دکتر عبدالله حسینی

In order for a person to be able to see the fate of all human beings, God has advised to travel to the extent that he says, "Qol Siroo fi al-Arze" the world is so big and human beings are so diverse that every human being is erased from the creation of the world., which both of these authors have taken advantage of for their writing. In terms of writing style, they also have differences. It seems that Bastani Parisi has made his text more beautiful and simple by using jokes, anecdotes, memories, poems and proverbs in his book, which basically makes the audience of his travelogue not tired of reading and More interested than following the travelogue. His main goal of choosing this style was to focus on the audience and embellish the dry and soulless realities of travel and its events and turn them into a more literary and attractive text for the audience. On the other hand, it seems that only Shadiyag spoke about some issues, such as the issue of women and hijab, the employment of numbers and figures, the precise and detailed description of architectures, the travelogue-like reporting style that makes his travelogue even more to be noticed by the audience. It seems that this difference in the ideology of these two writers goes back to their worldview, which issues are more valuable and less valuable for each of them.

Rhetoric is one of the most important literary arrays that human beings have adhered to from ancient times to the present day for several purposes like politics, preaching, and encouragement. The rhetoric consists of three parts: verbal communication, convincing, and persuasion. This literary kind requires rational and logical evidences for convincing. To persuade, meaning that the words resonate within the heart of the contact, requires a different writing style or inspiration than the other texts. This effect is applied through the preacher’s or orator’s cognition of the methods of eloquence, the rhetorical sciences and the method of induction and sequence. This research surveys the rhetoric of some famous orators from Syrian and Iranian contemporary literature, namely the Syrian writer Adeeb Ishaq and the Iranian writer Mirza Aqa khan Kermani. These two orators lived at the same era and both of them got familiar with French culture and they also met Sayyed Jamal al-din al-Afghani. In this research, we compared some of their rhetoric, relying on the descriptive-analytical approach and using the approach of the American school of adaptive literature. We achieved some results including: the introduction of the rhetoric of the Adeeb Ishaq has literary value. He writes his introductions using surprising methods, following the traditional Maqama writing methods. But Mirza Aqa khan Kermani’s style in the introduction focused on exemplification. He represents an image of his intended topic as an example and then he addresses the main core of the topic. The two writers also used short sentences and phrases to write about a topic. In the rhetoric of those orators, the emphasis is on a logical method that indicates enlightenment and the removal of incorrect traditions and beliefs and in fact, the structure serves the content in this method. It was also specified that Adeeb Ishaq is a nationalist in his affiliation and Kermani is a chauvinist, that is, inclined to extreme nationalism towards his country.

News agenda setting involves prioritizing specific news stories to shape or change audience perceptions. Al Jazeera, like other media networks, uses agenda-setting in its news stories. This study examines Al Jazeera's use of this technique and how it reveals the network's ideological objectives and writing styles. Using a content analysis methodology to examine agenda-setting in Al Jazeera's headlines indicate that three news categories are repeatedly prioritized at the surface level of Al Jazeera's news agenda: political conflicts, economic corruption, and the presence of the Iranian and American forces in Iraq. The study also analyzed how the network reports on American and Iranian forces in Iraq from 2019 to 2023, and found that Al Jazeera tends to justify the presence of American forces in the region.In addition, Al Jazeera has used various methods to illustrate different ways of framing news stories. Based on statistical analysis, negative vocabulary accounted for 31.6% of all linguistic techniques, followed by interrogative structures at 22.4%, quotations at 11.2%, metaphorical expression at 9.6%, and references and historical reviews at 3.2%. A total of 8.8% of these articles were repeated.

Halliday’s systemic functional theory is one of the most important theories in text linguistics that cateres to formation of language and texture of text and forms. It is based on three meta functions: ideological, interpersonal and textual. This theory is considered a suitable model for the stylistics of text discourse and it can help to understand all aspects of author's discourse style. The present research was investigated with an analytical method and systemic functional linguistics approach on 42th sermon of Nahj al-Balagha based on the ideological and textual meta-functions in order to achieve the imam's discourse style and deeper understanding of the subtleties and hidden values ​​in the sermon. The results showed that the extent to which imam uses all kinds of processes is in harmony with the content of sermon and because of the content of sermon, which is related to mental affairs such as following the passions and long wishes, and knowing the most important differences between this world and the hereafter. Mental processes (0.050) and relational processes (0.031.25) have the biggest role in shaping the discourse of the sermon. From the point of view of textual meta-function, imam has expanded the concepts of sermon using structural factors (composite initiator (0.088), mark (0.075), creating new and old information (0.050) and has created a coherent connection between different clauses of the sermon by applying techniques of non-structural factors, grammatical, relational and vocabulary coherence. In fact, imam has established discourse style of the sermon according to the situational context and his knowledge of the audience to prevent their pride and sense of worldliness after victory.

The phenomenon of linguistic substitution is characterized by textuality, and it contributes to the creation of a coherent text so that the messages of Imam Ali (peace be upon him) were linguistically replaced by linguistic and semantic connections to infuse them with new linguistic manifestations. On the basis of the argument that the imam’s speech can contribute to participation in linguistic theories and phenomena, including the phenomenon of linguistic substitution, the article aims at the role of the imam’s speech in enriching the phenomenon of linguistic substitution with new linguistic manifestations and concepts and clarifying the type of substitution he has in addition to knowing its form. It seeks to answer how the forms of substitution and their semantic features in the Imam’s letters, and to show his linguistic vision towards substitution, and in this field he followed the descriptive-analytical approach, relying on semantics and linguistic views to clarify the objectives and questions, so that he concluded that the form of substitution may vary in substance and overlap in form and vice versa. It merges with the stylistic aspect, and there is a tandem lexical substitution, so that the forms of substitution of the Imam fall under the lexical and grammatical level, and may come out to the rhetorical and stylistic level so that they combine with the stylistic aspects, which generates the lexical and grammatical level as a rhetorical and stylistic level as linguistic and semantic features so that the Imam’s.

This study aims to analyze the components of magical realism in the Tunisian novel "Waqa'a al-Madinah al-Ghariba" and find out how "Abd al-Jabbar al-Osh," the author of this novel, relies on the genre of magical realism or presents facts through the lens of amazing and imaginary things has been able to express political and social problems and shortcomings easily. The success of this Arabic novel in receiving the Tunisian Kumar Literary Award and the fact that this Tunisian novelist is unknown among the literary and academic community of Iran explains one of the necessities of this research; The next issue is the expression of political and social criticism in this novel, which is not limited to Tunisian society and in some way overlaps with the problems of our society today.The authors of the study, after reviewing the novel "Waqa'a al-Madinah al-Ghariba," found in a descriptive-analytical method that "Abd al-Jabbar al-Osh," relying on components such as the plot of the fantastic events, symbolization, contrast between modernity and tradition, socio-political theme and also expressionist descriptions that are among the standard components of magical realism stories have also succeeded in expressing the depth and breadth of the social and political problems of Tunisian society, In this way, by informing the reader, he encourages him to make a change in society. In this story, Al-Osh blurs the line between reality and fantasy. He uses his humorous language as a spice to depict the bitterest and darkest events of the day in a fascinating frame for his audience. After the plot of unique events, symbols in this story play a significant role. This is because discovering complex things is more appealing to the audience; Thus, in characterization and when expressing his criticisms, Al-Osh uses symbolism as his means of work.

The issue of linguistic functions is considered one of the new subjects in linguistics, and it is noteworthy that these functions have a significant effect on the transmittance of meaning to receivers, maintenance of original language, more explanations or even provoking the audience feelings; otherwise, the translation may be incorrect or even the meaning may be concealed completely. According to Karl Bühler's goal of presenting language roles including, composite, referential, expressive, persuasive, and emotional roles, any translator should translate the text by considering the construct of the sentence as well as the linguistic function required for it so that the translated text has the same effect. This study is a descriptive-analytic one and it investigates the Persian translation of the book 'Alvaghyeo Alghariba Fi Ekhtefae Saeid Abi Alnahs Almotashael', written by Emil Habibi and translated by Ehsan Moosavi Khalkhali into Persian under the title 'Vaghaye Gharibe Gheb Shodan Saied Aboo Nahs Khoshbodbin'. This study investigated Persian translation by considering the above-mentioned linguistic functions including, composite, referential, explanatory, persuasive, and emotional roles, and their effects on translation. Regarding the translated book, it was found that the translator have used mostly compound then referential translations respectively. Explanatory translation comes after the two previous ones with a high difference, and affective function has been markedly less used.

Prison literature is one of lyric literatures which is formed proper to social and political conditions of different communities and is narrative of truthful emotions of those who have been captivated with the penalty of freedom loving and were persecuted and tortured. Aimanulatum)1972) and Bozorg Alavi (1907) are of Arabic and Persian contemporary literature authors who have started literary creation in this domain. the novel "ya sahebi- al- sejen" is the story of 18 months imprisonment of a Jordan writer with the penalty of composing a verse criticizing government and fighting against the high price of bread and inviting the communist party to protest against the governing system in this verse. the novel “fifty three people" tries to expnine grimness and disgracing actions of the prison agents to leftist political prisoners in the frame of fifty three people with the centrality of the author himself and doctor Arani and reflexes an image of social- political space of Rezashah - Pahlavi black period. The present research tries to investigate and comparatively analyze the two selected novels in terms of literature with analytical - descriptive method and based on American school of comparative literature, and coms to the result that the both authors purpose in writing these novels is to describe the enlightment space and the way of governments interactions with intellectuals in Iran and Jordan؛with this difference that freedom of the fifty three people is the starting spot of the fighting The most important  images of prison literature in both novels include threat and torture, hunger strike and relation to family.

"Social science fiction" literature deals with the impact of scientific advances and emerging ideologies on human beings, this is a kind of foresight that predicts the dangers and catastrophes that may occur in the future. This aspect of science fiction is of particular importance in Arabic literature because the Arab countries have never been at the forefront of technological advances, but they have always dealt with the worst social catastrophes, and naturally they are also the most creative in this field This research presents a futuristic analysis of the "Utopia" novel based on a descriptive-analytical method and relying on the opinions of experts in the field of social science fiction literature because the characteristics of this literary branch are clearly seen in the novel. And it concludes that the author creates a duality of utopia and anti-utopia and promotes it throughout the novel in order to expose social wounds during it. And it was inspired by the bitter truths of the Arab countries, such as the French invasion, the July war, and the situation in Iraq and etc. which the Arab countries have faced in contemporary history, and finally warns that they are skeptical of emerging ideologies. And look with suspicion, because the paradise that dreams of being realized may be just a hell in the shadow of these new ideologies which leads to class conflict, dictatorial rule, colonialism and other economic problems.

The main purpose of this study is to introduce Mohammad Afifi Matar as a poet and an author of several books who has a certain individual way of thinking and inciting poems which are all about using symbols and various rhetoric materials. He is one the poets who no longer use symbols in a literary matter but not only does he appear as a behaviorist but he also tends to introduce himself as a political critic that can find and reveal deep concerning issues and offer proper solutions to solve them. Based on his poems, it seems that Afifi Matar is always trying to purposefully create different layers of meanings by presenting philosophical thoughts with words that are capable of having different meanings. Daniel Chandler, a contemporary literary theorist, is among the many who have set their minds on finding new aspects and reaching fresh understandings based on existing words and sentences or verses a poem in which you can eventually have knowledge that cannot be achieved through the first look. Chandler believes that any symbol can be either a used one in a new form that has no refreshing meaning to offer or it’s a fresh meaning hidden inside an old symbol waiting to be found. As an example, when Afifi Matar uses the symbol of “blood” in his poems, he tries to represent that not as a simple key to sacrifice but as a worthy price that only a few can and want to pay to gain access to freedom or retrieve what once was theirs.

Narrative is the main element in a work of fiction. It takes various forms according its type and approach. One of the important forms of narration in the postmodern novel is the use of episodes in which the novelist, instead of narrating the incident in a macro form, narrates the subject in the form of sub-narratives. It avoids dividing the narrative into traditional elements such as introduction, middle and conclusion. In the postmodern method, the author creates a technical and attractive narrative by focusing on the use of different characters, interactions among narrative levels and conceptual and semantic correlations.In fact, an important function of the novel in recent times has been the use of a new method of narration that is different from traditional and past methods. In this period, the narrative has walked away from its famous and conventional form and is based on contradictions, confusion and disruption of logical rules and natural order among the elements of the story. Therefore, in the postmodern period of the novel, it is not enough to know about a genre or a method to study the narrative; rather, different types and methods of narration should be examined separately. This is because today's fiction, unlike the works of the past that followed certain forms and shapes, is not designed in specific formats and structures; there are general features for narration in the postmodern novel. This form of narrative, which leads to the creation of polyphony, is an important goal of the modern novel, and episodic narrative is a tool to achieve it. An author can create different sounds and narratives by using these two techniques simultaneously.The latest trend in the literature, known as "postmodernism," influenced the Arabic novel. Hoda Barakat is a writer who was influenced by this method in her works, especially in the novel "Barid Al-Layl". She was born in Beirut in 1952 and taught journalism there. Now, she lives in Paris. So far, six novels, two plays, a collection of stories and a self-portrait have been published by this author, and her latest work, entitled "Barid Al-Layl", has attracted the attention of literary circles and won the most important award for Arabic novel. Hoda Barakat's novel "Barid Al-Layl" is the latest work by this prominent Lebanese novelist, which, considering its structure, style and other characteristics, is a unique work that won the Booker Prize for Literature. Using a lettering style, the novel is composed of independent and separate episodes and scenes, but they are related in terms of meaning and concept.Following the various deconstructions and aberrations that have occurred in the postmodern narrative, Barakat turned to new methods, including episodic narrative. In this narrative method, the author avoids using a familiar and traditional macro-structure, and the narrative is divided into sections and subsections. Instead of telling a long and connected story, the novelist uses several micro-incidents or presents the same incident in the form of sub-narratives. An important tool for this technique is the letter-writing style, which was why Hoda Barakat adopted the style of episodic narration in the novel "Barid Al-Layl".Research

By recognizing the type and method of narration in the postmodern novel by Hoda Barakat, this study has examined the components of episodic narration as a tool for this technique. This article is written in a descriptive-analytical manner, and examines the style in the novel using new theories about the postmodern novel.

Hoda Barakat's novel "Barid Al-Layl" makes use of the episodic technique and divided the novel into smaller sections. The author has avoided the grand narrative and avoids heroism and the presentation of extraordinary characters. In order to give his work a novel-like form and to show its difference from the short story, he sticks to semantic attachments and the overlap of narrative levels. In fact, in his episodes, the author has used fragmentary narratives that are connected by certain factors. Hoda Barakat has used five to seven sub-narratives in the novel "Barid Al-Layl". The novel is narrated in episodes and sections, each of which has its own independence. The author has avoided the traditional sequences in the plot. With sub-narratives, he has tried to give objectivity to the depth of the displaced tragedy and to approach reality. This is because showing several characters and several events appropriate to this case enhances the credibility of the events. In spite of such multiplicity and sub-narratives in the theme of homelessness and displacement, Barakat has established unity among the sub-narratives and, through the interference of the narrative levels, has created a temporal connection in spite of a narrative break. Using the episode "At the airport" and the final section "Death of the postman", he has highlighted this connection.

A post-colonial criticism approach is considered as comparative literature and cultural studies to analyze the colonial feedback in literary contexts and explore the component of the post-colony in the literature. This theory deals with the conflict between Eastern inferior and Western superior thought foundations and tries to show the results between colonialism and the colony. Ahmad Saadawi, the writer of “Frankenstein in Baghdad” novel, is among those authors who has put a high priority on struggling against colonialism. He depicts the consequences of the occupation of Iraq by the U.S. Army and his writing is considered as a complex allegory of tribal violence in Iraq following the U.S. invasion. Therefore, the analysis of this author’s thoughts is significant in postcolonial literature. The present result reveals that how the author could present the political, social, and economic effects in Iraq in a fictional novel by turning into the anti-colonial perspective. The author illustrates the feeling of chaos in his land and creates an imaginary character that has a fragmented identity. Saadawi endeavors to presents the effects of colonialism in its modern form by making this imaginary creature that aims towards the establishment of justice. This study written as the perspective of post-colonial criticism using the descriptive-analytical approach investigates the components of post-colonialism, such as Western centralization, moral issues, and identity fragmentation. Besides, this study highlights the reliance on beliefs and religion to achieve a former identity to oppose the belief in the superiority of the Western race and anti-colonialism.

Existentialism is a grueling attempt to understand the nature of existence and to reveal the meaning of life through situations and events، a process that demands the importance and value of human individual existence and teaches man how to decide and act on his own. Sartre's philosophy of existentialism is distinguished by its expansion and dissemination،and may be more appropriate for the spirit of the age. This philosophy welcomes the novel and its psychological style، which allows the narrator to use the front of the price on the characters of these novels to delay the issuance of the principle of existence. The value of this philosophy goes back to the many manifestations of anxiety،responsibility،freedom and choice. The novelist Umayyah al-Khamis was able to reflect these effects in the novel Masri al-Gharaniq fi Madan al-Aqeeqah about the character of Mazid al-Hanafi،the protagonist of the novel،at the same time in the context of a diverse cultural and religious current. Through these manifestations، Mazid al-Hanafi sought to give life to a declining philosophy before it disappeared from the cultural scene of the time. With Sartre's analytical approach،we extracted the manifestations of the existentialism of the protagonist of the novel، through which he was able to achieve his existence and identity، and to take care of another and seek him out.The results show that we find these manifestations in the behavior and thoughts of the hero in Mu'tazilite thought Where we can not deny and take the existentialist influence from this thought.

post–colonialism is the term that historians have used in the post–world war ll era to show the era that followed most of the world’s independence from modern western colonialism. Post-colonial discourse is one of the fruits of post–colonial theory invented by Edward Said and is one of the contemporary literary approaches that relate to its mission to theorist and colonial issues.
In this article, we aim to discuss one of the famous contemporary Arab Jordanian novels written in this regard, which are the Dafater Al-tufan of Samiha Khreis , based on Edward Said’s theory to explore post–colonial features in it we concluded that the author refers accurately and technically to the post–colonial problem in Arab society through the tongue of different things and inanities and is equally concerned with all the post–colonial features presented in its narrative effect, and it has not favored one over another post–colonial components have been used in public affairs familiar to Arab life and refer to them artfally. Then Khreis reflects in the Dafter Al-tufan some characteristics against colonialism, such as the confrontation against the domination of the West, the center, the margin, nationality, freedom, independence and the lowly with special skill.

Teaching Arabic through play is one of the best ways to increase students' motivation and learning. The main purpose of this article is to investigate the impact of Arabic educational games on learning and inner and outer motivation of female students in Saveh city. This study was a quasi-experimental study with pre-test and post-test with control group. The statistical population consisted of 210 seventh grade students in two schools in Saveh city, 30 were randomly assigned to the experimental group and 30 to the control group. Data collection tools included the modified Harter Academic Motivation Questionnaire (1981) and a standard researcher-made questionnaire. The game-based training was conducted in four 30-minute sessions. The games were designed electronically and researcher-made to achieve the translational educational goals of some seventh grade Arabic lessons. The scientific evaluation was done by two quantitative tests. Motivation variables were calculated using the modified Harter questionnaire by Likert method. The data were analyzed by SPSS software using independent t-test. The results showed that teaching Arabic through play did not have a significant effect on students' learning and motivation.

Narratology, which helps to study structural elements of literary texts, is an important aspect of literary theory, and has generated much criticism in the field of contemporary literature. Gérard Genette is one of the pioneers of narratology and has identified five central categories that make up the narrative elements of story: system, continuity, narrative frequency, shape and tone. The aim of this study is to take advantage of Genette’s narrative categories to analyze narrative techniques in Warraq Al-Hob novel written by the contemporary Syrian author, Khalil Sweileh. The search achieves the following findings first person point of view is used in this novel and the narrator is the main character; there is a gap between the time of the narration and the time when events occur; and the narrator narrates the events after the event. To put it differently, the story is narrated in non-chronological order, which indicates that the novel contains a paradox. Also the Genettian system, continuity and narrative frequency are used. There are two narrative methods and techniques in terms of size and continuity in the novel: (1) there is a positive acceleration that usually takes a short volume of the novel to tell about a long event and (2) there is the negative acceleration of the narration, in which the events are mentioned in more detail. We also note that the writer uses dialogue and description of elements to slow down the speed of the narration. In addition, we observe the use of various narrative identified by Genette. The author informs the recipient of events what happens in his novel step by step. In addition, we observe that Sweileh began his novel in an introductory way, but the end of the story readers come to know  that the novel is an introduction to a novice writer who wants to write a love story. This is a narrative technique developed by Sweileh in order to confuse the mind of the reader. Then it seems that Khalil Sweileh was able to come to terms with what he learned and that he mentions different titles in his account to the audience. We can point out that the repeated description of an event is one of the salient features in the narrative structure of the novel, which exemplifies the technique of recurrence or narrative frequency. The narrator tells the story of events that happened several times in a similar way, and his narration is amazing every time. The author integrates a number of literary texts into his narration. The relationship between the identity of the author and the date of reading and the time associated with the author is referred to when "The History of Reading" is mentioned in which the writer imaginatively lives with Jorge Luis de Borges. Warraq Al Hob is one of the most prominent works of Khalil Sweileh Roulieh. In fact, this novel is a story about writing a story. It is about writer struggling to write a story about love and history and was inspired and started to write his own story about his real world, his mind and his imagination, as well as the literary information he acquired during his lifetime to write. The author can be compared with world-famous writers such as "Gabriel Garcia Marquez (author of the novel" One Hundred Years of Solitude "), Nizar Qabbani, and Alberto Mangel. In the novel, the author simultaneously experiences humor, joy, and sometimes hatred. He also experiences other writers’ experiences, or is inspired by writing world writers in some places such as writing in the kitchen; refers to the events that occurred to him and mentions historical events that he came across in historical or romantic books. Probably that is why he named the novel Warraq Al Hob.

The poems of Tawfiq Ziād are blended with signs and symbols that multiplied the charism of resistance poems, and their emotional feeling have influences on the addressees. The signs in Tawfiq’s poems are accompanied by the images of fatherland love that can convey the main message of the poem. Applying Peirce's semiotic model in the criticism of resistance poems in addition to analysis and decoding these poems, can be effective in understanding the thoughts of this great poet. So, the present article tries to analyze in an analytic-descriptive method the characteristics of the ode Kalimāt li al-Vatan (Words for fatherland) by Tawfiq Ziād from semiotic approach based on Pierce theory that is on the triad of icon, index and symbol basis. This article intends to make clear that what sort of aesthetic signs are used by Tawfiq Ziād, the contemporary Palestinian poet, and how he used aesthetic signs to influence the addressees, as well as to reveal how we can reach hidden aspects of the poet's thoughts in using signs and codes in the light of semiotic, interpretative and semantic criticisms. This article shows that Pierce semiotic theory is an appropriate pattern for research in modern poems and is more powerful than the traditional rhetorics in terms of interpretation. Furthermore, due to the nature and type of resistance poems that are composed in the atmosphere of tyranny and suffocation, their signs are implicit and mysterious. In this ode the symbolic signs are more than iconic signs and indces.

Most of the Eastern people who have traveled to the West have been fascinated by the progress of the West. Thus. they mainly turn aside from the East and its cultural manifestations and try to compare the East and the West to conclude the cultural superiority of the latter. Although such a comparison comes along with some factual details. it shows essentially the fascination of these people with the West and the way they exaggerate in expressing its cultural development. This article is an effort to make a comparative study of Mirzª Sªleh Shirazi’s Travelogue and Rifa’a Al-Tahtªwi’s Takhlis Al-Ibriz from Egypt based on the Slavic school and elaborate on the conflict between the oriental “Me” and the Western “Other”. The results show that both writers believed that the despotic political system. illiteracy and widespread ignorance and superstition were the main reasons why Eastern countries were left backward and undeveloped. Moreover. the research shows that Mirzª Sªleh was more fascinated with the European culture and civilization than Rifa'a al-Tahtªwi. though the latter endeavored to describe impartially the West in its positive and negative features. Finally. Rifa'a al-Tahtªwi's language and literary style and objective description are more solid and effective than those Mirzª Sªleh Shirªzi. Tahtªwi depicts the West with his strong literary style and exaggerates it in his articles but implicitly refers to the East's preference for the West in its aspects of civilization. civilization and culture in its lines of journeys. and tries to convey to the Egyptian or Arab interlocutors that it is necessary to look for the causes of its ancient civilization in its rich heritage Taking advantage of the civilization of the West. especially the French. Mirzª sªleh is also an exaggeration in the portrayal of the Westerner and his exaggeration in mentioning his material to the Eastern Iranian nation. The book of Mirzª Sªleh Shirªzi’s Travelogue is characterized by the positions and stories of the owner and his meetings and dialogues and discussions with others and the incidence of accidents and surprises and joys and sorrows. while introducing Rifa’a Al-Tahtªwi’s Takhlis Al-Ibriz on such things and was more likely to be an analyst describing without going into the positions and stories that were presented on his trip.

Reading of the city as a kind of end of the nineteenth century and the problem has been considered by many as the real and imaginary utopia or fictional Land of Dreams, one of the main building within the techniques of novel-writing in the twentieth century validity of river. This study is a follow up to the standards and principles of George Wells on Utopia provides theory and then analyze and critique the novel «Asabeona allati Tahtareq» (hands of the fire is) The effect of Suhayl Idris employs. This paper addresses the following issues: