جستجوی مقالات مرتبط با کلیدواژه "نقد ساختاری" در نشریات گروه "ادبیات و زبان ها"

Each individual has a unique worldview and ideology, which is conveyed to others through discourse and forms the basis of social relationships and the formation of beliefs. One of the prominent Russian theorists, Mikhail Bakhtin, presented the theory of dialogic logic in the genre of the novel to demonstrate the justice discourse among the author and other characters. He provided elements for examining multiplicity in the novel, including heteroglossia, carnival, characters, and types of dialogue. This paper uses a descriptive-analytical approach to explore the short story "Nun" from the collection "Nun and Other Stories" by Jamal Zaki Al-Ghwasmi, a contemporary Palestinian writer, based on Bakhtin's theory of multiplicity to understand the extent of the story's alignment with dialogic multiplicity and present examples from it. The results show that this novel falls into the category of multi-voiced novels, exhibiting elements of Bakhtin's dialogic theory and showcasing democracy of dialogue within it.

Grammar is a science that examines the rules and order governing the relations of association and substitution of words in a language. One of the benefits of writing a grammar is to help non-speakers learn a language. Many books have been written about teaching Persian to non-Persian speakers. These books generally have structural and content errors due to the lack of mastery and expertise of their authors, which will confuse students. Therefore, this article tries to analyze the structure and content of the Persian grammar book written by Nemat Yıldırım, which is used to teach non-Persian speakers in Turkey based on Keck and Kim (KM). The result of this study shows that in terms of the structure of this book, first of all, it did not take care of the level of language learners. Secondly, the organization of grammatical topics is different from Persian grammar in topics related to "pronouns" and "letters". Thirdly, the presentation of various divisions of word types and the high frequency of grammatical terms have added to the difficulty of the book. In addition, in terms of content, there are defects in definitions, false examples, use of non-practical sentences, mixing with Arabic grammar and historical grammar, and the use of complex and unnecessary terms in this work. Finally, it should be said that the non-use of grammatical rules in the form of conversation has reduced the practical aspect of this book

The story can play an influential role in conveying various political, social, cultural, economic concepts. Contemplation in stories and accuracy in the sequence of events in it helps the audience to better understand its concepts. Examining the narrative structure of the short story will reveal the hidden relationships in its infrastructure and reveal the structure and form of the story better. One of the prominent methods of examining fictional texts is the analysis of the structure of stories from the morphological point of view of Vladimir Propp - a famous Russian anthropologist and linguist. Although Propp has defined certain functions for fairy tales, this model can be adapted to other types of stories. What, Propp's systematic mind was constantly seeking to structure the stories and put them in a certain framework. The current research aims to evaluate and analyze and explain the short story.

One Hundred Persian Love Verses by Hassan Zolfaghari is one of the most comprehensive and popular books in the field of Persian love stories, which has now reached its third edition, about seven years after its first publication. The purpose of this article is to review this book. For this purpose, while briefly introducing the book, in three sections of structural critique, content critique and critique of sources, by mentioning the evidence and documents, have examined its flaws and shortcomings. Incomplete compliance of the title with the content of the book, problems in book chapters, lack of a single procedure in selecting titles of entries, inclusion of some imitations and stories from which there is not enough information, non-adherence to the structure provided for each entry, writing flaws and poor writing (structural flaws), putting love stories under lyrical and dramatic genre, problems in the morphology of love stories, some inaccurate and thought-provoking comments, incomplete/ wrong reporting of some stories, some incorrect data (content problems), the absence of some sources and some confusions in the list of sources and its inconsistency with references are the problems that will be solved in the second edition, will increase the credibility and acceptability of the book.

The trend of simple writing of poetry in the decade of 1380 was a reaction to that of 1370 focusing mainlyom complicity and difficulties and ignoring the audience. Thus, the poets of this trend tried to be for away from complexities to attract more audience to poetry. The present article tries to study this trend while using the Structural and content approaches. The result is that this poetic trend is devoid of poetical aesthetics, though it attempts to attract the addressees. However, the choice of addressee cant be a proper criterion for the preference of poetical or artistic works. On the other hand, this modernist trend has had no benefit for the poetry and Persian literature or it hasnt developed the aesthetic and linguistic capacity of the poetry. Moreover, this poetical trend cant be considered as the continuation of the poetic simple writing in the past eras in Persian poetry.

The author uses the story of the formation and consolidation of the story itself deals Story elements such as plot, point of view, event, action, climax, conflict, story structure helps.In this paper, we examine the structure of the Shahnameh story Kavus paid.So, the definition and structure of the story is told,The review will examine the elements of the story.Ferdowsi processing this story has managed to make good use of the elementsAnd stories with good structure, advance For this reason, the story ends with the beginning of the appropriate causality and ends.The author uses the story of the formation and consolidation of the story itself deals Story elements such as plot, point of view, event, action, climax, conflict, story structure helps.In this paper, we examine the structure of the Shahnameh story Kavus paid.So, the definition and structure of the story is told,The review will examine the elements of the story.Ferdowsi processing this story has managed to make good use of the elementsAnd stories with good structure, advance For this reason, the story ends with the beginning of the appropriate causality and ends.

Structural criticism of narrative sketch in story is a method to story criticism. In this article, first the definition of narrative and its construction is proposed and then its discrimination with linguistic elements is provided. Narrative is a story element which is not in the domain of language and as the essence and base of story, tale, fiction, drama, and other related literary forms, creates the main structure of an artistic work. Narrative sketch includes some elements of story which are significant in reviewing the structure of narrative. The role of narrative sketch is very significant in story morphology and to review the narrative sketch and its structure, we should review its sketch elements. Narrative morphology reveals artistic motifs of story and the kind of addressee relation with story and narrative would be proposed from this perspective. In last part, the method and technique of this criticism would be proposed independently and functionally and the significance and value of this method would be reviewed.

Royaee invented and introduced a style in Persian poetry which he named Spacement Poetry. His poetry renewed debate about the relative value of form and context in modern Persian Poetry. The present article is a semiotic study of narration in his poem named “Sokoot Daste Gol-I Bood” (Silence seemed a bouquet of flower in my larynx), from his Sea Poems. The findings of the research show that he has employed an implied narration; narration occurs using repetitive spacements in short lines, without using any explicit narrative elements. This differentiated his poetry from the prevailed poetry of the time- symbolism, and romanticism.

 In this article, four anecdotes i.e. Siyavush and Sodabeh from Persian literature, Konaleh and Tishirak Tshita from Scythian literature, Yousef and Zulekha from Semitic literature and Phedre and Hippolyte from western literature selected and have been studied based on the content analysis of Todorov. In all these four anecdotes, actual and incidental circumstances and proposition can be reached in the similar fashion. In other words, all peripheral incidents show three personalities and in each of these anecdotes, queen falls in love with a boy but the boy remains faithful to the king, uncovers woman’s love and charged with and at last, the fact is revealed. The propositions of these stories emerge identical with the situation, traction and adjective. With reference to the viewpoints of Todorov, existence of five-dimensional aspects i.e. predictive, prerequisite, supplicating, conditional and foresighted have been studied in these four stories and these matters emphasize more on the similarity of permissible structure of the stories.

Semiology is a new science and its history returns to several decades ago. This science has a great capacity for reading and criticism of literary works. If this science approaches to literary analysis and critism, it will provide a great deal of precise scientific possibilities for the critics. Semiology classifies signs and codes into distinguished frameworks and this classification is the raw material for structural criticism of literary works. Although Nima Youshij’s “Afsaneh” is not the first non-traditional Iranian poem and has a long way to its original structure, but because of some innovations (especially in content), it can be considered as the first Persian Free Verse. Indeed, "Afsaneh" is one of the narrative poems of Nima that comprises two narratives and some partial narratives. In this study, the narrative aspects of this epopee will be considered. At first, two main narratives are analyzed semiologically, i.e. the type of signs and codes are recognized and, then, according to this distinction, their frequency and functions, the narrative state of poem will be analyzed.

The Persian works of Abdalrauf Fitrat-e Bukharaie (1886-1938) in Transoxania (mā wara` an-nahr) are of the first new prose and poetry instances of Tajiki Farsi in this region. The Monäzere (Debate) of Modarres-e Bukharaie with a European in India on the new schools, known as Monäzere (Istanbul, 1910), in addition to be the first prose and narrative work of this writer and poet of Transoxania, is the first independent Tajiki Farsi work in new Tajiki Farsi literature in this region, that describes the conflict between modernity and tradition in the form of short novel/long short story. This book is classified under thesis novels, i.e. problem novels so far as content is concerned. The present article tries to criticize and analyze the Monäzere from the view point of structure and story elements and further explore its outstanding role in founding dramatic literature and forming or establishing the new Tajiki Farsi literature in the Bukhara in the early twentieth century.