authors, women accept various roles in the society. Sometimes he takes a passive state and bows down to the determinism of problems, and sometimes he overcomes the obstacles and problems of society in order to achieve excellence and perfection.

The method of collecting information for this article is library study and the use of scanning tools, and the method of writing and dealing with descriptive-analytical information. The statistical community includes the novel "Ahl Gharq" by Moniro Ravanipour, the novel "Touba and the meaning of the night", "Women Without Men" written by Shahrnoush Parsipour, "Khane Idrisiha" written by Ghazaleh Alizadeh, and the novels "Happening" and "The Last Day" written by Goli Taraghi.

One of the important themes related to the woman and her social role in the stories are issues such as patriarchy, daily life, love and female feelings, and trying to find identity. Each of these issues is a source of water and factors in the formation and flow of women's lives.

The point of view of contemporary women writers regarding the role and position of women in society shows that despite the obvious differences, there are major commonalities in their attitude towards this issue. In addition to their gender, this originates from factors such as environmental and geographical conditions, the level of knowledge, traditions and beliefs, and the ruling system of the society, and has had a significant impact on the creation of female characters by writers.

Alienation is one of the most important topics in Arabic literature since the past. In the present age, due to the social, political, cultural and economic developments that Arab societies are witnessing, oppression and the related components have taken on a new form. Ghada Al-Saman, a Syrian writer and thinker, has witnessed colonialism and internal tyranny in Arab societies during his lifetime. His works are well represented them. Accordingly, this paper intends to use the descriptive-analytical method and with the aim of showing the types of harassment and reaction to them, to investigate the phenomenon of harassment in the novel Laylat al-Maliar Ghada al-Saman. The findings of this study show that obsession in the characters of this novel has appeared socially, internally, temporally, spatially and culturally and there are different reactions such as: rebellion, adaptation or isolation have been formed towards them. Meanwhile, the author has used things such as repetition of the phrase, internal monologue and flash back to express excitement.

In this article, the linguistic characteristics at different levels (words, sentences, discourses) and features content that correspond to the most important story elements are studied and analyzed. The neorealist novel is full of beauties and can be explored from the perspective of aesthetics.

In this paper with the title of “Comparative study of Ghada al-Samman and Simin Behbahani’s lyric poems” is trying to answer this question “what differences and similarities are there between Ghada al-Samman and Simin Behbahani’s lyric poems?” Ghada al-Samman is considered as the perfect representative of the new female iterature (women’s literature) and its specific type، i. e. feminine lyrical literature in Arabic literature. Simin Behbahani has been also known as one of the representatives of this new flow as well as the lady of the Iranian lyrics. Language and unique feminine feeling are among the most important features of the romances of these two poets.