The feminism movement is a social movement whose goal is to dismantle the gender discrimination of women that started in the late 18th century in Europe and America. This movement, whether in the political and social field or in the field of literature, is the result of the lack of attention paid to women in The society is patriarchal. In the late 1960s, feminist ideas entered the domain of "literary criticism" and literary critics analyze literary works with two approaches: "female effects" and "female author criticism". In the meantime, the theory of the four approaches of Elaine Showalter, a prominent American critic of the 20th century, which includes biological, cultural, psychoanalytical and linguistic approaches, has made it possible for women to criticize the work, relying on it Ability to recognize and examine the position of women in literary works. Therefore, the present article has tried to criticize a novel by Nasrin Thamni, an Iranian woman writer, entitled "Goli der Shurezar" and a novel by Ahlam Mostaghanami, an Algerian woman writer, entitled "Al-Aswad Yaliq Bek" (You are beautiful black). to choose women's writing and analyze it according to the criteria of women's writing considered by Elaine Showalter, in order to get a clearer picture of the situation of women, the oppressions that have been inflicted on them, and their thoughts and ideals. brought This research has been conducted with the aim of examining these two novels based on Elaine Showalter's fourfold theory, and the specific results of this research show that these two novels have feminist characteristics based on four axes: The obvious difference between these two novels is the political realism that can be felt in "Al-Aswad Yaliq Bek" due to its reference to political issues in Algeria, compared to "Goli Der Shure Azar" which is a completely non-political and social novel. It can also be said that psychological issues and internal conflicts and emotional conflicts are stronger in the novel "Nasrin Thamani". The research method in this article (descriptive analysis) is based on Elaine Showalter's theory.

In different periods of history, women always believed that they were in second position in terms of gender and were not considered as a main character. Moreover, the believes was true to some extent due to the behavior of men in front of them and caused women to become pessimistic towards the patriarchal society and its ideas. Considerably, in the 20th century, women entered into the economic and political areas to achieve the rights that they thought had been denied to them throughout history. In addition, women’s literature and writing were among the topics raised by some experts of the school of feminism. After that, the goal of experts in defining women’s writing was that women have their own writing style like men and show their inherent differences from men well in their texts. In fact, feminism can be defined as the study of gender in language, determined the phonetic, lexical and syntactic differences, identified what issues are related to women’s language.In the field of Arabic literature, the entered of the term women’s literature can be related to the Renaissance era, in which intellectuals realized the importance of the role of women in the awakening of the society and participating in social, cultural and literary fields. Moreover, new words such as women’s education and women’s association entered the language and culture of that society. (Momtahan & others, 2011: 137) believed that women’s literature in Algeria can be considered a late phenomenon and belongs to the last century. In addition, compared to the seventies more women published their works in the eighties. Considerably, Yasmin Saleh, Fazileh Farouq, Enam Bayoud, Sara Haider, Abir Shahrazad, and Ahlam Mostaghanami are among Algerian women writers, among whom Fazileh Farouq, Yasmin Saleh, and Ahlam Mostaghnami are more involved in their activities than others. The novel Al-Asud Yaliq Bek, written by Ahlam Mostaghnami, is one of the works in which the female language and its related components can be clearly observed. This research aims to provide a brief explanation of the phenomenon of women’s writing and examines women’s writing in the novel Al-Aswad Yaliq Bek written by Ahlam Mostaghanami.In addition, it answers the following questions:1. What were the factors influencing the emergence of women’s literature in Algeria?2. How are the female writing components of Al-Soud Yaliq Bek’s novel manifested?3. What are the most obvious characteristics of women’s writing in Al-Soud Yaliq Beyk’s novel and what could be the reason for it?

This research, in a descriptive-analytical way, has tried to define the components of this literary style after explaining the relationship between feminism and women’s writing in Arab countries, especially Algeria. And moreover, this research tries to define the author’s purpose of using this writing style by presenting evidence and statistics of each of the female linguistic components.

The author of Al-Aswad story, Yaliq Bek, tried to show her intellectual space to the audience by using skepticism, expressing memories and feelings, detailing, using different colors and feminine terms. For example, considered to the component of expressing memories and feelings, the author has made a lot of use of the components related to the expression of feelings. Moreover, there are 63 cases for Hala and 27 cases for Tala, which shows that the main character of the story, Hala, is dominated by emotions. For Hala, she has used the fear and worry component more, which may be considered a reflection of the existence of Algerian women; women who spend their whole lives in fear. On the other hand, for Tala, the characteristics of love and infatuation is more, which is due to the infatuation and love that he felt for Hala in his being. This could go back to the psychological security that men have and could easily love and care for each other, but women must always be in fear and worry.

The following results can be obtained from the conducted research:1. The presence of educated women writers and the publication of their works, even in a limited form, broke the taboo of silence imposed on them. Moreover, other Algerian women writers started writing stories to claim their rights and created the emergence of women’s literature in Algeria.2. In the novel Al-Asoud by Yaliq Bek, features such as the expression of memories and feelings, the use of ambiguous shots, detailing, different colors and feminine terms are used for the main character of male and female and the narrator.3. The most obvious characteristics of female writing in the novel of Al-Asoud Yaliq Bek is the author’s use of uncertainly terms, which has a frequency of about 143 and shows uncertainty of the author and the characters of the story, especially the main female character, Hale. Moreover, this issue can refer to the caution of women in their speech and lack of self-confidence of women in expressing their words. Considerably, speaking for women is always limited to certain conditions, and they want to go beyond that limit, they must observe the aspects of caution. The author uses the element of expressing emotions, especially fear and worry, which is repeated 60 times. This issue can point to the psychological characteristics of women and the lack of psychological security. In such society’s women are considered the second sex, and they should always use anxiety and stress to prove their existence.Keywords: Women’s Literature, Women’s Writing, Ahlam Mostaghnami, Alsoud Yaliq Bek

Elaine Showalter is an American feminist theorist, by proposing the theory of “gynocriticism” and relying on a recurring model in literary subcultures, emphasizes the need to analysis the works of women writers in any country in support of this theory. In this way, it passes through two stages of Imitation (female stage) and protesting against the dominant (feminist stage), finally reaches the third stage, which is to achieve individual identity (feminine stage). The present study intends to use the method of qualitative content analysis and relying on the three stages proposed, examines four works of fiction by Algerian women writers and can show the evolution of female imitation and the reproduction of the norms of the masculine tradition of Algerian women writers to a conscious protest and rebellion and finally  achieving seif-awareness, as well as the extent to which they succeed in reflecting their demands in literature. Finally, it can be stated that the Manifestation of the model of Showalter's theory in the women’s works occurred simultaneously, which this is due to the delay in the presence of Algerian women in the field of writing, It is important to note that only Ahlam Mostaghani in the novel "Al-Aswad Yaliq Bek" managed to enter the third stage triumphantly. Thus, this work is considered as a the beginning of the female writing tradition for other female writers to manifest female activism and self-awareness in women's writing

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This research discusses the moral value aspect in the poetry of Abu Firas Alhamdani; bringing to light his moral and humanitarian values through his behaviour; explaining it; revealing its causes; aiming to ascertain the role of high moral values in the building of a civilized society; fit to the humanity of the mankind.

Ibn Baabak is a poet who is not known as he deserves. We do not find many things about or from him except some imitative repeated phrases and so here we have talked about him briefly at a glance. Noting his life, poems, faith, and connection to the issue of relation between a poet to his contemporary authors and poets as well as speaking about literary movement and his role in its dynamics, manifested along the phrases quoted from his poetic book or other references, we see a literary and poetic endeavor from him, concerning the literary process of his lifetime or his contemporary writers, for example: to quote poems and news of poets, to bring out the blinding verses (Matrooha) or to propose verses about others including Bin al-Munajjim or literary and poetic letters and dialogues like those occurred between himself and Bin Faris, or to praise or insult them, of which some examples are clear for us in the literary collections of his age.

The subject of comparative linguistics corresponds to different languages and reveals similarities and differences between them. The division of languages in Indo-European or Semitic languages is the result of revealing the existence of similarities between languages in many fields. it is not forgotten that these Languages are the primary source of the comparative linguistic lesson in the Arabic language is based. this comparison leads to the conclusion of language judgments that we would not have reached if our study was limited to only one of the languages. The study of words in the framework of languages, based on the comparative approach, assists in accurate and correct translation due to the sensitivity of the translation of Arabic texts. especially The Holy Quran. Since Semitic languages belong to a linguistic family, this article identifies opposite and common names in Arabic, Hebrew, Phoenician and translates them according to the context of the text and what the phrase or verse requires in translating. The research has shown that the Qur’anic vocabulary may have two-fold meanings that the context and the linguistic fabric help to reveal. Because whenever the passage of time changes the semantic meaning of a Qur’anic term, the researcher deserves him to refer to the origin of the stems of the language to clarify that connotation.

Color had a special role in the human life. Today psychologists use colors to do researches and recognition of people''s mental characteristics. Luscher''s color test is further one of many well known tests. In the literature world a poet shows his way of thinking by using some special words. This research uses the Luscher color test and measures the person''s psychophysical state based on Samih Al-Ghasem''s color preferences. The red color has the most frequency in Samih Al-Ghasem''s book. It shows his interest in leading his nation and revolutionary affairs. The black color is the second choice of Samih، and it shows his fighting for oppressed Palestinians in front of oppression of Zionists. The third choice is the green color. Luscher argues if this color places in the third row it won''t be important anymore. The brown color is the last color in the preference colors of Samih. Luscher believes whenever a person chooses the gray color in the last row he looks for freedom، and for his end he doesn''t care about physical calmness. It is the real characters of Samih Al-Ghasem''s personality.

Color is one of important elements in area of feelings that plays an important role in our life and is a symbol for expression of feeling as sadness and happiness. Therefore, color is an additional aspect that provides many meaning for a literary man so that he can picture beauties of creation by means of it. It is decodification of secret meanings of the colors by which litreary man's thoughts are understood. Having investigated meanings of different colors, this study investigates color and its meaning in Mohammad Al-Maghut's divan in analytical- descriptive and statistical method to find results including role of poet's thoughts in choosing colors. In this rating, highest frequency belongs to red color that can be a symbol of promotion and encouraging the audience to rise and defend his own rights while lowest frequency is for black color though before census, it has been expected that this color would occupy top position because of Maghut's hoplessness and pessimism.