جستجوی مقالات مرتبط با کلیدواژه « شادی » در نشریات گروه « ادبیات و زبان ها »

Bilingualism affects many cognitive and emotional processes, and studies have shown emotional arousal statements influence language, specifically language selection. The present quasi-experimental research was accomplished with the aim of surveying the language selection of Turkish-Persian bilinguals at the time of processing happiness. For this purpose, using targeted sampling, we selected 20 Turkish-Persian sequential bilinguals (with an average age of 26) among university students of Tehran. Participants were first asked to fill language history, General Health, Handedness, and Positive and Negative Affect Schedule questionnaires; then they responded to a computerized task designed to induce happiness and determined the meaningfulness of Turkish and Persian words and non-words. By examining the performance of the participants in the test through repeated measures analysis of variance, it was revealed that individuals significantly spent more time on determining the meaningfulness of words in happiness inducing condition comparing to the normal one. Also, regarding the comparison of two languages in both conditions separately, paired comparison results demonstrated that participants’ reaction time to Turkish words in happiness inducing condition was significantly longer (Ps<0/05). As a result, it can be proposed that Turkish-Persian bilinguals are more involved with their first language in emotional states, especially happy state, and that Turkish has more and deeper emotional associations for them, and their emotional involvement is stronger for their native language than for their second language.

The present study examines the element of happiness in Ferdowsi's poems and compares it with Farrokhi's poems, and the purpose of doing it is to familiarize with the themes of happiness in the poems of the mentioned poets and to briefly compare the Samanian period with the Ghaznavid period. The great reflection of happiness and living happily by the mentioned poets and their praisers and the advice of people to be happy is one of the most important reasons for dealing with the present topic.

In order to carry out this research, in this thesis, firstly, all the divans of the mentioned poets were studied, and then all the verses related to happiness in the studied area were extracted and tabulated; Then the poems were classified and analyzed based on the content structure with the help of scientific sources related to the research topic. This research is represented by reference to library sources and descriptive-analytical method.

The frequency of happiness in Farrokhi's poetry is much less than that of Shahnameh.

In examining the symbol of happiness in Ferdowsi's Shahnameh and its similarity with Farrokhi's poetry, it was noticeable that the themes and concepts that mostly had the aspect of external happiness; But happiness in Farrokhi's poetry is different from happiness in Shahnameh in terms of some concepts, especially in the context of praise.

One of the most fundamental tenets of ancient Iranian philosophy and mysticism, especially in the Yazd-e-Masna religion, is happiness, bliss and attention to joyful and exciting emotions. In these texts, words within the 'semantic field' of ‘happiness’ have the highest frequency. Ahuramazda is a God of happiness, Zarathustra himself is a happy prophet and a messenger of happiness. Believers speak happily in their prayers. The gods Mehr, Ashi, Tishter, and Anahita bring happiness to the people and the ultimate wish is the wish of happiness. In this study, by providing an analysis of words that are semantically similar to ‘happiness’ and emphasizing the meanings and roots of the two Middle Persian words (šādīh) and (rāmišn) in Avesta, ancient Persian inscriptions, Manichaean and Middle Persian Zoroastrian texts, we will try to follow the concept of happiness in these texts and paint a vivid image of what these texts have to offer when it comes to ‘happiness’. In addition, by proving the importance and place of these concepts in ancient Iranian thought, we will present new findings regarding this topic. In short, happiness in ancient Iranian texts begins with the material world and ascends to heaven. It is a feeling that is associated with worldly pleasures, satisfaction and wisdom, working and self-actualization, good thoughts, plenty, peace, truth, benevolence, prayers and religious practices, and ultimately happiness after death and immortality.

Happiness is one of the emotions that have received a lot of attention in positive psychology today, and sages and mystics have made great efforts in understanding and how to present and apply it in their words and works. For this reason, analyzing and properly presenting these views through examining the texts and introducing their precise characteristics to the audience can clarify the paths for positive thinking and happy living and through reflection, concentration, indoctrination and thinking in the teachings obtained from the texts. Literary and mystic, first clear the way of knowledge in the mind and finally by repeating the beliefs of these teachings, it can lead to a suitable solution to achieve happiness. With the same aim, this research examines the view of happiness and its connection with self-awareness in Rumi"s thoughts in his sonnets.

The method of research is to analyze the qualitative content of the theme and the statistical community of all the sonnets of Rumi known as sonnets of Shams

Molavi"s sonnets show the connection between happiness and self-awareness in various axes. Among them: knowing one"s original scheme, which leads to understanding human defections and abilities. Realizing one"s relationship with God and this world, the experience of love, according to Molavi, love for God and other people is the cause of happiness. Staying away from hostility and enmity and understanding the tenderness of love at a high level makes a person happy. Understanding and communication with nature, which sometimes leads to growth and freshness with self-awareness. Molavi sees the root of many joys within the human being. The self that must go through the superficial stages of cognition and reach self-awareness and belief.

Jalaluddin Mohammad Molavi is one of the mystics who have been able to invite his audience to live happily and get rid of the sad dependencies of existence by representing the visible and hidden cognitive images of happiness through his sonnets. This has emerged by drawing paths of self-awareness and knowledge of man in the world in a skillful texture and full of aesthetic symbols and sublime musical dimensions of speech in Rumi"s lyrics.

Tourism has turned into one of the most significant and influential industries in the world economy. In addition to its effects on the macroeconomic environment, this industry through its development has had variety of positive and negative effects, one of which is concerned with citizens’ levels of happiness. The purpose of the current research is to evaluate tourism development and its effects on the happiness level of residents in the city of Kashan. The research method is descriptive-analytical. One-sample T-test and a structural equation modeling were used to analyze the data of the questionnaire. The results, obtained from the one-sample T-test, showed the significance of macroeconomic indicators, cultural dimension, social dimension, economic-social dimension, environmental dimension, and the quality of life on the happiness levels of the residents of Kashan. The results of a structural equation modeling displayed that among the measured indicators the social-economic index has the highest factor loading with a weight of 0.91. The cultural and environmental factors are ranked second with the same factor loadings of 0.86. The factors such as macroeconomics, the social dimension, the quality of life, and happiness index are ranked next with factor loadings of 0.71, 0.58, 0.84, and 0.63 respectively. After a more detailed analysis of the indicators, the creation of job and the earning of income, among positive effects of tourism, have led to the well-being and happiness of residents as well as the improvement of their appearance and authenticity.

The present article has tried to study the conceptual metaphors of three stories from three languages which are written in the style of Stream-of-consciousness as a narrative device, to show how the mental functions establish relative similarities in the image schemas among these three languages, and also how these cultures create different image schemas. In this research, the extracting data from the corpus has been done by searching the keywords related to the domain of "happiness" and according to the relevant linguistic context. The description and analysis of metaphors have been done in a comparative way to examine the fields of source and existing mappings and at last the related image schemas. The data of this research shows that Sadegh Choobak (Sange Sabour in Persian) has used five image schemas, "Motion, Force, Existence, Volume and Space", William Faulkner (Sound and Fury in English) has used four image schemas, "Existence, Volume, Force and Movement", and Najib Mahfouz (Miramar in Arabic) has been used three image schemas, "Existence, Volume and Force" to express the feeling of " happiness ". The existing similarities show the universality of image schemas and differences indicate the culture-specific nature of image schemas.

Sadness and happiness are human states and emotions that are rooted in his soul. According to different points of view such as religion, philosophy, mysticism, psychology, different factors are involved in creating these two mental states. Accordingly, experts present different interpretations of it according to their different approaches. Afzaluddin Khaqani Sharvani, the poem of the sixth century, which is one of the greatest experiences of thinkers in the field of moral and literary sciences, has a special view on these two phenomena in the light of the experiences gained from various successful and unsuccessful events in his life. . In his opinion, sadness and happiness are divided into two general categories, desirable and undesirable sadness, which is the sadness that is given by the lover to the lover. In explaining his unpleasant grief, he uses a causal relationship. In this article, which is done with the method of content analysis, by examining the roots of sadness and happiness, according to the poems in Afzaluddin Khaqani's Divan, the causes of sadness, the factors that relieve sadness, the results and effects of sadness, and the construction of the concept of happiness are discussed. . According to the results of this research, Khagani is the unpleasant sorrows that are created under various conditions and factors such as migration, enemies, persecution of the times, black luck, etc. He knows that sorrows are inevitable. However, he prefers the sorrow of his beloved to any joy.

Throughout the history of mankind and in different cultures, people have always been looking for different ways to express happiness. Rituals, celebrations, music, various arts are all ways to create happiness. Therefore, it can be said that happiness is one of the real and emotional needs of every human being and this universal and general issue lies in the human nature. Happiness is basically procreator and motivating, and it has many educational effects. From social point of view, it provides the intellectual and cultural development and spiritual moderation of people. Therefore, in Persian literature from the past until now, there are fewer poets and writers who did not encourage his audience to be happy and turn to life-making topics. One of these literary works is Qaboosnameh. Qaboosnameh is one of the valuable works of Persian language.  Amir Ansar al-Ma'ali Kikavus ibn Iskander ibn Qaboos Ziari wrote the Qaboosnameh in forty-four chapters to educate his son Gilanshah in the fifth century AH. The emotion of happiness was striking in this work and the author had a conscious intention in using and promoting it. The purpose of the present study is to investigate the nature of happiness in Qaboosnameh and its role in social education. The method of analysis in this research is analytical-inferential. After analyzing the content of Qaboosnameh and extracting themes related to happiness, the principles and methods of social education are inferred based on these themes. The findings showed that the themes of happiness in Qaboosnameh include gratitude, anger management, companionship with a good friend, order, music, work, purposefulness and travel. Based on these themes, eight principles of social education were deduced. The results emphasize that happiness, in addition to being one of the psychological needs of human beings, is a social necessity and it has a great contribution in the interaction, cohesion, and unity of the individuals and cultures. It also provides an introduction to the intellectual and cultural growth and spiritual moderation of the people. All of these are dimensions of social education.       The results emphasize that happiness, in addition to being one of the psychological needs of human beings, is a social necessity has a great share in the interaction and cohesion and unity of individuals and cultures. All of these are dimensions of social education

In this article we intend to bring joy and happiness form the perspective of the eighth method of references and punishments of ibn sina the great scientist of Islamic iran and the world ( science- philosophy and logic- medicine and wisdom) with the poems of rumi the great poet of iran and the world lets examine and compare him as a mystic and thoughtful scholar in Islamic thought and hafez the great lyric poet of the eighth century. Given the importance of the issue and the influence of all three nobles in the discussion of Islamic science philosophy and mysticism research in this regard is essential. Assuming that ibn sina mystical language in the eighth method is significantly similar to rumi language in divan shams and masnavi and hafez lyric poems in his divan we answer the important question of how rumi and hafez language in their poems with ibn sina about pleasure and happiness? We came to this conclusion by bringing documents form the eighth method of ibn sina allusions and punishments and rumi poems in divan shams and masnavi and lyric poems form hafez divan rumi poems are mentioned in two great works and hafez lyric poems have significant similarities with the concepts of the eighth method of allusions and punishments about pleasure and happiness and its synonyms.

The present study was conducted to develop a happy school model by exploring happiness themes in Iranian culture and literature. The method used in this research is thematic analysis as a way of analyzing in the qualitative approach. The research data included sources and texts related to Iranian culture and literature, getting studied through techniques of text analysis and based on data analysis process in thematic analysis method. Findings of the study indicate that happiness in Iranian culture and literature is configured around two main themes of external happiness (objective) and internal happiness (subjective). External happiness includes living in a happy world and well-being, and internal happiness encompasses attitudes, nature, and the pursuit of happiness. Developing a happy school model based on happiness themes in Iranian culture and literature requires attention to both external and internal happiness. These two dimensions could be accompanied the elements and components of the school and be performed in the form of developing a curriculum focused on happiness, having educational staff and school administrators as happiness instructors, considering lively school environment, and working on the happiness of the students.

Examining the factors of joy in Movlavi's sonnets, we concluded that seeking and discovering the truth and gaining the satisfaction of the Almighty, which indicates the perfection and servitude of man to his god and creates spiritual joy in him. Movlavi's kind of joy is psychic and inner. The coexistence of sorrow and joy in Movlavi's worldview with musical effects and dynamic images to express Movlavi's drunkenness and joy and spiritual joy that brings him from the world of horizons to the soul. Movlavi's approach can be described in the area of divine knowledge, especially in the "Kabir Divan", based on enthusiasm; And in proving such a claim, significant verses appear in this valuable mystical work. On the other hand, sadness and joy also play a significant role in Hafez's sonnets; Hafez considers sadness and happiness as two sides of life and emphasizes their role in life. The present article is the result of reflection and contemplation on the most prominent themes related to joy in "Koliat Shams" and Hafez's Divan.

There are many discussion and disagreement between researchers especially linguistics and historians about what the religion and ethic of Achaemenid kings were, specifically those who were the first kings of this dynasty. Some of them believe they were Zoroastrian, some others disagree and others choose Indo-Iranian religion. Generally, everything they declare is based on historical evidence or linguistic implications and it seems nobody considers the existing content and concept of Achaemenid inscriptions and compares them based on religious scholarship or the doctrine of Zoroastrian religion nonetheless the Achaemenid’s main and frequency slogan which Dariush left behind on inscriptions to reinforce his legitimacy and introduces earth, sky, people and happiness as creations of Ahuramazda is profoundly based on Zoroastrianism.

n this research research, it has been linked and happily investigated and related to the damage in the stories of Shahnameh, and it is concluded that in the world of existence the first joy of divine religion is unique and man is the chosen and representative of the perfection of creatures, They must have Jewish characteristics, including adjudication. In the place of the development of divine justice, it is related to the soul and within, and in this view, man must create the first in himself, because all its creation is organized in a regular manner and in a manner that protects the body from harm. , Turns and brings happiness to man; otherwise, all the rules and order of the world will come together, and the rule of sorrow falls upon joy and various kinds of damage will be decomposed. ealized in a society where the lives of people are interdependent and have shared profits and losses, the only way to ensure a calm, progressive, successful and ideal life and prevent any harm to individuals is because of any degree of community justice. Less and more arrogance, the devilish and cruel, invading and harmful effects, and whatever threatens the joy and lightness of the Ahoorias, is more and less a result of the joy and destruction, and the rule of sadness Evil and harmful, wins the state of joy and human prosperity is endangered, such as Zehak society.

Metaphor is a linguistic element that can be found in different languages, and the scope of the present study is restricted to the metaphorical expressions of only the two concepts of Happiness and Sadness as presented in Persian and Malay languages. The study uses of Metaphor Identification Procedure (MIP) and the Conceptual Metaphor Theory (CMT) framework. In this study, two sets of data (Persian and Malay linguistic data) were examined. The Persian linguistic data were collected from the Persian novel ‘Suvashun’ written by Simin Daneshvar. The Malay linguistic data were gathered from the Malay novels written by Wan Osman Wan Awang. These emotive metaphorical expressions were compared to assess whether they were identical, similar, or different. The analysis of data showed that emotive metaphorical expressions of Happiness and Sadness are characterized by cognitive commonness and cultural variety. The findings show that the two languages have many metaphorical expressions of Happiness/Sadness that are based on common bodily experiences. Furthermore, the analysis of metaphorical expressions of Happiness and Sadness in the two languages showed that the metaphor is quite pervasive in expressions of emotional concepts, and it plays an essential role in our understanding and speaking. The results of this study suggest that the application of Metaphor Identification Procedure (MIP) offers a reliable and flexible method for identifying metaphorical expressions at the linguistic level and the Conceptual Metaphor Theory (CMT) provides a systematic instrument to identify the concepts of emotive metaphorical expressions behind the linguistic metaphors.

This research deals with the metaphors that are used in Divan Shams based on happiness feeling. The theoretical basis of research is the conceptual metaphors theory that has expanded metaphor from a purely aesthetic instrumental to a worthy approach for understanding and thinking. Molana has gotten help from the "object", "animal", "food", "plant", "market", and "place" to explain many of happiness features in Divan Shams and he could make this concept concrete and objective. The present research which has been conducted through a descriptive-analytical method, attempts to discover and explain the relationship between metaphor with thought foundation and Molana's thinking world. By cognitive analysis of happiness metaphors in Divan Shams, we can find that this feeling in Molana's intellectual system is something spectacular, tangible, gustable, and audible and somewhat smoothie. Also, the statistical results used in this study indicate that the human being area and the function of sight sense with the highest frequency have the most role in the cognitive process of the happiness metaphors in the mentioned work.

The present research explores the conceptual metaphors of happiness in Persian, Kurdi and Gilaki languages within the framework of cognitive linguistics. Native speakers of these three languages were interviewed and conceptual metaphors were extracted and classified based on kovecses's framework (2008). Then, most frequently used metaphors were identified in each language and used source domains and mappings were recognized. Next step was comparing these used source domains and mappings in three investigated languages and comparing conceptual structure of happiness in them. Finally, conceptual metaphors of happiness were compared in these three Iranian languages and some other languages like English.

Since the Holy Quran cares about human personality and moral value, he also emphasizes his material and spiritual rights, so he explicitly declares the dignity of man: Karman Bani Adam and the Humble of the Faithful and the Wisdom of Me Al-Taybat and ... (Asra 70) And because he blown his soul into him, he made the heavens and the earth blessed with him, and created for him a birth of blessings; all are all signs of the reverence of man. As a result, Bayazid Bastami, one of our great mystics, also honors human beings and the importance of enjoying his social, economic, cultural and religious rights in the early centuries of the Islamic republic, in honor of creatures including man and his worthy place. As a special blessing of Ashraf, he cherishes the creatures of God. The purpose of this research is to study the reverence of creature and happiness from the perspective of Bayazid Bastami. The reverence of the creature, especially human beings, is due to the values ​​and ethical qualities that are not only given special attention to religious teachings, but also one of the hallmarks of Bayazid Bastami's life. As one of the elders of this profession, he pays tribute to creature, happiness and service to the people, which will be explained in this essay.

Satisfaction is one of the greatest and highest God seekers’ positions and a lofty house of the God’s lovers.. “Happiness” has an unbroken link with satisfaction. As a result, in the highest stage of satisfaction, the seeker feels happiness and pleasure in respect to the misfortune and pains received from the beloved (God) through which mystics would attain the reality of satisfaction. According to the significance and prevalent reflection of this subject in the mystical texts, this paper intends to analyze the relation between satisfaction and happiness in Islamic mysticism and also to explicate on the factors which make the mystics happy as they are encountered by hardships and misfortunes.