جستجوی مقالات مرتبط با کلیدواژه « allusions » در نشریات گروه « ادبیات و زبان ها »

Allusions are one of the most important literary genres in oral literature that do not have a specific speaker and can be found in the conversations of people of different societies. They show well. In this way, ironies are sentences and words that are current in people's language, and people have made them last in the language by using ironies in their speech.Allusions add beauty to words and searching for the original meaning in them has a special pleasure. Therefore, the investigation of ironies in Iranian dialects is of special importance. In this research, the ironies of the Northern Talashi language, which flows on the shores of the Caspian Sea, are compared with the ironies of the ethnic groups in the southeast of Iran who live in Sistan and Baluchistan. has been And they were compared with the allusions of the Persian language. In this article, we have tried to compare prominent and significant examples of allusions of all three languages to determine the linguistic commonalities. This research showed that there is a long history of exchanges between Talshan culture, Sistanians and Persians, and the origins of these cultures and languages originated from the same source, although the Persian language has spread as a standard language in Iran. And the written language has been all over Iran.

Aesthetics is an ability to better understand perceptions as well as phenomena such as music that causes a change in a person's mood and attitude. In fact, the definition of beauty can be very broad or very narrow. Some have tried to define beauty in an objective matter especially to search: for example, in different types of art, objects, nature and other subjects. But the aesthetic value of a work becomes perceptible when it can present itself to the observer as an art independent of the mind and make her mind active. Because the areas of aesthetics are one of the prominent theories in aesthetics, which is considered a subset of linguistics. This research was conducted with the aim of investigating the content elements and functions of Qazdari's poetry and their effect on the prominence of the concept of her poetry and inducing its meanings to the audience has given a special meaning and its purpose is to explain what beauty is and how we understand it and also to analyze those beauties has been used. The data of this research has determined that: Qazdari has never sacrificed the content and theme, including the beautiful features that can be mentioned in Qazdari's poems in order to induce concepts and content. They talk about the science of her poetry.

The image is the relationship between the outer world and the inner world of the poet and the artist. An image in poetry is an equation between two phenomena, for example between likeness and likeness, the purpose of which is to prove beauty or proportion. Allusion is one of the rhetorical techniques that is used for the effect of words and is based on analogy and proportion Jami is one of the leaders of Iraqi style poetry who has made significant use of allusion. He uses simile, metaphor, allusion, irony, etc. He has created beautiful images in poetry, especially in ghazal, using allusions. The most prominent allusions of Jami in Ghazal are: Qur'anic allusions and allusions and the story of prophets, historical-story allusions and mythological allusions and allusions. Using descriptive-analytical method, the authors examined Jami's semantic and visual attitude in sonic allusions.To express his thought, Jami has used important mystical concepts such as "unity of existence, manifestation, poverty, annihilation, etc." and also using literary industries such as:"simile, metaphor, ambiguity and irony, etc.".

Masnavi Golshan Raz is the most important and famous work of poetry by Sheikh Mahmoud Shabestari, which contains his mystical thoughts. Despite its small size, this book is one of the most valuable relics of ancient Persian mystical literature, in which the expression of Sufi concepts is accompanied by passion and enthusiasm. Shabestari composed this Masnavi in response to the questions of Amir Hossein Heravi. Shabestari composed this Masnavi in response to the questions of Amir Hossein Heravi. On the 17th of Shawwal, 717 AH, an envoy from Khorasan quotes problems and issues related to understanding and explaining some of the mysteries of mystical allusions in the form of poetic letters in a meeting with Shabestari, in which Shabestari has responded. Golshan-e-Raz's poem has the beauty of words and expressions, it is based on reason and wisdom more than it originates from imagination. In fact, the contents of this poem are a summary of the conquests of Mecca and even Ibn Arabi's Fusus. The degree of familiarity and mastery of Sheikh Mahmoud Shabestari, the great mystic, over the Qur'an and hadiths to some extent in expressing his mystical secrets in the form of guarantee, he uses allusions to the verses of the Holy Quran and the hadiths of the Prophet to prove his views. Blessed and noble hadiths. This article tries to show the rhetorical effect of literary techniques and lexical effectiveness on the use of the Qur'an and Hadith in a (descriptive-analytical) method. Page and bit number.

As a result of the political developments in Iran, the close contact of Persian with Arabic, Turkish, French and English languages ​​has introduced hundreds of words in this language, Urdu and Indian Persian have taken on a color of the local languages ​​of India. These words usually include specific names and words related to the special ceremonies, festivals, culture and civilization of India, which often had no spiritual or lexical connection with the Persian-Iranian language. Since Persian-Iranian language in the country India was the second homeland for more than eight hundred years, so Indian literature is subject to Iranian culture, but some of the Persian words used in this land, on the other hand, due to the influence of local languages ​​and culture. The specifics of each region and on the other hand due to the prevalence and spread of Indian style as a new school of thought has caused complex compositions, terms, allusions, interpretations and concepts that are from the Persian language at the spiritual and cultural level of words. It is very distant. On the other hand, sometimes knowingly or unknowingly, intrusion, seizures, transformation and corruption in the use of Persian allusions in the Urdu language and literature can be seen. The army will be paid.

If we want to mention the various uses that Muslim speakers and writers - especially Iranians - have made of the Qur'an and the hadithes of the infallible, we must write a novel period of meaning and expression, because almost none of the discussions of meanings and expressions and verbal industries. And the original spirituality cannot be mentioned that the scholars of Tazi and Persian literature have not mentioned an example of the Holy Quran and the hadith of the Holy Prophet and the words of the infallible Imams. Well-known poets and writers of Persian literature have succeeded in embellishing and blessing some of their mental and intellectual leaks in the form of allusions, intimation, pastiche, and thus perpetuate those works. Undoubtedly, the secret of the immortality of the Persian language and literature is also in connection with the eternal meanings of the Qur'an. The Qur'an, this heavenly book, has added to the beauty of the poets' words and made it more beautiful and meaningful. Amir Khosrow Dehlavi (651-725 AH) is the most famous Persian poet of India, and the reflection of the Qur'an in his divan is very impressive. He also held important government positions in the court of Indian poets and emirs, and was one of those who belonged to the Chishtiyya dynasty and He served him for Nizamuddin Awliya from a young age, who was one of the famous elders of Delhi at that time. He has left many poetic and prose works in Persian in the land of India, in which in addition to showing the beauties of the Persian language, he has also addressed Quranic verses and allusions and prophetic hadithes. In this research, an attempt is made to show the reflection of Quranic verses in the poems of Amir Khosrow Dehlavi.

In poetry of some poets (from past to contemporary) is found allusions to some Iranian heroic names and stories that their sources not Shahname or heroic verses or other formal literary or historical texts and their explanation or story is in scrolls of storytellers or oral-popular narrations from stories of Shahname. These bardic allusions have entered in formal Persian poem because that storytelling has current and attached in junctures of Iranian social- cultural history. In this paper- without any deep investigation- has been recommended and studied twenty and seven bardic- vulgar allusions in verses of different poets from sixth century to contemporary. Furthermore we argument about eleven ambiguous allusions that their sources probably in scrolls and popular narrations.

Defending the oppressed and praising their resistance against aggressors and oppressors is one of the main themes of Islamic revolution literature. One of the subdivisions of this concept is composed poems about defending of Palestinian people and praising champions who fight against Zionism. Acceptance of these poems in Islamic revolution literature was so remarkable that a great number of poets have already paid attention to their different aspects, to the extent that this theme can be considered as one of subdivisions of Persian contemporary Poem. In the present paper, more than 300 poems of poetic collections composed by about 180 Persian poets in the form of Sonnet, Masnavi, Sepid, New, Ode, and Quatrain about Palestine have been studied by content analysis method and their semantic components have been classified into common concepts, symbols and allusions. The findings of the study suggest that if we consider Persian Palestinian poem- affected by the war in the 60s-, as epic, ideological, subjective and semantic- oriented expression, has closed to an elegiac, human-centered, objective and poetic atmosphere affected by translations and festivals in 70s and 80s