زینب قاسمی اصل

The title represents the true identity of the poetic text, which is the text, the meaning, and what is meant by the reduced image. In fact, the initial semantic illuminations emanate from the threshold of the title and direct the title of the textual readability. In the light of this fact, Mahmoud Abdel Wahhab considered him the wealth of the poetic text for his great contribution to expressing the identity of the poetic text, pampering and guiding the recipient when he faces the blockages of the text and its pitfalls that prevent access to the textual truth. This research paper attempts, by relying on the semiotic vision, to address textual thresholds, especially the mother title in the book “I grieve the water as a river” by Ihab Al-Shalabi. Semantic. The pivotal signifier from a semiotic perspective in Shalabi’s poetic discourse is the focus on the act of resistance and the implantation of certainty of the occupier’s exit and return to life and joy. Which ranges from a group of connotations, semantic rumors, and the reporting function of the important functions of the title, and it is replete with intense suggestions and references that reveal the identity of the poetic text. The real presence that would return the land to its original identity and its legendary time,The title represents the true identity of the poetic text, which is the text, the meaning, and what is meant by the reduced image. In fact, the initial semantic illuminations emanate from the threshold of the title and direct the title of the textual readability. In the light of this fact, Mahmoud Abdel Wahhab considered him the wealth of the poetic text for his great contribution to expressing the identity of the poetic text, pampering and guiding the recipient when he faces the blockages of the text and its pitfalls that prevent access to the textual truth. This research paper attempts, by relying on the semiotic vision, to address textual thresholds, especially the mother title in the book “I grieve the water as a river” by Ihab Al-Shalabi. Semantic. The pivotal signifier from a semiotic perspective in Shalabi’s poetic discourse is the focus on the act of resistance and the implantation of certainty of the occupier’s exit and return to life and joy. Which ranges from a group of connotations, semantic rumors, and the reporting function of the important functions of the title, and it is replete with intense suggestions and references that reveal the identity of the poetic text. The real presence that would return the land to its original identity and its legendary time, we see the paradoxThe title represents the true identity of the poetic text, which is the text, the meaning, and what is meant by the reduced image. In fact, the initial semantic illuminations emanate from the threshold of the title and direct the title of the textual readability. In the light of this fact, Mahmoud Abdel Wahhab considered him the wealth of the poetic text for his great contribution to expressing the identity of the poetic text, pampering and guiding the recipient when he faces the blockages of the text and its pitfalls that prevent access to the textual truth. This research paper attempts, by relying on the semiotic vision, to address textual thresholds, especially the mother title in the book “I grieve the water as a river” by Ihab Al-Shalabi. Semantic. The pivotal signifier from a semiotic perspective in Shalabi’s poetic discourse is the focus on the act of resistance and the implantation of certainty of the occupier’s exit and return to life and joy. Which ranges from a group of connotations, semantic rumors, and the reporting function of the important functions of the title, and it is replete with intense suggestions and references that reveal the identity of the poetic text. The real presence that would return the land to its original identity and its legendary time, we see the paradoxThe title represents the true identity of the poetic text, which is the text, the meaning, and what is meant by the reduced image. In fact, the initial semantic illuminations emanate from the threshold of the title and direct the title of the textual readability. In the light of this fact, Mahmoud Abdel Wahhab considered him the wealth of the poetic text for his great contribution to expressing the identity of the poetic text, pampering and guiding the recipient when he faces the blockages of the text and its pitfalls that prevent access to the textual truth. This research paper attempts, by relying on the semiotic vision, to address textual thresholds, especially the mother title in the book “I grieve the water as a river” by Ihab Al-Shalabi. Semantic. The pivotal signifier from a semiotic perspective in Shalabi’s poetic discourse is the focus on the act of resistance and the implantation of certainty of the occupier’s exit and return to life and joy. Which ranges from a group of connotations, semantic rumors, and the reporting function of the important functions of the title, and it is replete with intense suggestions and references that reveal the identity of the poetic text. The real presence that would return the land to its original identity and its legendary time, we see the paradox

The methods of analyzing poetic texts have changed due to the evolution of critical awareness. Research on texts now relies on the dialectical relationship with the text and its systematic reception in order to uncover the true meaning. This goal is achieved by understanding the symbolic system and nodes of the text. Semiotics, a new critical method, plays a crucial role in understanding and removing ambiguity from the text. It aims to bridge the gap between the text and its recipient.This article focuses on Muhammad Abd al-Bari's poem "What Zarqa al-Yamamah Did Not Say" using a semiotic approach. The main objective is to gain insight into his poetic experience and explore new horizons for contemporary Sudanese poetry. Additionally, this research aims to investigate the behavioral reality of Arab people in modern times.The results of this study reveal that the poem is rich in symbols, characters, and historical codes. The poet uses these elements to depict a tragic future. In terms of aesthetics, the text defamiliarizes language by disrupting normal connections between words, vocabulary, and linguistic structures. By portraying the poet's life reality through poetry, the language of the text serves an ironic function, revealing a reality that the poet may not be receptive to.In addition to depicting a tragic future, the poet also envisions a bright future that can be achieved through new awareness and knowledge.

Since violence represents suppressive aspect of power, a violent relationship between the inferior and superior parties is inevitable. By combining philosophical and everyday life concepts, Žižek depicted different dimensions of violence. The novel At the ISIS table narrates the suffering of the Izadi people who encountered the invasion and genocide of ISIL. Using Žižek's model, this study had an attempt to explain the different layers of ISIL violence against Izadi people to show how the author has represented different dimensions of violence in the events of the story and has applied the issue of violence as a narrative theme. The results of the research showed that all types of violence in the novel are influenced by the violence of the gods mentioned by Žižek. By applying systemic violence, ISIL intends to de-institutionalize the family and other social foundations. ISIL's methods for repressing women are active and symbolic, and at the same time, it has not neglected active methods such as using women against women. ISIL used takfir of the "other" to justify violence against its members, and the Izadis were doomed to destruction as a manifestation of infidelity that hindered the realization of the caliphate's objectives. In the present novel, women are the biggest victims of violence, and their inferior position has historically added to ISIL's power to commit systemic and absolute violence against women.

Reproduction of the meanings of the discourse of resistance in Arab and Islamic countries has so far been accompanied by a large part of the people of these countries. In a way that even its manifestation can be seen in various literary fields such as poetry and novels. But with the new political arrangement in the Middle East, the discourse of compromise is trying to replace the discourse of resistance. The aim of this study was to examine and critically analyze the method of "articulating" the discourse of compromise in the Saudi newspaper Okaz, and examined the editorials of this publication. In implementing the purpose of the research, the "Laclau and Moff" discourse analysis approach was used. This method provides the ability to analyze discourse by relying on how signals and concepts are arranged. The results of the research indicate that the central sign in this newspaper is "peace with Israel", which empty and floating signs have been widely used by the authors to give it meaning. .Emphasizing the need to prioritize the Corona situation over the Palestinian issue and the repetition of accusations such as the corruption of its leaders are other discourse strategies that have been highlighted and marginalized in two ways. In Okaz newspaper's elaboration, compromise is introduced as the final solution and necessary for the preservation of Saudi Arabia's national interests and security, and numerous floating signs are produced daily to identify it.

Contemporary Arabic poetry is objective poetry by distinction, and we see the logical and fundamental relationship between contemporary Arab poetry and between place and man, and this contemporary poetry reflects the Arab man and the problems of political, social and economic reality. We hardly find a poet and poet who lives in isolation from the place and from the human in general. From this point of view we see the person and the place at the threshold of objectivity Contemporary Arabic poetry does not submit to contemporary Arabic poetry and does not obey the issue of other than human beings and the problems of the place. Contemporary Arabic poetry, a result of frictions and clashes, emerged from its narrow framework and opened up to the many different themes of culture, civilization, identity and vision. One of the most important topics discussed in contemporary Arab poetry is the issue of civilization and the civilizational conflict between the Arab ego and between the West and its civilization, and in reality the subject of civilization and the problematic of civilization has become the subject and building of the contemporary poetic image of the realist poets who embody the Arab and the foreign ego in the frame of images and at the level of civilization and this is the subject of the image. Poetry is in a large part of it in contemporary poetry. Let us not go beyond the righteousness if we say that contemporary Arabic poetry contains a civilized vision, especially among poets who have a deep belonging to their land, homeland and civilization, and the people of the gardener and Ali Jafar Al-Alaq are the leadership in this topic and in contemporary Palestinian poetry, we find that the clash between the ego and the other On the cultural level, he is the main subject of Fawzi al-Bakri's poetry, and he is considered the only poet among the poets of Jerusalem who deviated in his poetry from the framework of resistance, war and struggle to consecrate the topic of civilization in his poetry, and this topic is the true building block for the poet’s poetic image. Through evoking the civilized other, the poet tries in his poems to expose the Western civilization and reveal his identity and the woes of this material civilization characterized by brutality and arrogance, and he also calls for building a new civilization and limiting the incursion of Western material civilization into the Arab land, by clinging to a set of basic principles to build the new civilization. This research paper seeks, through an objective vision, to study this important poetic feature of Fawzi al-Bakri’s poetry by selecting some poetic models from the poet’s poetry. We aim from behind delving into the poet’s poetic world and shedding light on an important aspect of al-Bakri’s poetry, to reveal and show the two opposing images of the Eastern and Arab other. Against the Israeli and American other, we find clear responses to a set of questions that act as the main motivation for such a visionary and deep approach:What are the most important specifications and features of Western civilization according to Fawzi Al-Bakri's vision, and what are the basic indicators for building civilization? How is the image of the Arab self and the image of the foreign other manifested on the cultural level in the poet's poetry?This research paper reached many results, which we summarize:- Fawzi Al-Bakri is considered one of the distinguished poetic voices in the resistant Palestinian poetry, and he is the only one among the poets of Jerusalem who remained in it and did not leave Jerusalem and defended his poems from which the spirit of enthusiasm and resistance leaves his land and his homeland and despite all the pressures directed to him, he did not give up and did not retreat, but rather increased his determination and insistence on me. Attendance and resistance. - Al-Bakri reveals in his poems the Western identity and the material civilization of the West and expresses the wildness and animalism of this civilization. Western civilization, according to Fawzi Al-Bakri, as a result of elevating the status of science and its sanctification, did not achieve the happiness and idealism of the human being and the quality of the vision to science, and the loss of spiritual truth among Western society is one of the most important crises of Western civilization. The absence of creative civilization action also causes frustration and degradation of this civilization and the brutality that the West brings to the peoples of the world. According to Fawzi Al-Bakri, it is only a result of the material hegemony over Western thought and Western civilization. - In addition to his attempt to destroy Western civilization and uncover the reality of this civilization, he calls for building a new civilization of tradition and originality in which the relationship with religion and the truth of faith are the valuable stock of this civilization without the new civilization being purely materialistic and in reality the poet rejects his intellectual inclination towards the West and the truth. In the attempt to build civilization, he calls for the sacredness of high values and their propagation in society and the rejection of the vice values that the West and Western material civilization boast about. - In the field of civilization, it calls for intellectual uprooting, non-intellectual and cultural Westernization, confronting the civilizational attack of the West, and confronting the intellectual tendency towards the material civilization of the West. The means for this confrontation is the civilized belonging of the Arab man, and in addition to the poet’s assertion of civilized belonging, he affirms the reverence of the noble human values that the noble human instinct aspires to. Religion, faith and knowledge as a means of advancing man and pushing him forward, but he is in the presence of faith and religion so that man does not deviate from his path.

Study of discourse-semantic structures in Arabia Alhayat newspaper with emphasis on Van Dijk schema This research was performed with aim of discourse-semantic structures analysis in Arabic texts and semantic strategies clarification that have a role in texts discourse. Hence, 20 editorial of Arabia Alhayat newspapers were selected with issue of Iran s problems and investigated with use of Van Dijk schema. The analysis of data demonstrate that, maximum of linguistics appearance of discourse-semantic structures in Alhayat newspaper is related to distancing and polarization strategies and authors did not show any trend to use implicitness, that this subject is equal to contrast and literal contest of two countries in recent years. According to studied factors, the dominant ideology in authors mind is that, Iran is a threat for locale security which transferred from huge surface to little surface and the definition axis that is important for this research was used in forms of presupposition, generalization, distancing, euphemism and ….