جستجوی مقالات مرتبط با کلیدواژه "رباعی" در نشریات گروه "علوم اجتماعی"

The Juvayni family is one of the prominent Iranian families, whose members held governmental and administrative positions from the Seljuk era to the early Ilkhanid period. In addition to their patronage of the arts and promotion of scholars and intellectuals, the Juvaynis themselves were also scholars, literati, and patrons of art. In various sources, poetry has been attributed to some members of this family, including several rubaiyat (quatrains). This study collects and examines the rubaiyat attributed to six prominent members of the Juvayni family from ancient sources.

Among the rare manuscripts prepared for the library of Jalal al-Din Iskandar (the grandson of Timur Gurkani), is a collection of poems and writings compiled in 813 AH, which is now housed in the Gulbenkian Museum Library in Lisbon. This precious manuscript contains two separate volumes bound together, one dedicated to poetic works and the other to writings. The poems in the first volume include works by prominent Persian poets and scholars from the 5th to the early 9th century, written by two scribes of Iskandar Mirza’s court: Hassan al-Hafiz and Mahmoud al-Hosseini. Among the poems in this anthology are seven quatrains attributed to Khayyām and 22 quatrains attributed to Mahasti Ganjavi, which we introduce and examine in this article. Additionally, we provide a brief report on the quatrains section of the manuscript.

Shihāb al-Dīn Abu''l- Ḥasan Ṭalheh Mivazī was a prominent quatrain poet of the late 5th and early 6th centuries Hijri. His name first appears in Tadhkirat al-Lubāb -ul-Albāb by Sadīd al-Dīn Muḥammad ‘Awfī in the section on poets of Khorasan. ‘Awfī has quoted eighteen quatrains from Ṭalheh’s works, and other biographers have also recorded these details and poems in their books. Seifī Neishābūrī, in the late 6th century Hijri, cited Ṭalheh''s quatrains in his book "Rasā''il al-''Ushāq" and included 34 couplets in the midst of his writings. "Nuzhat al-Majālis" by Jamāl Khalīl Shirwānī is another important source on the quatrains of Abu''l-Ḥasan Ṭalheh. In this article, the scarce information about the life of this poet and 85 quatrains attributed to him is provided from the three mentioned sources and five other references. The predominant themes of Ṭalheh''s quatrains revolve around love and the depiction of the states of lover and beloved.

In numerous online platforms and consequently in the ninth-grade Persian textbook, the quatrain "Speak little, and speak only for your own interest..." has been erroneously attributed to Khājeh Naṣīral-Dīn Ṭūsī. This note endeavors to trace the misattributions of this quatrain to various poets throughout the history of Persian literature, ultimately identifying its original author

Sheikh Owḥad al-Dīn Kirmānī (561-635 AH) is a prominent figure in the history of Iranian Sufism and Persian Sufi poetry, with around two thousand quatrains attributed to him. He spent most of his life in Anatolia, nurturing numerous disciples. Some of his followers in the latter half of the 7th century AH undertook the task of collecting and compiling his quatrains. The author of "Nuzhat al-Majālis," a contemporary of Owḥad al-Dīn Kirmānī, included 53 quatrains in his book. Among the ancient manuscripts of Owḥad al-Dīn Kirmānī's quatrains is manuscript No. 2910 at the Hagia Sophia Library, containing 1641 quatrains compiled into 12 chapters, transcribed around 706 AH. Another manuscript, containing 1136 quatrains, titled "Anīs al-Ṭālibīn va Jalīs al-Ṣāliḥīn," was compiled by the son of one of Owḥad al-Dīn's disciples in the second half of the 7th century AH and is preserved in Istanbul University Library. This manuscript is also thematically organized into 76 chapters. In this article, we introduce another ancient manuscript of Owḥad al-Dīn’s quatrains, compiled thematically in the late 7th or early 8th century AH, containing 1349 quatrains. This manuscript is part of the Amir Khwaja Collection in the library of Haji Salim Agha in Istanbul.

One of the valuable sources of ancient Persian poetry is the notes written by the owners of handwritten manuscripts on the first and last blank pages, the intervals between chapters, and the margins of manuscript pages. The older the manuscripts and the more ancient the recording of these notes, the more valuable they become. In this article, 57 quatrains from five ancient manuscripts are extracted and presented with necessary explanations. These quatrains are attributed to poets such as Khayyām, Mahastī Ganjavī, Owḥaddīn Kirmānī, Kamāl Esmāīl Isfahani, and others. Some quatrains are without a specified author. Two quatrains in these sources are translations of Arabic verses, or vice versa, and are of considerable importance and reference from the perspective of comparative literature.

Iṣmat Bukhāraāī was one of the famous Transoxiana poets in the late 8th and early 9th centuries. His poems were very popular during his lifetime. According to one narration, he died in 829  and another narration in 840 AH. Basāṭī Samarkandi and Khiyāl Bukhāraāī were among his students, and Sultan Khalil, the grandson of Timur, had great respect for him. The Divan, which exists now and is attributed to Iṣmat Bukhāraāī, contains 7,500 verses of poetry, including odes, sonnets, fragments, quatrains, tarjiats and monographs. Although this book was published once in 1366, it lacks the characteristics of a scientific edition. In the examination of the published version and some old manuscripts of his Divan, it was found that in the 9th century, one of the compilers of his Divan added the Quatrains of Kamāl Esfahani, Anvri, Ohadi Maraghei and others to his Divan. Also, some definitive quatrains of the poet have not been included by the editor of his Divan. The purpose of this article is to examine these two issues.

"Khayyām School" in the quatrain, from the beginning of its development until today, has a history of as long as ten centuries and enjoys a sphere of influence as vast as all the Persian-speaking lands, from the Indian subcontinent to the ends of Anatolia. The list of Khayyam's lovers, companions and followers in Persian quatrain is a long and long list. One of them who is less mentioned in Persian sources is Muṣṭafā ‘Ālī Effendi (d. 1008 AH), a famous Ottoman poet, secretary and historian during the reign of Sultan Salim and Sultan Murad, who wrote poetry in three languages: Turkish, Persian and Arabic and was referred to as " Ālī " in his poems. In 1003 AH, he compiled a book of Persian quatrains to follow Khayyam's quatrains along with detailed biography of his own and that of ‘Umar Khayyām. This book is known as "Badi’ 'al-Raqūm", "Rabi' al-Munzūm" and "Rabi’ 'al-Mursūm". In the present article, I have introduced and reviewed this book of poems.

Jalil-e-Safarbeigi is an active and capable Ilami poet who is mostly known as a modernist and creative poet for Iranian contemporary literary figures with quatrains and has been able to communicate well with his adressees in this format. One of the important aspects and characteristics of Safarbeigi's poetry is the use of irony. Any study of his irony will provide the reader with necessary and valuable data. The importance of zero-sum humor is not only in its humorous aspect, but also it includes many social events.In this article, in order to study irony in his quatrains - ten collections - have been examined, satirical evidences have been extracted, and they have been categorized and analyzed thematically.The findings indicate that there are 34 cases of social satire, 32 cases of personal satire, 19 cases of religious satire and 20 cases of philosophical satire in zero-verse quatrains, and this clearly indicates the poet's special attention to social satire (poverty, suicide, apathy). He has been able to use humor as an artistic technique to express his artistic and social goals, and he has used every opportunity to create humor and humorous and sometimes biting ironies.

The importance of Kamaluddin Ismail Isfahani in the history of Persian quatrains is undeniable. In the literary selections, countless quatrains of him can be found, which show the special attention of writers to the quatrains of Kamal Ismail. The quatrains of Kamal were quoted in Jungs and Tadhkiras and collections of poetry for several consecutive centuries due to their special themes, literary wonders and thematic variety. The author's purpose in writing this article is to introduce an ancient manuscript that contains a Safinah of Persian and Arabic dissertations and poems, in which a number of quatrains of Kamal are inserted. The inclusion of Kamal Ismail Isfahani's quatrains with or without mentioning the name of the poet in the Safinah dated 635 AH, shows that the quatrains of this poet during his lifetime, were welcomed by the literary community of Iran and found their way into poetry selections.

In the library of the Majlis, there is a Safinah belonging to the tenth century AH, which after the Jung 14456 of Ganjbakhsh Library (probably belonging to the late eighth century AH), is the second collection much similar with the Safinah of Yahyā Tawfiq (dated 754 AH). Through the editing of this Safinah, the authors found out that although Mir Afzali in the book “ Khayyam's quatrains in ancient sources” used the Jung number 14456 of Ganjbakhsh library, but among the quatrains attributed to Khayyam in that Jung, six quatrains are still not found in his book. Also in Yahyā Tawfiq's Safinah, two quatrains of Khayyam or the ones attributed to him, with a different handwriting, but without mentioning his name, are available and are introduced for the first time in this article; In addition, although the Safinah number 534th Library of the Majlis was provided in the tenth century AH, but because this Safinah is also the third compilation of the two ancient Jungs and while preserving their original structure, the validity of the ten quatrains recovered from this Bayaz should also be considered as the same verses mentioned in the previous two Safinah and should pay serious attention to Khayyam or similar to Khayyam's quatrains in this Jung. Therefore, the present article tries to offer the recovered quatrains of these three Safinah as a supplement to the book of Khayyam's quatrains in ancient sources and to check the accuracy of their attribution to Khayyam by using the sources.