جستجوی مقالات مرتبط با کلیدواژه « شعر » در نشریات گروه « علوم سیاسی »

The image of a woman in Persian poetry is one of the ways to know the identity and position of Iranian women in different periods. The literature of each era shows the attitude of the writers and poets of that time and generally expresses the ruling thought of that era. So, in order to understand women's image in each period, it is appropriate to study the poems of the poets of that period in order to achieve this important fact. Since the beginning of constitutionalism, the status of Iranian women has been the focus and expression of Iranian intellectuals, including Malek osh-Sho'arā Bahar. He deals with the issue of women and topics such as: love, marriage, hijab and cultural and social activities, and he writes poems about women and supporting their rights and freedom. With an attitude influenced by traditional culture, Bahar does not have a positive view of women and love, but he places women in the position of mothers and gives her a worthy and worthy position. During the period of the Islamic revolution, women have an active presence in society, and in addition to participating in the struggle against the Taghut, she has been influential in political and social issues. From some qualitative and spiritual indicators, his condition improves to some extent. In this article, an attempt has been made to analyze the image of women in the period of the Islamic revolution and the constitutional period based on the poetic thought of Malek osh-Sho'arā Bahar

The Islamic Revolution of Iran in 1357 was a multi-dimensional event that changed and transformed the country of Iran from various angles. Literature and especially poetry, which had been serving the fight against the Pahlavi regime for several decades before the Islamic Revolution, was transformed under the influence of the discourse of the Islamic Revolution. This transformation can be examined in terms of format, form, content, etc. Paying attention again to forms such as couplets and quatrains, finding new themes in the context of Ashurai, Mahdavi, Fatimid poetry, as well as the abundance of young poets indicate the deep transformation of Persian poetry at this historical moment, which is the necessity of dealing with the history of Islamic Revolution literature, the poetry style of the Islamic Revolution and It brings to mind the theory of poetry of the Islamic Revolution. In the following essay, an attempt is made to describe the main framework of the theory of poetry of the Islamic Revolution by analyzing and examining the words of Ayatollah Khamenei, the Supreme Leader of the Islamic Revolution, about poetry. Based on this study, it became clear that according to the theory of poetry of the Islamic Revolution, a meaningful and audience-oriented poem is valuable. The meanings of this theory are religious and moral education, the current issues of the Islamic world, the values of the revolution, and so on. Audience-orientedness of poetry in the theory of poetry of the Islamic revolution also means that, firstly, poetry must be committed and take a position in front of the society, and secondly, it must be created in a language understandable to the audience.

Resistance does not happen only through guns and bullets, but literature can also become a form of resistance. National literature can be seen as the representation of feelings, thoughts and ideas of a nation about its homeland. When this issue is accompanied by war, occupation, revolution, chaos, etc., it becomes more tragic and becomes one of the means of resistance against the enemy. Among the different types of literature in Palestine from the past until now, what has been more colorful than other types of literature are poetry, which shows that poetry has more depth than stories, plays, novels and other literary forms, and also has a great difference in terms of diversity with other forms. This article tries to investigate the emergence of Palestinian resistance literature by examining the contemporary history of Palestine and find out how social phenomena have caused the formation of Palestinian resistance literature. Literature that has played a serious role in the resistance of the people of this country. Based on this and considering the compatibility of Skinner's hermeneutic method with sociology of knowledge, both of which seek to establish a link between social and political context and time with concepts and ideas, Skinner's hermeneutic method has been used in this article.

The present research aimed at finding an answer to the question of the process of influence of cyberspace on Iranian Poetry in the future, and the influence of cyberspace on various aspects of poetry such as content, its audience, the poet, the media that published the poem, the process of composing the poem, the rights of the author, and Globalization of the Iranian poetry.

The Delphi technique was used to carry out this research. A group of experts comprising professors in the fields of Communication and Literature was selected. The expert’s opinions were collected and analyzed through an in-depth interview, a questionnaire based on the Likert scale, and by the execution of three stages of Delphi rounds.

Accordingly, considering the content, the experts predicted that due to the impact of cyberspace, the quality of the poetry will be reduced and consequently, the language of poetry will become simpler and close to prose and it will only reflect the daily events of life. Regarding the audience, they concluded that the audience’s selection power will be increased, however, we can differentiate between the public and professional audience. With respect to the sender, there will be no phenomenon of multi authors, and regarding the channel, the experts agreed upon Media Convergence besides, the poets’ agency in publishing their own poems will be increased.

Experts believe that the spread of communication technologies will make censorship ineffective. This is the only case in which the group believes in the impact of technology on the future of poetry. The group of experts did not reach a consensus regarding the impact of technology on the phenomena such as publication of author’s poems as one’s original work and the Globalization of Iranian poetry, thus, analyzed these items in the framework of the human agency.

The presence of poetry in Persian prose almost began from the second half of the fifth century AH. Historians have also included many poems in the historical books of different periods. The history of Ilchi Nizam Shah and Shah IsmailName are two of the historical works from the Safavid era which are written respectively in prose and poetry. The author of the Ilchi history has brought a lot of poetic evidence from the poets of his time and his predecessors which have allocated the most statistics in the meantime the poems of Shah IsmailName. In the present study, according to Master Bahar, these poems have been divided in three groups: With narrative, descriptive and moral functions, and by showing some obvious literary themes and themes in the poems that are generally repeated in most literary works. It is implicitly discussed why they are used and their role and influence on the coherence of the text and their effect on the reader, in order to determine to what extent their harmony with the historical text is thematically and literary. It was Statistically determined that Khorshah has used the poems of Shah IsmailName in 31 cases, which are with narrative function in 16, moral,in 8 and descriptive in 7. And it is observed during these poems; religious beliefs, ancient beliefs, mythological concepts and specific uses of words and phrases.

The Timurid era was one of the most efficient cultural periods in Iran in terms of literature and art. Because the policies of Timur and his successors provided a good ground for cultural activities.The flow of poetry in the Timurid era expanded and flourished as it was welcomed and materially and spiritually supported by the Timurid sultans. Due to the status and high impact of poetry in the Timurid era, Timurid kings and princes used poetry effectively to convince and achieve their goals in political relations. The use of poetry in the political letters of the Timurid period was common and was considered a privilege and a virtue. Poets and writers in the Timurid era had a high political and social status. Thus, Timurid kings and princes were equally important to poetry. Thus, for the Timurid sultans, poetry was an influential tool in the politics of domestic and foreign relations. Although the Timurid rulers were fond of poetry and poets, and many of them wrote poetry themselves; But the cost of Timurid kings and princes for the development of poetry was politically motivated and met their political expectations.

The Samanids are the first post-Islamic Iranian dynasty to make serious efforts to cultivate Persian poetry and literature. Among the most famous poets of this period, we can mention Rudaki, Shahid Balkhi, Daqiqi, Abu Shakur and Kasaei, Rabia, Rabanjani. One of the most widely used themes in the literary works of the Samanid era is ethics and thematic topics that have received much attention in this period. Addressing the moral teachings in the poetry of this period can inform the audience about the people and their ethics in the Samanid period. Since no serious work has been done so far on the moral teachings of the poets of this age, most of whom are insane poets, this research seems necessary. From the present article, he has studied some topics such as justice, scholarship, wisdom, patience, forgiveness and forgiveness, liberalism and nature, etc. with a descriptive-analytical approach and has come to the conclusion that the poets of this era try to express the moral themes of the effort. This period of poverty has been considered disgraceful. Instead of receiving gifts, a loan is paid to the distressed person. It is seen

A study of Imam Khomeini's poems and a study of his life and behavior show that Imam Khomeini's mysticism is not limited to personal experiences and discoveries and intuitions in the realm of predestination, but he's according to his ideals and goals. And also considering that according to their political approach, they believed in extending religious issues to all aspects of human life, so it seems that their mysticism also has a social dimension and this idea and approach is also reflected in his poems. Has been. In this regard, in the present article, we have examined the place of mysticism in Imam Khomeini's poems with a sociological approach based on Lucien Goldman's theory. The results of the research show that Imam Khomeini in his poems has not always considered mysticism limited to corners and angles and mysticism has flowed in all aspects of his individual and social life. Imam Khomeini, unlike some mystics who distanced themselves from the people and society and considered the knowledge of God to be conditional on isolation, was present in the heart of society and along with social relations, the spiritual and mystical dimension of his existence was sought among the people. The subject is exactly in line with Lucien Goldmann's theory that there was a close and direct relationship between literature and religion and society.

Nasrollah (Naser) Mardani (1948-2004) is regarded as one of the most influential poets of Islamic revolution of Iran. The influence of Islamic thought and Shiite discourse in his poetry is such that even the most trivial behavior will take significance in the light of his thoughts. Issues such as Iran's Islamic revolution achievements by considering reliance upon religion and law and protecting Iran's territorial integrity, its system and religious as well as patriotic values are reflected in his poetry. Upon Islamic revolution's victory, Persian religious poetry stepped into a new and unprecedented direction. Nasrollah Mardani addressed concepts such as martyrdom, fighting against evil regimes, fighting against tyranny, feeling empathy with world's poor and weak people and some other similar ones. His revolutionary poems are dynamic and active indeed and the poet is moving after the promised savior. His poetry is not solid and static, as it was in pre-revolution poetry. Coinciding with Islam's revival after revolution, his poetry takes a new direction compared to the previous poets and a new conception of religious concepts are presented in his poems, i.e. he takes a new stance toward Islam. "Islamic Revolution Literature" is one of his outstanding works in this field.

Today, investigating a nation's Resistance Literature means digging into that nation's history of bravery, courage and fight against oppression. Therefore, the reflection of this division of literature in the other societies is of great importance. To know if the translator has been successful in transferring the concepts, i.e. elements of resistance or s/he has just replaced the words with the target equivalents is only possible when the source and target texts are compared and contrasted. The present study included a comparison of Gheysar Aminpour's poems and their English translations by Saeid Daeidpour according the Translation Quality Assessment model of Julianne House. After analyzing the data, it was revealed that the translator has chosen to translate only those poems that gave way to a literal translation. In rendering multi-layered poems that included resistance elements and concepts in their depth, the translator has not been successful. This obviously represented the necessity of translator's acquaintance with literary genres, their requirements and specifications, both in the source and the target literature, since non-acquaintance could deeply affect the quality of translation.

The Satire is one of the dynamic literary species found in the poetry of some poets of the Andalusian age. After the advent of Islam, the poetry of satire outside the personal field and tribal outside and entered the realm of religion and politics. Andalusian poets in their spells used comic instruments to express their goals and goals, and thus as a social critic and politics stand against political powers. What has been researched in this article is the discovery of political themes in Andalusian poets' spells,+ in that they have used political themes in their pariahs. Among these themes, one can refer to hypocrites, witches, foul, corrupt, bribe-takers, oppressors, and cruel, mistreated and inhuman matters, which attributed these themes to emirs, warlords, judges, and jurisprudents. In many of these poems, these poets have been expressly expressed and without fear and prejudice to oppose and criticize these political classes. The use of some rhetorical forms such as simile and metaphor, as well as some verbal exhortations in political spells, have brought beauty to the attention of the audience.

The Shahnameh is a clear mirror of the principles, customs, ideas and thoughts – in another word, a comprehensive set - of all the civic, moral, and cultural traits of the ancient Persia. This magnificent work, giving a logic to stories and anecdotes, gives its characters and actors a new spirit. Therefore, it should be said that the woman in the Shahnameh is a mixture of wisdom, chastity and beauty. These three qualities distinguish the women in the Shahnameh from all the epic women, and Ferdowsi praises these features throughout his work. Women of the Shahnameh - except for those women called “shadow women” who do not have much effect on the story - affect the politics and the society and other aspects of life, and even reach the Kingdom degree. This work, which reflects the realities and oppositions of the cultures of the various communities and territories of that time, can play a very important role in the beliefs and cultural background of the current generation. The Shahnameh, by expressing women's advantages in his literature, has tried to publish the most solid belief and image of the Iranian women's appearance. Due to the importance of women and their role in the Iranian society and literature, and based on research on social roles, it can be admitted that the woman in Shahnameh has an honorable social status and identity, and the woman character is considered as a social pious examplar.

Being located on the Silk Road, Iran and Afghanistan have been the link between the great civilizations of the world and have been a dominant cultural and political center in Asia. These two nations have a common language. Language is the phonetic instrument by way of which communication takes place. It is also a form of thinking; since thinking is a form of speaking. Literature, too, is a way of speaking; an effective and expressive instrument, which is an important branch of the culture of every nation and has a valuable role in preserving, spreading, and transmitting culture. A major part of the literary works of these two nations is in Persian. Using a descriptive methodology, this research paper proposes to examine the Persian poems of famous poets of the two nations such as Ferdowsi, Rumi, Hafez, Ghanbar Ali Tabesh, Seyyed Nader Ahmadi, Seyyed Hakim Binesh, Mohammad Khalil Khalili, and other Persian speaking poets and reflect upon many cultural commonalities between the two nations. There are several cultural expressions, including the Nowruz celebrations, the new moon ceremony, music, pilgrimage, and religious beliefs, which make these two nations culturally very close and serve as suitable platforms for a constructive reciprocal relationship between the two countries.

Common themes of Resistance In poems of salman Harati and ebrahim moghademehAbstractIran and Palestine are two countries that have experienced war.Poets of both lands have written poems about poetry literature. Salman Herati is an Iranian poet and Ibrahim al-Muqadma is a Palestinian poet of resistance poets. The present paper deals with the comparative method of analyzing and describing the poems of these two poets in the subject of resistance literature.In general, it can be said both have loved their homeland and They have a national and spiritual love to it. Both Celebrated martyrs. Both wished to testify both poets have protested against tyranny And spoke of the enemies Sometimes hidden And sometimes openly. Moghademeh has challenged and humiliated the enemy.Both poems written about warriors and Good news that Resistance results and said that frustration is bad and ugly.Key words: Resistance literature, salman harati, ebrahim moghademeh. poems ,.

Hassan Abdullah Qureshi is a contemporary Saudi poet and writer who, in some of his poetic divisions, has issued an anti-colonial call, especially in support of the uprising of the Palestinian people and the condemnation of Zionist crimes, epic poems and aesthetics. Praising the martyrs of Quds, encouraging the fight against the Israeli enemy, etc., is widely reflected in Hassan Qureshi's poetry, making him a prominent figure among other Saudi poets. In addition to the Palestinian issue, the Algerian uprising against the French occupiers has also been widely reflected in Qur'anic poetry. Qureshi, in general, is a romantic poet who has many components of a romantic poetry, and so his sonnets and love poems are a significant part of his poetic productions. Of course, dealing with the subject of sonnet did not deter him from looking at political issues; rather, his oppressive spirit led him to write the most poetic poems in defense of free nations such as Palestine and Algeria. In an analytical-descriptive way, he seeks to analyze and analyze the most important elements of resistance and persistence through the poems of this contemporary Arab poet, while identifying one of the prominent poets and prominent figures in the Saudi resistance literature, Hassan Abdullah Qureshi and His revolutionary poems also seek to exemplify the various manifestations of resistance, cruelty and defending the rights of free nations. The world deals with his poetry.

The presence of ancient myths and mythical concepts and personages of Shahnameh, in the war poem can't be accidental. But; Shahnameh is an ancient pattern for heroic verse; so in the appropriate time, like during the period of "imposed war against Iran", the unconscious collective of poets of war poem helped them to use these kind of patterns, this, testifies the influence of Shahname on war poems in modern time in Iran. Defining the importance of Shahnameh, in the aspect of "national unity", especially in the period of "imposed war"; is the first aim of this research. And revealing the honors of Iranian warriors to maintain the integrity and elegance of Iran is the next purpose of this paper. Also, defining other features of Epic and War poem; and other similarities and differences between them are the basic discussion in this research.

Imam Khomeini’s poems, in addition to their literary attractions, belong to a evolutionary leader and an effective man in the contemporary world. In this article, according to discourse analysis and Halliday’s functional grammar, these poems are studied. In order to concentrate on Imam’s personality and personal reflections in his poems, just the statements beginning with the subject “I” were analyzed. The results show that in a private introverted approach he has noticed fordefining and distinguishing “I”. Also negating egoism, he introduces “I” a passionate lover who surrenders for the beloved and knows no power beside him.

One of the most prominent and frequent concepts and themes of emotional poetry in Constitutional era- that provoked the broad field of poetic emotions – is the homeland issue. What could be seen about the homeland and the issues around it in this period is different from the earlier period of Persian poetry. Actually the concept of homeland in its modern form is influenced by Europeans and along with The Constitutional Revolution has entered into the language of poetry (poets of this period) and every poet in proportion to the knowledge and his or her insight and based on the historical- social and political relations has a unique understand and has reflected it in his/her poems.Mohammad taghi Bahar is among of the most significant Poets in the Constitutional Era that had new point of view. In this article we explain and analyze separately different manifestations of the homeland in the poems of Mohammad taghi Bahar.

Islamic revolution as an important phenomenon has traced on mind and language of poets about of the cause prophecy of literature. The evolutions in the initial years of revolution, conducted the Persian poets to onus in art and diet from strict art and underwriter poem was dominant discourse in the first decade. But the situation changed in second decade. In this research has tried to show the ingredient of this conversion. Spend the war, death of the imam, change in post-war government, foreign and national policies, change in the religious intellectual current and conversion in the social structures are some of the ingredient that changed the Persian poem to the form and diet of art onus in attitudes such as postmodern poem, sermon poem and romantic poem and also underwriter poem changed from ideological onus to the social onus.

In this article we classify critical surveys and judges on Parvin Etessami and her poems in three groups. Some scholars have called Parvin a static traditionalist conservative non-revolutionary and nonpolitical poet without any definite and disciplined polito-socialthought. Some others on the contrary have known her a dynamic modern radical militant revolutionary and political poet. Finally between these two spectra some scholars and critics have seen a kind of dichotomy and ambiguity in Pavin`s poems.By discovering this paradox through applying some theoric discourses on political thought political philosophy and ideologies this article claims that Parvin Etessami is neither political nor non-political poet but a responsible one and in her poems we can find this positin inthe form of diverse aspects of responsibility and commitment in relation to ethical social and political issues of Iran and human society.