جستجوی مقالات مرتبط با کلیدواژه "ساختارگرایی تکوینی" در نشریات گروه "ادبیات و زبان ها"

Theory of Generative Structuralism by Lucien Goldmann (1913-1970) is one of the theories propounded in the area of sociology of literature that emphasize the relation between the writer of literary text and the worldview of the group to which the writer belongs and it seeks to create a meaningful structure between works and various dimensions of the society. Based on the descriptive-analytical research method and use of Goldmann’s sociological theory, this study intends to investigate the social and political contexts of the phenomenon of “immigration” and also its consequences in one of Emily Nasrallah’s -a contemporary Lebanese writer- novels titled “Al-Iqlā' 'Aksa alZaman” in order to determine the connection between this work with the structure of the society and the worldview of the group to which the writer belongs. Reviews are received and explained in two steps and on areas such as the meaningful structure of the work, problematic personality, and reification, they show that the writer and his/her social class (farmer class) have played a role in developing the structure of the novel as a personal and transpersonal subject. Therefore, the novel's main character (who is a farmer) changes into a problematic hero who tries to lead the collective consciousness of the lower social class to the possible consciousness, following the ideal values of his class and land preservation. The writer, through the theme, considers the reasons for migration including poverty, war, and its consequences, such as brain drain and identity gap of immigrants, and has criticized the instrumental view of capitalist societies on human beings. In addition, there is a consistency and conformity between the meaningful structure of the work and the comprehensive political and social structure of the Lebanese society.

Developmental structuralism in the sociology of literature is one of the new branches in contemporary literary research that sociologist and literary philosophers such as Lucien Goldman and his intellectual leader, George Lukács, have relied on this axis, and according to it, the dialectic of the attitude governing the author and the historical, social space Along with political economy, generalist criteria are proposed in terms of developmental structuralism and literary sociology.
Naftah al-Masdoor by Zaydari Nesavi is one of the important literary works and a part of historical and social documents in Persian literature, which has survived since the 7th century, coinciding with the end of the Khwarezmshah era and the beginning of the Mongol era. The works of Najib Mahfouz, the famous Egyptian writer and winner of the Nobel Prize for Literature in 1988, are also about the type of social life of contemporary people and It is the rule of foreigners over his country and economic and cultural poverty.
In the current research, relying on the descriptive-analytical method and research based on the comparative school, the comparative analysis of the works of Zaydari Nesavi, especially Nafetha al-Masdur and Najib Mahfouz, has been discussed with Goldman's structuralist view. The results of the research show that Zaydri Nesvi and Najib Mahfouz were not indifferent to the social, political and economic issues of the society of their time in their works and they tried to reach the realities of the society by showing the social

Goldman, a famous French critic, is one of the sociologists who deals with the mutual influence of literary form and content. Relying on the topics of his developmental structuralism such as totality, worldview, current consciousness, possible consciousness, problematic character and objectification, he has deciphered the created society in literary works and emphasizes that the literary work is a more beautiful society than the society of the real world. by creating changes within it, to convey his reform positions and views to the readers and in fact to his real society and to promote collective consciousness. In this research, the novel Tabriz Meh-alod is analyzed from the perspective of developmental structuralism based on Lucien Goldman's theories. This essay has tried to analyze the social and political structures governing the author's and society's mental space.

The method of the present research is descriptive-analytical based on library studies and the sandbox method, in which the samples studied in a targeted manner are from the novel Tabriz Meh-alod, by Urdubadi.

The novel Tabriz Meh-alod is about the type of social life of contemporary people and the dominance of foreigners over the country and the contrast between tradition and modernism, economic and cultural poverty, oppression and discrimination between men and women, which of course is not devoid of describing emotions, fantasy and romantic moments.

Based on the theory of "Lucien Goldman's developmental constructivism", the concepts and topics related to social phenomena and the impact of political, social and economic events and situations of the society, as well as the position of women and her role in the revolutionary society have been expressed in this literary work.

Literary sociology is an interdisciplinary field that seeks to scientifically examine the relationship between literary structure and society. Goldman, one of the theorists in this branch, aims to create a meaningful connection between a literary work and significant aspects of social life in his method (genetic structuralism). In this approach, the relationship between a literary work and society is examined to reveal the political, historical, and social dimensions of society and their alignment with the artistic work for the reader. According to this theory, the form and content of a literary work are shaped under the influence of social structures. This study takes a sociological approach to analyze the story "Siyasonbo" to investigate the historical, social, and cultural dimensions of this work based on Goldman's genetic structuralism. This analysis is conducted in two stages: reception and interpretation. In the reception stage, the structure of the work is examined, and in the interpretation stage, the political, economic, social, and cultural structures of the work are investigated in connection with society. The basis of this research is based on reading, textual analysis, and the library research method. The findings of the study show a close relationship between the historical events of the author's time and the structure of the work. Political incidents in the south have influenced the formation of the author's mental structures and the creation of the work. The problematic character of the novel is, in fact, a small sample of the outside society belonging to the middle class. The structure of Siyasonbo, according to Goldman's model, aligns with the political and social structures of society, and poverty, injustice, and anti-colonialism are manifestations of the author's worldview. Safdari has successfully established a two-way connection between the social world of Siyasonbo and the realities of society; the story has realistic backgrounds in which the political, cultural, and social situations are reflected.

Sociological criticism is one of the methods of literary criticism, and Lucien Goldman's constructive structuralist criticism is one of its subsets, which examines the relationship and similarity between the structure of a literary work and the structure of society. Tariq Bekari, a Moroccan writer, has mentioned the categories of colonialism, cultural alienation, westernization and the influence of the capitalist system in the Arab world with a historical perspective in his novel Maraya General, and his work has a meaningful structure. Therefore, the current research tries to express the worldview of the novel Maraya General based on Goldman's theory and show the political and social developments of Morocco represented in the text of this novel. The findings of the research indicate that the text of Maraya General's novel is a reflection of the structure of the Moroccan society in the 1970s to the 1990s, whose hidden worldview is the critical attitude of a class of Moroccan left-wing and socialist intellectuals who rely on their class consciousness to achieve freedom. They rebel against the authoritarian system in Morocco, but Western colonialism and the capitalist system prevent the realization of the ideal consciousness of this class by alienating and dividing Moroccans. At the cultural level, because of copying the western culture, Moroccans have suffered cultural conflicts and alienation and caused the spread of moral corruption and the development of the influence of foreigners, and at the social level; The suffocation and lack of freedom of speech make Moroccans disappointed and frustrated,

The novel Al-Qaws and Al-Farasha (The Arch and the butterfly) written by Mohammed Achaari a Moroccan politician, novelist and journalist was the winner of the international prize of the Arabic fiction in 2011 commonly with Raja’a Alem Saudi novelist. The author has portrayed the social problems of the Moroccan community including terrorism, Islamic fundamentalism, land grabbing and antique smuggling. Studying the novel based on Genetic structuralism reveals that the worldview in the novel belongs to the class of intellectual leftist wings with the author was one of them for years. And it appears protest and in struggle against terrorism, Islamic fundamentalism the gangs of real estate, land grabbing and financial collusions. Yousef the main character in the novel is a leftist fighter and journalist and he is a sample of problematic hero according to Goldmann’s theory. Who is disappointed, angry and protestant because of death of his son as a member of Al-Qedah, dwindle of the left values and social and economic problems in Moroccan community.

The present study aims to provide a sociological reading based on Lucien Goldman's theory in the novel 'The length of the Night' by Jamal Mirsadeghi with an analytical-descriptive method that deals with a significant relationship between social structure and the structure of the literary text. Goldman called his method developmental structuralism, which is an important factor in the emergence of developmental structuralism of the author's social base. He believed that the literary work is created not by an individual but by the worldview of a group and a group to which it belongs, and Mirsadeghi, is a realist writer, raises issues of the problems of the time in his works that reflect the social facts. Which is a new approach in recognizing his works and reached the important findings that the novel has a social structure And the most prominent social themes are cultural and economic poverty and the confrontation between tradition and modernity which has led to a generational rupture and according to Goldman's theory, the author as a social class agent represents the middle class worldview and the existing worldview is the result of the same worldview of the middle class, which, by reaching the maximum possible consciousness, has been able to show class consciousness in the middle class.

If we study and peruse works about literary criticism, we can distinguish two main perspectives: according to first perspective, belles-lettres, only reflect what is in their author's mind and text is a product of external determinant factors. Second perspective, contrary to first perspective, focuses on belles-lettres and regards literature as a language-game. Nevertheless there are some literati who do not believe in separation between words (text) and theme (content). Albert Cammo and Lousian Goldman in the west, Saeb Tabrizi and Dr Shafiee Kadkani in Persian literature are among this group. This group declaims that there is no separation between language and thought. This article tries to compare and study interrelationship between figures of speech (as one verbal elements of text) and world view (as subjective content) in Sohrab Sepehri and Mohammadreza Shafiee Kadkani's poems by use of Lousian Goldman's genetic structuralism theory. the main objective of this paper is that shown the interaction between language and meaning in the poem if this two Contemporary poet.

Iran is an ancient civilized country. A search in its epic literature with venerable motifs and myths can lead us to trace back the track of many social phenomena of old-time societies in Iran, and so to claim this country to have been a community, especially one the members of which had had identity and their nationalism had always supported it. The literature produced in a community will fully reflect the ideas and introspections rooted in its social conditions. Revolution, as a social phenomenon and in its modern concept rather than uprising or rebellion, has been manifested in the story of Zahhak. This story of Zahhak and Kava is a mythical narration, and while the myths are so old that no social data could be found for them, then considering the social phenomena in Persian literary texts it can be concluded that revolution is as old as the ancient Iranian community. The present paper studies Kava’s fighting against Zahhak based on Lucien Goldmann’s theory of “Genetic Structuralism” in order to conclude that the social phenomenon of revolution had been chronicled in Iran before any other community

Concept of migration as a political and social phenomenon has presence in immigrants’ cultural creative process, people who have left their home country forcibly or voluntarily. Marginalized conditions, geographical separation and cultural interaction with the host country are reflected in migration novels as kind of literature with marginalized voice, opposing existing situation in the country and present totalitarian realities which is critical mirroring of country’s political, social and cultural circumstances. Geographical separation of migration society content from home country’s realities content has caused the cultural phenomenon of migration literature’s critical declaration of autonomy, consequently with temporary engagement between migrant society content and the host country’ s, fundamental structure appears in integral content which comes in its whole form in novels of this literature genre. So the “field” of dominant realities of country of origin society, complication and fraction between migrant society and the host society is stated in migrant society wandering isolated bodies literature quest, in fictional narrative of the ones pushed out of their homeland struggling with identity crisis, not only as source of inspiration but also as subject of migrant thought process, be examined in characters interactions and  areas of narrative time and place is occurrence in  the world of text . This research will attempt to study success of migration literature genre in introduction of Afghanistan society through, comprehension of position of the genre in Afghan literature, study of evolution process of writing novels among migrant authors, and also with resorting to critical study of sociology of literature and “field’’ theory of Developmental structuralist school ,paid  To reflected the temporary situation of immigration categories at the narrative time and location  of The novel Afghan refugees.

The diversity of themes that exists in Thousand and a Night stories cannot be seen anywhere else. One of these themes is Love. Since love is a theme whose trace can be found everywhere in this book, its analysis is inevitable. From Love Stories, we mean stories in which love is the main subject from the beginning to the end. In this research, the Thousand and a Night has been analyzed with regard to its theme, and then its love stories are identified. These stories are then criticized from a sociologiacal point of view, using Goldman’s genetic structuralism. A taxonomy of these stories are delivered afterwards. This taxonomy is in fact the typology of "One Thousand and One Night" book. According to Goldmann, the work’s structures have strong associations with social structure. Therefore we should discover their underlying ideologies and their relation with larger ideologies of society and social mind. Therefore it is expected that once this research has come to a conclusion, we can at least identify the form and structure of its love stories, and tell the number of types that represent their social origins and designate the role of cultural and regional differences in the formation of these stories.

Quatrain is a form that first enjoyed wide currency among Iranian poets, then it found its way to Arab poetry; however, though it is believed by some, like Shams Qys Razi, that Rudaki first developed quatrain, due to lack of adequate documentation, there is no agreement on who was its inventor. Some believe that quatrain can be traced to the pre-Islamic form of poetry known as Khusrovani, others relate it to Sufis. In this paper, the authors believe that such arguments will never lead to a defensible result. So the issue needs to be viewed from another perspective. To do so, using Lucien Goldman’s theory of Genetic Structuralism, according to which there is a homologous relationship between the inherent structure of literary works and the key structures of the social context of the author, they have tried to show how quatrain is the reflection of rationalistic worldview of the rationalist poets of the Khurasani school of poetry rather than the evolution of Iranians pre-Islamic poetry.